“Entering the house of Hades”
The formulaic language for metaphors of death and the question of
deliberateness in Early Greek poetry
This paper considers the possibility of metaphors being used in a deliberate
manner in Early Greek poetry and particularly Homer’s Iliad: the epic
poems of Homer are shaped by a tradition of oral composition and formulaic
language which contains a wealth of metonyms and metaphors. By focusing on the
copious formulaic metaphors and metonyms of death in battle, it will be argued
that the communicative purpose of metaphors, which is essential for philological
interpretation, can be independent of deliberate usage and that deliberateness
constitutes no reliable requirement for poetic purpose and effect.
Article outline
- 1.Introduction: Figurative language, deliberateness and death
- 2.Death and figurative language in the Iliad
- 2.1Metonymic expressions for death in the Iliad
- 2.2Metaphorical conceptualisations of death in the
Iliad
- 2.2.1
Death is darkness
- 2.2.2
Death is departure
- 2.2.3Other conceptualisations of death in the Iliad
- 2.3Preliminary conclusions
- 3.Figurative language and death in the Odyssey
- 4.The treatment of battle death in the battle exhortations of Tyrtaeus and
Callinus
- 5.Conclusion
-
Notes
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References