Chapter 9
Transculturating Shakespeare
Vishal Bhardwaj’s Mumbai Macbeth
Article outline
- Acts of Shakespearean recontextualization
- Recontextualization in Maqbool
- Conclusion
-
Notes
-
References
References (51)
Adiga, Aravind
2008 The White Tiger: A Novel. New York: Free Press.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Adiga, Aravind
2011 Last Man in Tower. London: Atlantic.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Alter, Stephen
2007 Fantasies of a Bollywood Love Thief: Inside the World of Indian Moviemaking. New Delhi: HarperCollins.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Barmazel, Julie
2008 “
‘The Servant to Defect’: Macbeth, Impotence, and the Body Politic.” In
Macbeth: New Critical Essays, edited by
Nick Moschovakis, 118–131. London: Routledge.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Bhabha, Homi K.
1985 “
Signs Taken for Wonders: Questions of Ambivalence and Authority under a Tree outside Delhi, May 1817.”
Critical Inquiry 12 (1): 144–165.
![DOI logo](https://benjamins.com/logos/doi-logo.svg)
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Bhabha, Homi K.
1990 “
Introduction: Narrating the Nation.” In
Nation and Narration, edited by
Homi K. Bhabha, 1–7. London: Routledge.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Bhardwaj, Vishal
2006 “
Today Othello, Tomorrow Hamlet?” By
Raja Sen.
The Rediff Interview,
July 27.
[URL].
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Bloom, Harold
(1973) 1997 The Anxiety of Influence: A Theory of Poetry. 2nd ed. Oxford: Oxford University Press.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Burnett, Mark Thornton and Ramona Wray
eds. 2006 Screening Shakespeare in the Twenty-First Century. Edinburgh: Edinburgh University Press.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Cardwell, Sarah
2002 Adaptation Revisited: Television and the Classic Novel. Manchester: Manchester University Press.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Cartelli, Thomas and Katherine Rowe
2007 New Wave Shakespeare on Screen. Cambridge: Polity Press.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Dasgupta, Rana
(2014) 2015 Capital: The Eruption of Delhi. Edinburgh: Canongate Books.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Dionne, Craig and Parmita Kapadia
2008 “
Introduction: Native Shakespeares: Indigenous Appropriations on a Global Stage.” In
Native Shakespeares: Indigenous Appropriations on a Global Stage, edited by
Craig Dionne and
Parmita Kapadia, 1–18. Aldershot, Hampshire: Ashgate.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Elliott, Kamilla
(2003) 2009 Rethinking the Novel/Film Debate. Cambridge: Cambridge University Press.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Fischer, Michael M. J. and Mehdi Abedi
1990 Debating Muslims: Cultural Dialogues in Postmodernity and Tradition. Madison: University of Wisconsin Press.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Frassinelli, Pier Paolo
2008 “
Shakespeare and Transculturation: Aimé Césaire’s A Tempest
.” In
Native Shakespeares: Indigenous Appropriations on a Global Stage, edited by
Craig Dionne and
Parmita Kapadia, 173–186. Aldershot, Hampshire: Ashgate.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Gaudreault, André and Philippe Marion
2004 “
Transécriture and Narrative Mediatics: The Stakes of Intermediality.” In
A Companion to Literature and Film, edited by
Robert Stam, and
Alessandra Raengo, 58–70. Malden, MA: Blackwell.
![DOI logo](https://benjamins.com/logos/doi-logo.svg)
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Goh, Robbie B. H.
2014 “
Global Goondas? Money, Crime and Social Anxieties in Aravind Adiga’s Writings.” In
Indian Writing in English and The Global Literary Market, edited by
Om Prakash Dwivedi and
Lisa Lau, 143–163. Basingstoke, UK: Palgrave Macmillan.
![DOI logo](https://benjamins.com/logos/doi-logo.svg)
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Greetham, David
2010 The Pleasures of Contamination: Evidence, Text, and Voice in Textual Studies. Bloomington: Indiana University Press.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Haider
2014 Dir.
Vishal Bhardwaj.
Film. India. VB Pictures.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Huang, Alexander C. Y. and Charles S. Ross
eds. 2009 Shakespeare in Hollywood, Asia, and Cyberspace. West Lafayette, IN: Purdue University Press.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Hutcheon, Linda
(2006) 2013 A Theory of Adaptation. 2nd edition. London: Routledge.
![DOI logo](https://benjamins.com/logos/doi-logo.svg)
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Jackson, Russell
2007 Shakespeare Films in the Making: Vision, Production and Reception. Cambridge: Cambridge University Press.
![DOI logo](https://benjamins.com/logos/doi-logo.svg)
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Jess-Cooke, Carolyn
2006 “
Screening the McShakespeare in Post-Millennial Shakespeare Cinema.” In
Screening Shakespeare in the Twenty-First Century, edited by
Mark Thornton Burnett and
Ramona Wray, 163–184. Edinburgh: Edinburgh University Press.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Jha, Subhash K.
2004 “
A Class Act.”
Deccan Herald,
February 15.
[URL].
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Jha, Subhash K.
2013 “
CBFC Asks to Remove Comment on Indira Gandhi from Midnight’s Children
.”
