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Journal mutations
Part of
Drawing Attention to Metaphor: Case studies across time periods, cultures and modalities
Edited by Camilla Di Biase-Dyson and Markus Egg
[
Figurative Thought and Language
5] 2020
► pp.
263
–
266
◄
previous
Index
A
activation
1, 3, 5, 8, 10, 67, 72, 76, 202–203, 224
co-activation
72–73
alienation
12, 244–258
analogy
10, 51–54, 129–162, 168–169, 211
analysis
level of
2, 6–8, 19–20, 24, 34–35, 39–58, 63–87, 211–212, 226
qualitative
16–36, 39–58
quantitative
56–57
semiotic
16–36, 64, 103–125
unit of
19, 35
annotation
see
schema, annotation
Ancient Egyptian
7–10, 39–58, 93–125
antonymy
50, 230, 236, 249
attention
1, 6, 8–9, 66–70, 77–78, 84, 131–133
attention-drawing
1–6, 39–58, 145–147, 153–156, 208, 212–218, 223–227, 244
awareness
8, 10, 63–87
B
Blending Theory
220–221, 227, 242–243
C
classifiers
47–49, 113
cognition
15–16, 45–46, 159–160, 227
communication, spoken
2, 64, 160, 184 ;
see also
language, spoken
communication system
linguistic
2, 64–67
visual
65–67, 94–124
communicative function
10–11, 24, 131–133, 139–140, 159–184, 208, 226, 231–232, 258
composition, oral
see
communication, spoken
conceit
257–258
conceptual domain
source (SD)
4–8, 16–34, 50, 75, 79, 124, 131–156, 202–203, 208, 211–214, 216, 222–224, 232–234, 237–259
structure of
4, 15, 110, 119, 145, 149, 163, 213–214, 223, 226, 237–238, 242
target (TD)
2, 4, 8, 16–33, 50–52, 75, 86–87, 134–154, 233–258
Conceptual Integration Theory
see
Blending Theory
Conceptual Metaphor Theory (CMT)
3–4, 8, 71–73, 129–130, 192–203, 231, 237–242
consciousness, sub-consciousness
1, 3, 5, 40, 56, 65–66, 72, 84, 94, 100, 117, 120–125
context
2, 3, 7, 12, 29, 35, 55, 64–66, 70–75, 94, 97–99, 103–108, 113, 118, 160–162, 173–184, 209–217, 222, 224–226
conventionality
see
metaphor, conventional
Conversation Analysis
78–84
corpus
see
metaphor, annotation of
co-text
21–36, 39, 75
D
Deliberate Metaphor Identification Procedure (DMIP)
4–7, 19–21, 35, 210
Deliberate Metaphor Theory (DMT)
2–12, 15–36, 93–94, 131–134, 160, 232–233
deliberateness
see
metaphor, deliberate
diachrony
2, 9, 93–94, 124–125
disambiguation
4–5, 52, 211
discourse
5–6, 8, 11–12, 15, 18, 20, 22–24, 34, 36, 41–42, 54, 57, 69, 72, 75, 77, 83, 86, 93, 190, 208–210, 212, 224–227, 231–233, 258
discourse marker
see
marker, discourse
dynamicity
2, 8–9, 43, 63, 71, 77, 84, 86, 240
E
effort, cognitive
1, 8, 42, 63–67, 69–70, 81, 83–86
Empedocles
10, 129–156
English
20, 40–42, 47, 72–73, 85, 212–215, 221–224
G
gaze
8, 43, 64, 66, 69–70, 75–76
genre
2, 4, 7, 11–12, 31, 39, 41–43, 55–58, 63–64, 70–73, 77, 95, 130, 177, 190, 203, 212, 226
gesture
1, 3, 5, 7–8, 43, 47, 63–87, 169, 197, 200
Greek
Ancient
10–11, 129–156, 159–184, 224–225, 229–259
Modern
12, 72, 215–220
