Mobile Menu
New
Books
Forthcoming titles
New in paperback
New titles by subject
July 2024
June 2024
May 2024
April 2024
Book Series
Journals & Yearbooks
New serials
Latest issues
Currently in production
Catalog
Books
Active series
Other series
Collections
Open-access books
Text books & Course books
Dictionaries & Reference
By JB editor
Journals & Yearbooks
Active serials
Other
By JB editor
Software
Browse by person
Browse by subject
Advanced Search
Downloadable lists
Printed catalogs
E-book collections
Online Resources
Customer Services
Contact
Amsterdam (Main office)
Philadelphia (North American office)
Directions
Book Orders
General
US, Canada & Mexico
E-books
Examination & Desk Copies
Journal Subscriptions
General information
Access to the electronic edition
Terms of Use
Journal collections
Journal mutations
Rights & Permissions
Mailing List
E-newsletter
Book Gazette
For Authors
Proposals for Books
Proposals for Book Series
Proposals for Journals
Submissions to Journals
Editorial Manager
Ethics Statement
Kudos
Open Access Policy
Rights Policy
For Librarians
Evidence-Based Acquisition
E-book Collections
Journal Collections
Open Access information
Journal mutations
Part of
Time Representations in the Perspective of Human Creativity
Edited by Anna Piata, Adriana Gordejuela and Daniel Alcaraz Carrión
[
Human Cognitive Processing
75] 2022
► pp.
243
–
245
◄
previous
Index
A
aesthetic
42, 44, 52–53, 55, 74, 148, 153, 155, 164
affective
22, 42–43, 47
auditory
148–153, 169–170
B
Bender, Andrea
15, 210
blending
4, 42, 46, 69, 134, 148–149, 191, 238
blend
71–72, 106, 110, 148, 150, 154–160, 238
Blending theory
42, 148 ;
see also
Conceptual integration theory
Bordwell, David
126, 132–133, 147–149
Boroditsky, Lera
3, 15–16, 42–43, 62, 105, 125, 168, 209–210, 214–215, 224
C
Casasanto, Daniel
3, 42–43, 62, 104, 125, 168, 188–189, 200, 209, 212–213, 215, 222, 225
chrono-work
81–89, 92–95
Cienki, Alan
3, 9, 187–192, 212, 222, 234–236
cinematic creativity
125, 137
chronological time
81–84, 86, 96
Clark, Herbert
3, 15, 43, 62, 234
clock time
4, 84, 106, 110, 112
comics
102–103, 105–108, 117, 119 ;
see also
graphic memoirs
combinational creativity
42
compressed time
see
time compression
conceptual autonomy
64
conceptual dependence
64
conceptual integration
41–43, 55, 147–149, 238
conceptual integration network
4, 43, 53, 62
Conceptual integration theory
4, 75, 148–149 ;
see also
Blending theory
conceptual metaphor
see
Ego-moving metaphor of time, Time-moving metaphor
Conceptual metaphor theory
2, 75, 101–102
constructions
5, 17–18, 33–34, 53–54, 63–65, 67, 72, 74–75, 77
copula constructions
63–67, 72–77
container schema
127–128, 138, 143
corpus
15–19, 48–53, 63, 66–67, 166, 210–211, 218–219
creativity
see
cinematic creativity, combinational creativity, lexical creativity, metaphorical creativity, verbal creativity
D
Dancygier, Barbara
147, 149–150, 156
decompression of identity
156, 158–160 ;
see also
identity connection
depression
101–104, 106, 108–110, 112–115, 117, 119, 121
diegetic
106–107, 110, 115, 117, 119–120, 130–131, 151 ;
see also
