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Part of
Where is Adaptation?: Mapping cultures, texts, and contexts
Edited by Casie Hermansson and Janet Zepernick
[
FILLM Studies in Languages and Literatures
9] 2018
► pp.
427
–
431
◄
previous
Index
24
62–63 , 68
9/11
58, 60–62 , 65–66 , 324
A
AAS
See Association of Adaptation Studies
See
Academy Award
166, 167
Adichie, Ngozi ;
191–193 ;
See also Americanah
Adiga, Aravind
167
Afropolitan
185–186
Akad, Lüfti O.
203
Al-Bassam, Sulayman
104, 125–130 , 132–139
Aladdin
216–218
Amarteifio, Nicole, ;
179–180 ; , 182–188 ; , 190–194 ;
See also An African City
American Dream, the
81, 253
Americanah
186
Americanization
90, 183, 215, 249
An African City
175, 179–194
Andrew, J. Dudley
1, 5–7 , 246, 257, 277, 288
Angel
177, 229, 237–242
Anonymous
92
anthology film
381
appropriation
6, 9, 15, 90, 103, 105, 129, 130–132 , 135, 143, 151, 156, 161, 172, 175–176 , 214, 217, 229–242 , 279, 302, 347, 400, 412, 418, 423
Arab Spring
418–419
Arabian Nights
176, 211–226
Arbor, The
13, 91, 99–101
Arnold, Andrea
87, 91, 96–97 , 99–101
Arslan, Savaş
197, 201
Artaud, Antonin
322, 416–418 , 420–425
Association of Adaptation Studies
1, 197, 257, 259–269
Atonement
349
Attenborough, David
317
Attenborough, Richard
336
augmented reality
306, 311, 314
Austen, Jane
4, 125
autobiography
7, 31, 44, 51, 258, 386
See also memoir
B
Baccar, Jalila
322, 415–420 , 423–425
Barnard, Clio
13, 87, 91, 99–101
Barthes, Roland
134
Batman
58–59 , 61
Baudrillard, Jean
104, 145, 149–151 , 396
BBFC
See
See British Board of Film Classification
Bell, Jeffrey
177, 232, 238, 242
Benjamin, Walter
145, 329
Besson, Luc
150
Bhabha, Homi
165, 168
Bhardwaj, Vishal
104–105 , 141–156 , 161–168 , 170–173
biography
7, 15, 99
biopic
92, 93, 94, 95, 97, 99
Birth of a Nation, The
308
Bluestone, George
1, 88, 262
Boafo, Maame Yaa
179, 183–184
Boccaccio
See
See Decameron
Bollywood
105, 142, 150, 152, 156, 160–164 , 166–168 , 170, 172
Bombay Velvet
166
Booth, Wayne
18
Boozer, Jack
338
Borges, Jorge Luis
149
Bortolotti, Gary
5, 183
branding (place/city)
7, 12, 71–72 , 74, 76, 78–79 , 80–85
Brecht, Bertolt
108, 112, 117, 130, 162, 418
Bright Star
93
British Board of Film Classification
272–275 , 277, 280, 283
British New Wave
97–98
Brontë, Emily
91, 96–97
Brontë, Charlotte
96
Brontë Sisters
94–97
Brook, Peter
125, 420
Brooks, Cleanth
150
Brooks, Max
288, 294
Brunetti, Ivan
33, 47
Buchanan, Judith
150–151 , 260, 269
Buffy the Vampire Slayer
177, 229, 236, 241–242
Buffyverse
176–177 , 229–231 , 233, 236–237 , 241
Buñuel, Luis
177, 231–237 , 242, 388
Burn Notice
72
Burton, Richard Francis
217, 222, 226
Bushnell, Candace
180
Byron, Gordon Lord
91–92
C
Campion, Jane
93
Cannes
222, 305, 307–308 , 359
Cardwell, Sarah
171, 261
Cartmell, Deborah
197, 246, 257, 259, 261–262 , 264, 269, 344
Caviezel, Jim
57–59
censorship
7, 146, 167, 222, 257, 271–274 , 277, 279, 282–284 , 372, 377
Cervantes, Miguel de
384, 386–387
Chatman, Seymour
1, 391, 401
Chaucer