H
heuristic method
10, 129, 133, 154–156
hieroglyphs
40, 43, 47, 100–102, 104, 106–107, 114–115, 190, 200
Hippocratic writings
10, 129–156
Homer
10–11, 134, 140, 145, 149, 159–184
hyponymy
50
I
iconicity
103, 226
identity
202, 250
identity marks
9, 93–125
Iliad
10, 159–184
image schema
see
schema, image
imagery
74, 79, 81–82, 168, 192, 196–197, 230, 258
individual
9, 63, 71, 94, 99, 107, 111, 118–125, 242
infinite semiosis
see
semiosis
intertextuality
47, 54
intonation
64, 67, 74, 76, 79, 85
Invariance Principle
4, 237–238, 245, 259
L
language, spoken
63–65, 67, 85, 131, 190, 203 ;
see also
communication, spoken
lexical semantics
see
semantics
M
mapping
4, 8, 16–17, 21–22, 25, 30, 33, 71–73, 109–111, 116–117, 122, 129–131, 134–137, 139–140, 142–145, 147, 149, 151–154, 156, 192, 196, 200, 202, 207–209, 211, 213–214, 216–217, 220–221, 224, 226, 234, 236–238, 240, 244–245
marker
discourse
3, 40–41
of identity
9, 94
of metaphoricity
7, 40–41, 42, 47, 54, 162, 211 ;
see also
attention-drawing; metaphor, deliberate
textual
10, 54, 129, 134, 149
marking system
9, 93–125
Maya
11, 189–203
Mayan
11, 189–203
meaning, referential
4, 19, 22, 26, 31, 33, 131
Mesoamerica
189–203
metaphor
active
48
and ancient texts
1–2, 7, 9–11, 39–41, 43–47, 58, 86, 94, 125, 130–131, 136, 161, 169, 173, 189–190, 224–225, 227, 237, 250, 256
annotation of
6–7, 24–25, 42–47, 56–58
clustering of
33, 42, 53–54, 169, 255
in communication
2, 7, 16–20, 22–36, 45, 77–87, 93, 208–209, 226–227, 233
conventional
2, 7, 10, 12, 25–27, 31–34, 45, 48–49, 53–54, 71–73, 77, 94, 121–125, 160–162, 176, 181, 184, 202–203, 208–217, 220–227, 246–247
creativity and
12, 48, 227
and culture
9, 11, 46, 65, 71, 73, 86, 94, 115, 120, 136, 195–196, 203
dead
3, 216
death
10–11, 159–184, 194–196, 203
deliberate
39–42, 45, 50, 57, 64, 84–85, 94, 103, 122–125, 137–156, 160–162, 175–176, 181, 184, 201–203, 208–227, 232–259
direct
2–3, 10, 44–45, 52, 56, 129–156, 211–212, 233
experiential basis of
168–170, 173, 226
extended
7, 25–30, 33–34, 48, 216, 233–234, 256
identification of
see
MIP; MIPVU
implicit
51
indirect
12, 44–45, 209, 211–213, 215, 217, 220–225, 258
marking of
1, 3, 5, 7, 9–10, 12, 39–58, 94, 131, 134, 144, 162, 211
medical
10, 58, 87, 129–156, 231
mixed
48–49, 52
multiple
20, 31
non-deliberate
4–5, 8–9, 16–17, 19, 22, 25, 35, 40, 45, 94, 108, 120–125, 160–161, 176, 181, 208–209, 212, 226
novel
2, 23, 25, 27, 29, 33, 41, 45, 72, 123–125, 132, 161, 202–203, 207–209, 211–212, 214, 221, 225–227, 237
ontological
71, 169, 172, 177
orientational
165, 170, 174, 180
phonetic
107–108, 113, 115, 118, 121–124
poetic
4, 11–12, 159–184, 207–227, 237, 239–242, 244
potentially deliberate
4, 7, 15, 17–36
recurrent
6, 20, 30–34, 42, 46, 132, 196, 201, 216
repetition of
47, 49, 54, 76, 147, 179, 201, 212, 216, 218
