Inexplicable in the last resort
A critique of Theo van Leeuwen’s identification of typography as a ‘mode’
References (12)
References
Barthes, Roland. (1977). Image, Music, Text (Stephen Heath, Trans.). London. Fontana Press.
Halliday, M.A.K. (1978). Language as Social Semiotic. London: Arnold.
Hill, William. (2009) The Schwitters Legacy. In Selby, Aimee, et al.. (Ed.), Art and Text. Black Dog: Devon, United Kingdom.
Hills, David. (2012). “Metaphor.” The Stanford Encyclopaedia of Philosophy (Winter 2012 Ed.) Edward N. Zalta, (Ed). [URL]
Jacobson, R. and Halle, M. (1956). Fundamentals of Language. The Hague: Mouton.
Kress, G. and Van Leeuwen, T. (1996). Reading Images: The Grammar of Visual Design. London: Routledge.
Kress, G. and Van Leeuwen, T. (2002). Color as a semiotic mode: notes for a grammar of color. Visual Communication, 1(3): 343–369.
Lakoff, G. and Johnson, M. (1980). Metaphors We Live By. Chicago, University of Chicago Press.
Leja, M. (1993). Reframing Abstract Expressionism: Subjectivity and Painting in the 1940s. New Haven: Yale University Press.
Nørgaard, N. (2009). The Semiotics of Typography in Literary Texts. A Multimodal Approach. Orbis Litterarum, 641: 141–160.
Serafini, Frank; Clausen, Jennifer. (2012). Typography as Semiotic Resource. Journal of Visual Literacy; 31(2): 1–16.
Cited by (2)
Cited by two other publications
Johannessen, Christian Mosbæk, Mads Nedergård Qwist & Anders Glent Buch
This list is based on CrossRef data as of 3 august 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
Any errors therein should be reported to them.