386
child image
365–369 , 371–372 , 374, 376–377
children’s film
264, 344, 346, 348, 354, 356, 360
Christmas Carol, A
287, 289
Clarke, Alan
87, 89, 98–99
Cock and Bull Story, A
387
colonialism
16, 21–23 , 28, 90, 129, 151–152 , 155, 165, 168, 170, 191, 211, 213, 218–219 , 221, 223–224 , 239, 322, 325, 329, 400–405 , 411
British Empire
87, 211, 218
national nostalgia
13, 87–90 , 94–95 , 97–98 , 100
neo-colonialism
233
neo-imperialism
409
See also
post-colonialism
Come Dine with Me
198, 205
Conrad, Joseph
328, 329, 333
Heart of Darkness
328
Secret Agent, The
321, 323–330 , 332–334 , 336, 338–340
narrative constructivism
18
Coppola, Francis Ford
162, 166, 388
Corrigan, Timothy
261, 263–264
Creative Cities Network
101
Crush
116–117 , 119
CSI
12, 72–79 , 84
D
da Ponte, Lorenzo
117
See also Don Giovanni
Dahmer, Jeffrey
81–83 , 85
Dällenbach, Lucien
343
Dante Alighieri
See
See Inferno
Darkly Dreaming Dexter
71, 79, 83
Darwinianism
15, 171
data mining
12, 57, 60, 62, 64, 66
Davies, Andrew
261, 265
Day of the Dead
237–238 , 240–241
de Sade, Marquis
222, 257, 272
Decameron, The
222, 381, 383, 385–386
defamiliarization
108, 112
See also estrangement
Deleuze Gilles
7, 142–143 , 148, 151
Della Coletta, Cristina
125–127 , 130–131 , 183–184 , 191
Derrida, Jacques
104, 154–156 , 223, 248, 405
Dexter
12, 71–85
dialogism
4, 15, 161
Diary of a Wimpy Kid
346–347
diaspora
156, 183–184 ; , 187–188 ; , 193
See also reaspora
Dicecco, Nico
6, 246, 284
Dickens, Charles
91, 92, 287
Diderot, Denis
385–386 , 395
Director’s Opera
107–108 , 110, 112
disability
7, 257, 287–302 , 333–334 , 336, 340, 368
dislocation
166, 185, 322, 399, 402–403 , 405, 412
Disney
81–82 , 85, 216, 287
distanciation
131–133 , 135
diziler
198, 204–205 , 207
Doctor Strange
213
Don Giovanni
103–105 , 109–110 , 113–122
See
See #UncleJohn
Don Juan
116
Don Quixote
386–387
double consciousness
250
Dracula
200–201 , 290
Du Bois, W.E.B.
250
du Maurier, Daphne
288, 295
Dunbar, Andrea
13, 89, 98–100
E
Eat, Pray, Love
212, 214–215 , 217
Ebert, Roger
352–353
Eco, Umberto
148
Eidsvik, Charles
344
Ella Enchanted
345
Elliott, Kamilla
2, 164–165 , 261, 263, 266–267 , 296–297 , 299
Emma
4, 125
Engels, Friedrich
279
heritage film
13, 87–91 , 94–98
estrangement
112, 130–132 ; , 135, 191
See also defamiliarization
ethics
of adaptation and translation
2, 377
of transculturation
7, 175–177 , 229–232 , 237, 242
of authoring historical fiction
11, 16–17 , 18, 20, 26, 29
of surveillance and AI
62–63 , 68
Ethnography
16, 22, 29
Eurocentrism
222–223 , 252, 417, 418
Europeanization
90
Exterminating Angel
177, 231–237 , 239, 242
F
Facebook
120, 189
fidelity
2, 5–6 , 12, 31, 103, 109, 114–115 , 119–121 , 142, 163, 176–177 , 183, 199, 207, 212–217 , 222–226 , 245–255 , 271, 276–278 , 280–281 , 291, 300, 321–322 , 324, 338, 344, 346, 360, 388, 394
Fish Tank
97–99
Fish, Stanley
115
FIVARS (Festival of International Virtual and Augmented Reality Stories)
314
foreignization
369, 372
Forrest Gump
287
Forster, E.M.
