Cover not available
Part of
Where is Adaptation?: Mapping cultures, texts, and contexts
Edited by Casie Hermansson and Janet Zepernick
[FILLM Studies in Languages and Literatures 9] 2018
► pp. 197–210

Chapter 11
The practice of adaptation in the Turkish Republic

Patriotic communities

Article outline
  • Translation, adaptation, and authorship: Kemal Tahir and Mickey Spillane
  • Adaptation and cultural recycling in Yeşilçam
  • Diziler : Adaptation and transculturation for the small screen
  • Notes
  • References
Published online: 16 October 2018
DOI logo
https://doi.org/10.1075/fillm.9.12raw
References
Aksoy, Süreyya
2009 “Buket Uzuner’i Halit Ziya’ya Bağlayan Aşk-ı-Memnu: İki Romanda Babalar ve Kızları.” [ Forbidden Love Connects Buket Uzuner to Halit Ziya: Fathers and Daughters in the Two Novels”] Varlık Sep. 2009: 37–45.Google Scholar
Arslan, Savaş
2011 Cinema in Turkey: A New Critical History. Oxford: Oxford University Press.Google Scholar
Aşk-ı-Memnu
1975 Dir. Halit Refiğ. Television. TRT 1.Google Scholar
Aşk-ı-Memnu
2008–2010 Dir. Hilal Saral and Barış Yöş. Television. Kanal D. Google Scholar
Berktaş, Esin
2013 “The Cinema in Turkey during [the] 1940s.” International Journal of Social, Behavioral, Educational, Economic, Business and Industrial Engineering 7 (2): 380–389.Google Scholar
Drakula İstanbul’da. (Dracula in Istanbul)
1953 Dir. Mehmet Muhtar. Film. Avni Film.Google Scholar
Dünyayı Kurtaran Adam. (The Man Who Saved the World)
1982 Dir. Çetin İnanç. Film. Anıt Ticaret.Google Scholar
Fıstık Gibi. (You’re Beautiful)
1970 Dir. Hulki Saner. Film. Saner Film.Google Scholar
Fıstık Gibi Maşallah. (Maşallah, You’re Beautiful)
1964 Dir. Hulki Saner. Film. Saner Film.Google Scholar
Göksel, Mehmet Aziz
2014 “The World of ‘The Man Who Saved the World.’” Human: Journal for Interdisciplinary Studies 4 (2): 23–29.Google Scholar
Gürçağlar, Şehnaz Tahir
2008 The Politics and Poetics of Translation in Turkey, 1923–1960. Amsterdam: Rodopi.Google Scholar
İngiliz Kemal
1968 Dir. Ertem Eğilmez. Film. Kemal Film.Google Scholar
İngiliz Kemal
2011 Dir. Aydın Bulut. Television. TRT.Google Scholar
İngiliz Kemal Lavrens’e Karşı. (English Kemal against Lawrence)
1952 Dir. Lütfi Ö. Akad. Film. Kemal Film.Google Scholar
İngiliz Kemal’in Oğlu. (Son of İngiliz Kemal)
1968 Dir. Osman F. Seden. Film. Kemal Film.Google Scholar
İkinci, F. M. [Kemal Tahir]
(1954) 2006 Ecel Saati. (The Deadly Watch). İstanbul: İthaki Yayınları.Google Scholar
Khatib, Lina
2012 Introduction to Storytelling in World Cinemas Vol. 1: Forms , edited by Lina Khatib, 1–7. New York: Columbia University Press.Google Scholar
Lawrence, T. E.
(1922) 1999 Seven Pillars of Wisdom. Ware, UK: Wordsworth Classics of World Literature.Google Scholar
Murray, Simone
2012 The Adaptation Industry: The Cultural Economy of Contemporary Literary Adaptation. New York: Routledge.DOI logoGoogle Scholar
Mutlu, Melek Merve
2013 “Women and Tradition in Turkish Television Culture: The Modern Day Representations of Rape and Pre-Marital Sexuality.” Master’s Thesis. University of Uppsala.Google Scholar
Plan 9 from Outer Space
1959 Dir. Edward W. Wood. Film. Reynolds Pictures.Google Scholar
Raw, Laurence
2005 “T. E. Lawrence, the Turks, and the Arab Revolt in the Cinema: Anglo-American and Turkish Representations.” Literature/Film Quarterly 33 (4): 252–261.Google Scholar
2010 “Yemekteyiz.” Scope, February.Google Scholar
2011a “Ayhan Işık: Long Live the King.” In Exploring Turkish Cultures, 250–259. Newcastle-upon-Tyne, UK: Cambridge Scholars Publishing.Google Scholar