extradiegetic, non-diegetic
duration
46, 103, 105, 108, 117, 119–120, 147–148, 169, 174, 179, 181, 190–191, 209
E
Ego-moving metaphor of time
3, 21, 43-45, 62, 104, 120
embodiment
8, 41–42, 47, 75, 163, 222
embodied cognition
44, 143, 212
embodied semantics
7, 61, 76 ;
see also
simulation semantics
emotion
22, 27, 41, 44, 46, 53–54, 69, 103–105, 110, 112, 116–117, 125, 148, 153, 155, 165, 187, 200–202, 235, 238–239
equations
61, 63–68, 73–75, 77
predicational equations
65, 68, 77
specificational equations
65
Evans, Vyvyan
4, 15, 62, 104, 125, 189, 226
extradiegetic
120, 131, 148 ;
see also
diegetic, non-diegetic
explicit time
103–104, 106, 110 ;
see also
implicit time
F
Fauconnier, Gilles
4, 42–44, 46, 62, 71, 103, 105, 148–150, 153, 238
figurative language
42, 44-45, 47, 62-63, 74, 76-77
Figure
16, 22, 25, 27, 29 ;
see also
Theme
film
126, 128, 130, 132, 134, 136–143, 147–151, 153, 156–158, 161, 233–235, 237–238
flashback
130–131, 133, 134–136, 139, 141, 147–151, 153–161, 237–238
frame (of a film or panel)
110, 119, 128, 140–142, 154
frame (semantic frame)
15–16, 27, 34, 54, 68, 70–71, 74, 76, 154–155, 160, 233–234, 238–239
frozen time
104, 108, 119-120
future
16, 67, 81–96, 104–105, 127, 139–140, 159, 189–190, 194, 197–199, 202, 210–215, 218–223, 225–226
G
gesture
2–3, 5, 105–106, 131, 136, 179–180, 187–202, 209–210, 212–222, 224–226, 234–237
Gibbs, Raymond
41, 65, 74, 76, 125
Goal
16, 20, 22–24, 26, 42–48 ;
see also
Path, Source
graphic memoirs
101–102, 108, 112, 114, 119–120 ;
see also
comics
I
identity connection
150, 160 ;
see also
decompression of identity
image metaphors
61, 65, 66, 68, 75
image schema
8, 22, 24, 76, 163, 171–174, 178-179, 181
imagery
5, 61, 63, 68, 70, 72–76, 169–170, 174
implicit time
103, 178 ;
see also
explicit time
J
joint attention
153
L
Lakoff, George
1, 3–4, 15, 20, 41, 43, 62, 102, 104, 120, 125, 127, 133, 214–215
Langacker, Ronald Wayne
64–65, 170, 239
lateral axis
15, 190, 194, 197, 199, 202, 212, 219–221, 225 ;
see also
sagittal axis, vertical axis
lexical creativity
31
M
manner of motion
15-16, 21, 27–31, 43, 47, 239 ;
see also
motion
mapping
3–5, 15, 20–21, 26–27, 33, 41–42, 44–46, 52–54, 61–62, 65–66, 68–69, 74–75, 103, 105, 120, 127, 131, 150, 174, 189, 210–215, 218–226
material anchor
172, 187, 191–192, 199
mental simulation
30, 61, 76
mental spaces
148–149, 160, 222–223
metaphor
see
image metaphors, pictorial metaphors, poetic metaphors, spatial metaphors (in comics), spatial metaphors (of time), visual metaphors
metaphorical creativity
61, 75
metaphorical mapping
3, 61, 65
metonymy
69, 76, 130, 191, 196
motion
3, 5–7, 15–33, 37–39, 41–54, 57, 62, 85, 107, 119, 127, 168, 170–172, 174, 178, 189, 193–196, 214, 239
see also
manner of motion
motion verbs
5–7, 15–21, 24, 27, 28–33, 37, 41, 44–46, 48–51, 53, 57
multimodal
5–6, 18, 34, 103, 147–148, 156, 166, 170, 179, 182, 191
music
2, 5–7, 49, 133, 148, 163–168, 170, 172, 174, 176–179, 181–182, 233–234, 237, 239
musical temporality
163–165, 182
Moore, Kevin
3, 15, 62, 105, 188, 210
N
narrative space
149-156, 158-160
narrative time
5, 8, 147
non-diegetic
148, 151 ;