262
Forster, Marc
288
Foucault, Michel
267
Free Cinema
97–98
Fresh Off the Boat
177, 245–247 , 249, 253–255
G
Gadamer, Hans-Georg
104, 126–128 , 130–131 , 139, 191
Galland, Antoine
215, 217
Gandhi, Indira
167
Gandhi, Mahatma
155
García Canclini, Néstor
230
Garland-Thomson, Rosemarie
290–291 , 298
Genette, Gérard
391
Geraghty, Christine
4, 6, 246, 255, 262–264 , 267, 283, 344, 349, 360
Gershman, Michael
177, 232–235 , 237, 242
Gil Blas
382, 385
Gilliam, Terry
386–387
globalization
151, 163, 170, 180, 188, 212, 215, 225–226
glocalization
103, 104, 151–152 , 230
Godfather, The
162, 166
“Godfather”
147
Goodley, Dan
296–299
Goodman, Nelson
107
Google
189, 311–312
Gothic
97, 383, 402, 404–405
graphic novel
47, 234
Greenberg, Drew Z.
232–235 , 237, 242
Grierson, John
98
Guattari, Félix
7, 142–143 , 148, 151, 157
Gulf War, The
138, 216
Gunga Din
218–220
H
Haider
141, 145–148 , 154–155 , 159, 163
Hampton, Christopher
324, 326, 328–329 , 331–333 , 339
Hardy, Thomas
262
Harris, Shane
12, 57–61 , 65–66
Harry Potter
214, 266, 345, 350, 374
Has, Wojciech
322, 381–396
Hastings, Reed
359
Head On
322, 399–400 , 405–413
Heart of Darkness
328, 340–341 ;
See also Conrad, Joseph
heritage film
13, 87–101
Hermansson, Casie
6, 215, 246, 255, 322
hermeneutics
103–104 , 125–128 , 130–132 , 135, 139
Hewison, Robert
87, 100
Higson, Andrew
94–95 , 100
Hindi film
105, 148, 159, 161, 165–166 , 168–170
historiography
1, 7, 15–16 , 18, 20–22 , 26–30 , 32–33 , 98
Hitchcock, Alfred
330
Sabotage
324, 326, 328–330 , 332–333 , 339
Holderness, Graham
129, 132, 137, 139, 260
Hollywood
12, 60, 66, 72, 160, 162, 167, 176, 211, 230–231 , 239
formulas
58, 287
commercialism
64, 88
influence on Bollywood
162
Orientalism
213–221 , 223
“poverty row” studios
198
rival for Turkish productions
201–204
studio system
202
Huang, Eddie
177, 245–255
Hutcheon, Linda
215
and Michael Hutcheon
103–104 , 107–123 , 258
Narcissistic Narrative
343, 345
“On the Origin of Adaptations”
5, 183
Poetics of Postmodernism, A
17–18 , 21
Theory of Adaptation, A
1, 6, 15, 29, 64, 79, 104, 107, 125, 127, 130, 161, 162–163 , 171, 262–263 , 267, 281, 290, 306, 312, 318, 321, 375, 376, 417–418 , 423
hyperreal
104, 144, 146, 149–151 , 156, 422
hypertext
104, 141, 143, 151, 177, 258
hypotext
7, 103–105 , 141, 143, 147, 151–152 , 175–177 , 258
I
Indigenization (in adaptation)
105, 163, 165, 417–418 , 423–425
Inferno, The
257, 271–272 , 275–282 , 284
intercultural
159, 161–162 , 184, 187, 371
intertextuality
1–5 , 12, 15, 19, 105, 130, 161, 172, 185, 215, 229, 230, 231, 233–234 , 238, 242, 288, 289–294 , 296, 302, 329, 338, 345, 376, 417, 423
Ivany, Joel
110, 116–121
J
Jacques the Fatalist
385–386 , 395
Jaïbi, Fadhel
322, 415–420 , 423–425
James, Henry
384
Jameson, Fredric
90, 100, 104, 146
Jane Eyre
219
Jess-Cooke, Carolyn
153, 161
Journal of Adaptation in Film and Performance
1, 197, 265
Joyce, James
92
Joys of Yiddish, The
146
K
Karagöz
200–202 , 207
Khatib, Lina
184, 203
Kingsley, Ben
212–213
Kipling, Rudyard
191, 211, 219
Kokkinos, Ana
399–400 , 405–409 , 412–413
Korda, Zoltan
216, 218, 220
Kunnas, Mauri
365, 367, 369–370 , 374
Kurosawa, Akira
145, 149–150
L
Lady Jay
183
Lanier, Douglas
104, 142–143 , 150, 155, 260–261
Leitch, Thomas
1–3 , 183, 197, 214–215 , 246, 261–264 , 267, 275, 288, 297, 401
Lemony Snicket’s A Series of Unfortunate Events
348, 352
Lewis, C.S.
