Chapter 16
Adaptation as defense against film censorship
Pasolini’s Salò – 120 Days of Sodom in Italy and the UK
Article outline
- A comparison between the history of the Italian and the British distribution
- Authorship: Adaptation and the director’s intention
- Fidelity: Adaptation and film aesthetics
- A different approach to Dante: The Italian context
- A different approach to Dante: The British context
- Perception: Adaptation and the audience
- Circulation: Adaptation and modes of film distribution
- Conclusion
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Notes
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References