Part of
Where is Adaptation?: Mapping cultures, texts, and contexts
Edited by Casie Hermansson and Janet Zepernick
[FILLM Studies in Languages and Literatures 9] 2018
► pp. 305320
References (20)
References
6x9. 2016. Dir. Francesca Panetta and Lindsay Poulton. Film. London: Guardian News & Media. Festival Distribution.Google Scholar
Brillhart, Jessica. 2017. “These Uncomfortably Exciting Times.” Filmmaker Magazine, January 18. [URL].Google Scholar
Chicken People. 2016. Dir. Nicole Lucas Haimes. Film. Los Angeles: Samuel Goldwyn Films. Festival Distribution.Google Scholar
Cousins, Mark. 2013. “Widescreen on Film Festivals / Film Festival Form: A Manifesto.” In The Film Festival Reader, edited by Dina Iordanova, 167–172. St. Andrews, Scotland: St. Andrews Film Studies.Google Scholar
Dayan, Daniel. 2013. “Looking for Sundance: The Social Construction of a Film Festival.” In The Film Festival Reader, edited by Dina Iordanova, 45–57. St. Andrews, Scotland: St. Andrews Film Studies.Google Scholar
de Valck, Marijke. 2012. “Finding Audiences for Films: Festival Programming in Historical Perspective.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 25–40. St Andrews, Scotland: St. Andrews Film Studies.Google Scholar
Festival de Cannes. 2017. “About the Festival: History of the Festival.” [URL].
A Ghost Story. 2017. Dir. David Lowery. Film. New York: A24. Festival Distribution.Google Scholar
Harbord, Janet. 2013. “Film Festivals – Time-Event.” In The Film Festival Reader, edited by Dina Iordanova, 127–133. St. Andrews, Scotland: St. Andrews Film Studies.Google Scholar
Hutcheon, Linda. (2006) 2013. A Theory of Adaptation. 2nd ed. London: Routledge.DOI logoGoogle Scholar
MPAA (Motion Picture Association of America). 2015. “Theatrical Market Statistics 2015.” Motion Picture Association of America. [URL].Google Scholar
The New Orleans Sazerac. 2015. Dir. James Martin. Film. Four x Productions, 2016 Festival Distribution.
Pearl. 2016. Dir. Patrick Osborne. Film. Google Spotlight Studios. [URL].Google Scholar
Rich, B. Ruby. 2013. “Why Do Film Festivals Matter?” In The Film Festival Reader, edited by Dina Iordanova, 157–165. St. Andrews, Scotland: St. Andrews Film Studies.Google Scholar
Schwartzel, Erich. 2016. “Virtual-Reality Movies: Get Ready for the VR Revolution.” The Wall Street Journal, March 4. [URL].Google Scholar
Stringer, Julian. 2013. “Regarding Film Festivals: Introduction.” In The Film Festival Reader, edited by Dina Iordanova, 59–68. St. Andrews, Scotland: St. Andrews Film Studies.Google Scholar
Visch, Valentijn T., Ed S. Tan, and Dylan Molenaar. 2010. “The Emotional and Cognitive Effect of Immersion in Film Viewing.” Cognition and Emotion 24 (8): 1439–1445.DOI logoGoogle Scholar
Walters, Betsy, interview by author. 2017. Phone interview, January 11.Google Scholar
White, Janessa Nicole. 2015. “Storytelling in Virtual Reality: A Starter’s Guide.” VR Dribble, November 6. [URL].Google Scholar
Wilson-Brown, Saskia. 2010. “The Purpose of Film Festivals.” WorkBook Project, April 14. [URL].Google Scholar