see also
diegetic, extradiegetic
Núñez, Rafael
3, 15–16, 20, 41, 62, 125–127, 188–189, 210, 212, 222
P
past
3, 7–8, 16, 21, 24, 72, 81–86, 89–96, 104–105, 127, 130–131, 133–137, 139–141, 147–161, 189–190, 194, 197, 199, 201–202, 209, 211–214, 218–223, 225, 237–238
Path
3, 7, 15–16, 20–22, 25–26, 33, 42, 46–47, 83, 89–91, 94, 106–107, 159, 211 ;
see also
Goal, Source
perspective
9, 21, 53, 104–105, 107, 114, 120, 155, 158, 170, 233–234, 238–239 ;
see also
viewpoint
pictorial metaphors
101, 103, 106, 108, 110, 112, 114, 120 ;
see also
spatial metaphors (in comics)
poetic metaphors
4, 61–63, 70
PoetiCog
7, 48–54, 59–61, 63, 66
poetry
2, 5–7, 41, 44, 47–48, 50, 52–55, 62–63, 65–67, 73, 75, 239
political discourse
2, 5–7, 81–82
present
7–8, 81–87, 89–93, 95–96, 127, 130–131, 133–136, 139–141, 147–161, 218, 238
protracted time
103, 108, 119-120
R
Radden, Günter
3, 15, 62, 126
Ricoeur, Paul
82–83, 98
S
sagittal axis
16, 199, 212–213, 219, 221, 223 ;
see also
lateral axis, vertical axis
Santiago, Julio
42, 44, 105, 189, 225
sign language
187-188, 209–210, 217–218, 220–221, 223
simulation semantics
76
see also
embodied semantics
sound
117, 129–132, 136–139, 148–149, 151, 153, 166, 234
Source
16, 20-22, 24, 26, 42 ;
see also
Goal, Path
source domain
3, 7, 31, 63–64, 66, 75, 77 ;
see also
target domain
space
3-5, 15, 21, 26, 33, 43, 45–47, 51–53, 55–56, 62, 101–103, 105–106, 120, 125, 127, 138–139, 176, 181, 188–190, 192, 209–215, 217, 219, 222–226
space-to-time mappings
15, 46, 51-52
spatial metaphors (in comics)
106-108, 110, 114-120 ;
see also
pictorial metaphors
spatial metaphors (of time)
45-46, 101, 107, 110, 114–116, 181, 187, 209–211, 213–217, 224
spatio-temporal metaphors
62, 126, 137, 142 ;
see also
spatialization (of time), Time-as-space metaphor
spatialization (of time)
3, 41–45, 50–53, 55, 62, 125, 209, 212
spatialized time
43–44, 46 ;
see also
spatial metaphors (of time), Time-as-space metaphor
speech
2, 64, 164-165, 179, 187-188, 191, 193-194, 199-200, 202, 210, 219-220, 224-225, 235
story time
132, 147
subjective time
4, 43, 47, 101, 103, 106
Sweetser, Eve
3, 16, 20, 30, 62, 126–127, 188–189, 191, 210, 222
T
Talmy, Leonard
16, 20, 171
target domain
3, 63–64, 77, 102, 106 ;
see also
source domain
Theme
16
see also
Figure
time compression
8, 147, 153, 158–159
time perception
4, 6, 43, 47, 101–102, 106, 121
timeline
3, 8, 26, 43, 91, 94, 105, 107, 120, 171-172, 187, 189, 191-199, 202, 210, 214, 217-219, 221, 223, 225-226
time units
4, 7, 17–18, 43–52
time measurement units
see
time units
Time-as-space metaphor
45-47, 60 ;
see also
spatialization (of time), spatial metaphors (of time)
Time-moving metaphor
3, 17, 43, 62, 104
Traugott, Elizabeth Closs
3, 15, 43, 62
Turner, Mark
4, 42–44, 46, 62, 71, 102–103, 105, 120, 148–150, 153, 191, 238–239
V
verbal creativity
61–63, 66
vertical axis
16, 197, 212, 219, 225, 237 ;
see also
lateral axis, sagittal axis
viewpoint
5, 43, 153, 155–159, 160, 164, 166, 169, 194
viewpoint compression
8, 147, 150, 156–157
visual metaphors
101–102, 106 ;
see also
pictorial metaphors, spatial metaphors (in comics)