2011b “The Many Faces of Türkân Şoray.” In Exploring Turkish Cultures, translated by Baran Germen, 260–274. Newcastle-upon-Tyne, UK: Cambridge Scholars Publishing.Google Scholar
2013a “Dracula in Istanbul.” In Directory of World Cinema: Turkey, edited by Eylem Atakav, 70–71. Bristol: Intellect.Google Scholar
. ed. 2013b The Silk Road of Adaptation: Transformations across Disciplines and Cultures. Newcastle-upon-Tyne, UK: Cambridge Scholars.Google Scholar
ed. 2013c “ Ugly Betty on Turkish Television: Updating Popular Cinema.” In TV’s Betty Goes Global: From Telenovela to International Brand, edited by Janet McCabe and Kim Akass, 161–166. London: I. B. Tauris.Google Scholar
2017a Six Turkish Filmmakers. Madison: University of Wisconsin Press.Google Scholar
. ed. 2017b Value in Adaptation. Jefferson, NC: McFarland.Google Scholar
Raw, Laurence, Tanfer Emin Tunç, and Gülriz Büken
eds. 2009 Theme of Cultural Adaptation in American History, Literature, and Film. Lewiston, NY: Edwin Mellen.Google Scholar
Roditi, Edouard
1960 “Letter from Turkey.” Books Abroad 34 (1): 18–21.DOI logoGoogle Scholar
Şahin, Elmas
2015 “Fall of Women in British Literature and Turkish Literature of [the] Nineteenth Century: A Comparative Approach.” The Journal of Academic Social Science Studies 33 (2): 83–97.DOI logoGoogle Scholar
Sanay, Recai
1954 İngiliz Kemal Yakınşark Cumhuriyetçileri Arasında. (İngiliz Kemal and the Near Eastern Republicans). İstanbul: Nebioğlu Yayınları.Google Scholar
1947 Türk Casusu İngiliz Kemal. (İngiliz Kemal, the Turkish Spy). İstanbul: Nebioğlu Yayınları.Google Scholar
1950 Türk Casusu İngiliz Kemal’ın İkinci Dünya Harbi Maceraları. (The Turkish Spy İngiliz Kemal’s Second World War Adventures). İstanbul: Nebioğlu Yayınları.Google Scholar
1951 Türk Casusu İngiliz Kemal Yunan Zindanlarında. (The Turkish Spy İngiliz Kemal in the Greek Jails). İstanbul: Nebioğlu Yayınları.Google Scholar
Sensiz Olmuyor
2005 Created by Hakan Arslan and Taner Akvardar. Television. Yağmur Ajans.Google Scholar
Seyfi, Ali Rıza
(1928) 1997 Drakula İstanbul’da [Kazıklı Voyvoda]. (Dracula in Istanbul [Vlad the Impaler]). İstanbul: Kamer Yayınları.Google Scholar
Smith, Iain Robert
2016 The Hollywood Meme: Transnational Adaptations in World Cinema. Edinburgh: Edinburgh University Press.Google Scholar
Some Like it Hot
1959 Dir. Billy Wilder. Film. Ashton Productions.Google Scholar
Star Wars
1977 Dir. George Lucas. Film. LucasFilm.Google Scholar
Sürtük. (The Tramp)
(1965) 1970 Dir. Ertem Eğilmez. Film. Arzu Film.Google Scholar
Tahir, Kemal
(1967) 2006 Devlet Ana. İstanbul: İthaki Yayınları.Google Scholar
“Turkish TV Series Exported to Over 90 Countries.”
2016 Yeni Şafak May 2. [URL].Google Scholar
Unur, Ayşegül Kesirli
2015 “‘From Screwball to Salon Comedies’: Genre Films and Turkification in Yeşilçam .” Quarterly Review of Film and Video 32 (6): 538–549.DOI logoGoogle Scholar
Uşaklıgil, Halit Ziya
(1899) 2008 Aşk-ı-Memnu. İstanbul: Özgür Yayınları.Google Scholar
Yemekteyiz
2008 Dir. Naim Tunç. Television. Fox.Google Scholar
Yo soy Betty, la Fea. (I am Betty, the Ugly One)
1999 Dir. Mario Ribero Ferreira. Television. RCN Television.Google Scholar
Cited by

Cited by 1 other publications

Örsler, M. Mert & Matthew Croombs
2020. The Simple Image: On Militant Cinema in Turkey. Quarterly Review of Film and Video 37:8 ► pp. 755 ff. DOI logo

This list is based on CrossRef data as of 22 march 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.