347
LGBTQ
298, 307
License Raj, the
168–170
Lindsay, Jeff
71, 80
Lindsay, Joan
400, 404
Lion, the Witch and the Wardrobe, The
347
Literature/Film Association
197, 261, 267
Literature/Film Quarterly
1, 88, 197, 264
Loaded
400, 406
Lord of the Rings
214, 266
Lost
59, 67, 233
Lost in La Mancha
387
Luhrmann, Baz
121
Lynch, David
90
M
MacCabe, Colin
2, 223, 225
Magical Realism
235
Maltese Falcon, The
74
Manuscript Found in Saragossa
388
Maqbool
105, 141, 144–145 , 147, 150, 152–153 , 155, 159–166 , 168, 171–172
Marvel Studios
213
Marx, Karl
279
McCallum, Robyn
350, 360, 370, 376
McFarlane, Brian
5, 109, 246, 261
Meikle, Kyle
6, 268
Méliès, Georges
216
memoir
16, 31, 177, 214–216 ; , 245–255 ;
See also
autobiography
Merchant-Ivory
93
Merleau-Ponty, Maurice
384
meta-adaptation
176, 348–349 , 356–357 , 360, 387, 390, 394
metafiction
322, 343–360
metafilm
344, 347, 352–356 , 360, 386–387
metareference
2, 344
Mexploitation
177, 231, 237–242
Miami Vice
12, 72–79 , 84
migration
23, 175, 184–185 , 188, 193
as adaptation
156
Minority Report
12, 58
model-minority
245, 246, 251–254
Modernism
20
Mozart, Wolfgang Amadeus
103, 109–110 , 113–114 , 116–121 , 406
MPAA (Motion Picture Association of America)
305
Mumbai Fables
166
Murray, Simone
2, 6, 88–89 , 199–200 , 264
Muslim Socials
105, 161, 163–164
N
narrative prosthesis
289–292 , 295–298 , 301–303
Nehru, Jawaharlal
168
Netflix
348–349 , 352, 356–359
Neverending Story, The
346
New Wave
British
97–98
Australian
400
Newell, Mike
212
Nietzsche, Frederick
334
Night of the Living Dead
302
Nightmare on Elm Street, A
290
Nightmare on Elm Street 2: Freddy’s Revenge, A
290
Nikolajeva, Maria
344
Nolan, Jonathan
12, 57–58 , 61, 65, 67, 321
Nolan, Christopher
12, 58, 61
nostalgia
146
See also
colonialism: national nostalgia
nostalgia film
90–91 , 100
O
Office, The
183
Oittinen, Rita
365–369 , 372
Olivier, Laurence
165
Omkara
141, 145, 147–148 , 152–153 , 155, 159, 163
Orientalism
176, 211–214 , 216–217 , 222, 225–226 , 252
Orientalism
See
See Said, Edward
Oscars
See
See Academy Award
P
package film
381
Palace of a Thousand and One Nights, The
216
Pasolini, Pier Paolo
176, 211–212 , 217, 222–226 , 257, 271–284 , 381, 386–387
pastiche
32, 90, 104, 146–147 , 207
Person of Interest
12, 57–68 , 321
Picnic at Hanging Rock
322, 399–405 , 411–413
picturebook
345, 365–372
post-colonialism
7, 21, 87, 90, 151–152 , 153, 156, 161–163 , 167–168 , 211–213 , 217–219 , 252
postmodernism
18, 21, 90, 142, 146, 161–162 , 267, 383
Potocki, Jan
381–383 , 385–392 , 394–396
Powell, Michael
216, 218
Prince of Persia
212, 214–217
Princess Bride, The
346
Prisoner, The
59
R
Raengo, Alessandra
262
Raw, Laurence
176, 197
Rawlins, John
176, 211, 217, 219–221 , 223, 225–226
Ray, Robert B.
5
reaspora
184
Regietheater,
regioper
See Director’s Theater
Rhys, Jean
219
Richard III: An Arab Tragedy
104, 125–130 , 132–139
Ricoeur, Paul
131–132
Rita, Sue and Bob Too!
89, 98–99
Robinson Crusoe
219, 375
Roditi, Edouard
198–199
Rosten, Leo
145–146
Rowling, J.K.