scenario
10, 28, 30, 213, 217
signalling of
1–12, 15–36, 39–58, 63–87, 129–156, 207–227, 229–259
three-dimensional model of
16, 43–45, 226
time
207–227
topic-triggered
31, 42, 236
typology of
39, 41, 43, 45, 47–56, 58, 240
waking
3, 48
Metaphor Identification Procedure (MIP)
see
MIP
Metaphor Identification Procedure, Vrije Universiteit Amsterdam (MIPVU)
4, 19, 45, 210 ;
see also
MIPVU
metaphtonymy
43, 45
metonymy
9–11, 29, 31, 40, 42–43, 45, 49, 53, 75–76, 85, 93–94, 103, 105, 109, 111, 113, 115, 117–118, 121–123, 125, 159, 162, 164–167, 171–184, 189, 192–193, 195, 199–203, 234, 237
MIP
20, 79, 81 ;
see also
Metaphor Identification Procedure (MIP)
MIPVU
19–21, 27, 45–46, 210 ;
see also
Metaphor Identification Procedure, Vrije Universiteit Amsterdam (MIPVU)
mnemonic device
93–125
modifier
40, 51, 76
multimodality
2, 8–9, 43, 47, 63–87, 201–202
N
notation, visual
see
writing
O
Odyssey
159–184
onomatopoeia
216, 226
P
parallelism
49–50, 133, 139, 149, 212, 218, 220, 226, 251
Pauline Epistles
12, 229–259
personification
42–43, 45, 169
phonetics
39, 47, 49, 98, 100, 104–124
phonology
40, 49
poetry
4, 10, 12, 43, 56–57, 130, 159–184, 207–227
pragmatics
39, 47, 55
prosody
8, 64, 68–69, 76–77
punctuation
40
R
referent
5, 9, 19–20, 22, 65, 84–85, 122, 202, 231, 233, 249
referential meaning
see
meaning, referential
register
3, 11, 19, 41, 43, 63, 132, 231–232, 258–259
S
schema
annotation
43, 45
cognitive
133, 163, 226
image
223–224
semantics
39–40, 47–48, 50, 110, 161, 215, 217, 223, 226, 231, 235–236, 244, 249–250, 256, 258–259
semiosis
105–106, 111, 115, 117–118, 120
semiotics
118, 120
interpretant
105–106, 116
object
105–108, 111, 114–116, 118
Peirce’s model of
103, 105–106, 111, 117–118
representamen
105–106, 109–110, 112–113, 118
sign
8–9, 40, 47, 48, 67, 94, 98–100, 102–111, 113–115, 118, 122–125, 193
metonymic origin of
123, 193
signal
see
metaphor signal
signed language
63 ;
see also
sign language
signification
115–117, 124–125
signified
106– 109, 112–113, 115, 123
signifier
106–107
sign language
47, 67, 74 ;
see also
signed language
similarity
41, 46, 107–110, 113, 130, 231, 237–238, 244–246, 248, 257, 259
simile
2, 10, 20–25, 45, 55–56, 129, 131–132, 134, 136, 140, 145–147, 149, 151, 162–164, 173, 179, 233, 257
spoken communication
see
communication, spoken
spoken language
see
language, spoken
synonymy
50, 171, 173, 214
syntax
39, 47, 51, 144, 149, 217–218, 220
T
text structure
39, 47, 53, 201
tuning devices
3, 40, 76
Tyrtaeus
181–184
V
Vrije Universiteit Amsterdam Metaphor Corpus
7 ;
see also
VUAMC
VUAMC (Vrije Universiteit Amsterdam Metaphor Corpus)
7, 19–33 ;
see also
Vrije Universiteit Amsterdam Metaphor Corpus
W
word play
39, 47, 49
writing
40, 66, 70, 86, 96–118, 124, 190, 193, 203
Written Egyptian
40, 47