Inexplicable in the last resort
A critique of Theo van Leeuwen’s identification of typography as a ‘mode’
References (12)
Barthes, Roland.
(
1977)
Image, Music, Text (
Stephen Heath, Trans.). London. Fontana Press.
Halliday, M.A.K.
(
1978)
Language as Social Semiotic. London: Arnold.
Hill, William.
(
2009)
The Schwitters Legacy. In
Selby, Aimee,
et al.. (Ed.),
Art and Text. Black Dog: Devon, United Kingdom.
Hills, David.
(
2012) “
Metaphor.” The Stanford Encyclopaedia of Philosophy (Winter 2012 Ed.)
Edward N. Zalta, (Ed).
[URL]
Jacobson, R. and Halle, M.
(
1956)
Fundamentals of Language. The Hague: Mouton.
Kress, G. and Van Leeuwen, T.
(
1996)
Reading Images: The Grammar of Visual Design. London: Routledge.
Kress, G. and Van Leeuwen, T.
(
2002)
Color as a semiotic mode: notes for a grammar of color.
Visual Communication, 1(3): 343–369.
Lakoff, G. and Johnson, M.
(
1980)
Metaphors We Live By. Chicago, University of Chicago Press.
Leja, M.
(
1993)
Reframing Abstract Expressionism: Subjectivity and Painting in the 1940s. New Haven: Yale University Press.
Nørgaard, N.
(
2009)
The Semiotics of Typography in Literary Texts. A Multimodal Approach.
Orbis Litterarum, 641: 141–160.
Serafini, Frank; Clausen, Jennifer.
(
2012)
Typography as Semiotic Resource.
Journal of Visual Literacy; 31(2): 1–16.
Cited by (2)
Cited by 2 other publications
Johannessen, Christian Mosbæk, Mads Nedergård Qwist & Anders Glent Buch
This list is based on CrossRef data as of 3 july 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
Any errors therein should be reported to them.