The Times of India,
January 15.
[URL].
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Kennedy, Dennis and Yong Li Lan
(2010) 2013 Shakespeare in Asia: Contemporary Performance. Cambridge: Cambridge University Press.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Lowe, Victoria
2010 “
‘Stages of Performance’: Adaptation and Intermediality in Theatre of Blood (1973).”
Adaptation 3 (2): 99–111.
![DOI logo](https://benjamins.com/logos/doi-logo.svg)
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Maqbool
2003 Dir.
Vishal Bhardwaj.
Film. India. Kaleidescope Entertainment.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
McGill, Craig M.
2014 “
Sweeney Todd: Hypertexuality, Intermediality and Adaptation.”
Journal of Adaptation in Film & Performance 7 (1): 41–63.
![DOI logo](https://benjamins.com/logos/doi-logo.svg)
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Mendes, Ana Cristina
2010 “
Exciting Tales of Exotic Dark India: Aravind Adiga’s The White Tiger
.”
The Journal of Commonwealth Literature 45 (2): 275–293.
![DOI logo](https://benjamins.com/logos/doi-logo.svg)
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Mendes, Ana Cristina
2016 “
The Marketing of Postcolonial Literature.” In
Postcolonial Studies Meets Media Studies: A Critical Encounter, edited by
Lucia Krämer and
Kai Merten, 215–231. Bielefeld: Transcript.
![DOI logo](https://benjamins.com/logos/doi-logo.svg)
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Mishra, Vijay
2006 Bollywood Cinema: A Critical Genealogy. Wellington: Asian Studies Institute, Victoria University of Wellington.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Mistry, Rohinton
(
1995) 2006.
A Fine Balance. London: Faber and Faber.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Nair, Nimisha
2012 “
Deepa Mehta’s ‘Midnight’s Children’ Under Fire for Showing Indira Gandhi in Poor Light.”
International Business Times,
December 13.
[URL].
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Omkara
2006 Dir.
Vishal Bhardwaj.
Film. India. Shemaroo Entertainment.
Poonam, Trivedi and Minami Ryuta
eds. 2010 Re-playing Shakespeare in Asia. New York: Routledge.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Prakash, Gyan
2011 Mumbai Fables. Princeton, NJ: Princeton University Press.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Punzi, Maddalena Pennacchia
2007 Literary Intermediality: The Transit of Literature through the Media Circuit. Bern: Peter Lang.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Rushdie, Salman
(1981) 1995 Midnight’s Children. London: Vintage.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Rushdie, Salman
(1988) 1989 The Satanic Verses. New York: Viking.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Rushdie, Salman
1991 “
Imaginary Homelands.” In
Imaginary Homelands: Essays and Criticism 1981–1991, by
Salman Rushdie, 9–21. London: Granta.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Seth, Vikram
1993 A Suitable Boy. London: Phoenix.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Shohat, Ella and Robert Stam
1998 “
Narrativizing Visual Culture: Towards a Polycentric Aesthetics.”
In The Visual Culture Reader, edited by
Nicholas Mirzoeff, 37–59. London: Routledge.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Stam, Robert
2004 “
Preface.” In
A Companion to Literature and Film, edited by
Robert Stam and
Alessandra Raengo, xiv–xxv. Malden, MA: Wiley-Blackwell.
![DOI logo](https://benjamins.com/logos/doi-logo.svg)
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Trivedi, Poonam
2007 “
‘Filmi’ Shakespeare.”
Literature/Film Quarterly 35 (2): 148–158.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Vasudevan, Ravi S.
2007 “
Neither State nor Faith: The Transcendental Significance of the Cinema.” In
The Crisis of Secularism in India, edited by
Anuradha Dingwaney Needham and
Rajeswari Sunder Rajan, 239–264. Durham, NC: Duke University Press.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Varma, Rashmi
2004 “
Provincializing the Global City: From Bombay to Mumbai.”
Social Text 22 (4): 65–89.
![DOI logo](https://benjamins.com/logos/doi-logo.svg)
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Voigts-Virchow, Eckart
2009 “
Metadaptation: Adaptation and Intermediality – Cock and Bull.”
Journal of Adaptation in Film & Performance 2 (2): 137–152.
![DOI logo](https://benjamins.com/logos/doi-logo.svg)
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Whelehan, Imelda
1999 “
Adaptations: The Contemporary Dilemmas.” In
Adaptations: From Text to Screen, Screen to Text, edited by
Deborah Cartmell and
Imelda Whelehan, 3–19. London: Routledge.
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Wiese, Annjeanette
2015 “
Telling What is True: Truthiness and Fictional Truths in Hybrid (Non)Fiction.”
Prose Studies 37 (1): 66–82.
![DOI logo](https://benjamins.com/logos/doi-logo.svg)
![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Cited by (1)
Cited by 1 other publications
Mendes, Ana Cristina
2021.
The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy inShakespeare WallahandThe Last Lear.
Text and Performance Quarterly 41:3-4
► pp. 300 ff.
![DOI logo](//benjamins.com/logos/doi-logo.svg)
This list is based on CrossRef data as of 26 june 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
Any errors therein should be reported to them.