92
Rushdie, Salman
92, 167, 169
S
Snowden, Edward
64–65
Sabotage
324, 326, 328–330 , 332–333 , 339
Said, Edward
211, 213–216 , 225, 252
Salo, or the 120 Days of Sodom
222, 257, 271–284
Sanay, Ricai
203
Sanders, Julie
2, 103, 231, 233, 262–263 , 302
Saragossa Manuscript, The
322, 381–396
Satanic Verses, The
169–170
Scorsese, Martin
60, 388
Second World War
See
See World War II
Secret Agent, The
(film, 1996)
324, 326, 328, 329, 331
Secret Agent, The
(1907)
321, 323–340 ;
See also Sabotage
Selasi, Taiye
185, 192–193
Selfish Giant, The
(film, 2013)
91, 101
Selfish Giant, The
(1888)
101
Series of Unfortunate Events, A
322, 343–360
Sex and the City
176, 179–194 , 212, 214–217
Shahrazad
218, 220, 222–225
Shakespeare
7, 93, 103–105 , 113, 114, 121, 126, 129, 133, 134–135 , 139, 141–156 , 159–172 , 231, 233, 259–260
Comedy of Errors, The
165
Hamlet
142, 146–151 ; , 154–156 ; , 159, 165
See also Haider
Macbeth
105, 129, 141, 144–145 ; , 147–151 ; , 153, 159–166 ; , 170–171 ;
See also Maqbool
Merchant of Venice
165
Othello
141, 147–153 ; , 159
See also Omkara
Richard III
104, 126–130 ; , 132–139 ;
See also Richard III: An Arab Tragedy
Tempest, The
163
Shavit, Zohar
367–368
Sherry, Jamie
263, 269, 329
Shree 420
169
simulacra, simulacrum
104, 149, 151, 156, 384, 387
Sinbad
217–218
sitcom, genre
191
social realism
13, 87–101 , 166–168
Sontag, Susan
421–422
South by Southwest
305, 314–315
Spiderwick Chronicles, The
345, 347
Spielberg, Steven
12, 58
Spillane, Micky
198–199
Stam, Robert
2, 4, 15, 109, 159, 161, 197, 215, 246, 262, 263, 282, 291, 344, 347, 384
Star Trek
266, 311
Star Wars
146, 204
Sterne, Laurence
91, 386–387
Sundance
305, 308, 314
T
Tcherniakov, Dmitri
109, 116–118 , 120–121
Theater of Cruelty
322, 415–425
Thief of Baghdad, The
216, 218
To Walk Invisible
87, 94–95 , 97
Todorov, Tzvetan
384
Toury, Gideon
367
Transcoding
15, 28–29
“transladaptation”
118
Translation
1, 110, 116–118 , 128, 129, 130, 133, 134, 138, 146, 150–151 , 169, 176, 198, 199–200 , 206, 215–217 , 220–224 , 259, 321–322 , 365–377 , 383
as adaptation
6, 34, 104, 119, 141, 150–151 , 166, 176, 199–200 , 214, 215, 218–222 , 287, 299, 306, 321–322 , 347, 365–377 , 385, 390, 391
Truffaut, François
330, 333
Tsiolkas, Christos
400, 406–407
Twitter
41, 120, 189
U
Ugly Betty
198, 206
#UncleJohn
103–105 , 110, 116–122
UNESCO City of Film
101
V
Venice Film Festival
275, 305, 307, 309
Verdi, Giuseppe
110, 114
Vimeo
283–284 , 308
Violence(s)
322, 415–425
virtual reality
258, 305–306 , 311–312
Voigts-Virchow, Eckart
159, 261, 267, 343, 348, 395
W
Wagner, Geoffrey
276–277
Wagner, Richard
111–112
Wainwright, Sally
87, 95
Walking Dead, The
295
Waugh, Patricia
343, 345
Weir, Peter
399, 401–405 , 411–413
Welsh, James M.
246
Wenders, Wim
387
Werktreue
108, 111, 114–115 , 119–121
Whedon, Joss
229–231 , 234
Whelehan, Imelda
172, 197, 246, 257, 259, 261–262 , 263, 264, 269, 344
White Tiger, The
167–168
Wide Sargasso Sea
219
Wikipedia
32, 41, 51, 54, 233
Wilde, Oscar
91–92 , 101
Winterbottom, Michael
387
Woolf, Virginia
17
World War II
111–112 , 129, 197–198 , 218, 219, 271
World War Z
288, 294–295 , 301–302
Wuthering Heights
(film, 2011)
87, 91, 96–97 , 99, 101
Y
Yeşilçam
197–198 , 200–207
YouTube
1, 120, 179, 193–194 , 283–284 , 308, 332
Z
Zumurrud
222–225