The relationship between iconicity and systematicity in Korean
ideophones
Nahyun Kwon | Japan Society for the Promotion of Science
This chapter investigates the relationship between two
forms of non-arbitrariness in Korean ideophones: relative iconicity,
which is a resemblance-based mapping between relations among
multiple forms and relations among multiple meanings (exemplified by
paradigmatic consonantal symbolism), and systematicity, which is a
statistical regularities-based mapping between form and meaning
(exemplified by ideophonic vowel harmony). Using a written corpus of
Korean ideophones, the present study quantifies the number of
variants in consonantal constellations, where larger constellations
are judged to have a higher degree of relative iconicity than
smaller constellations. The results reveal that larger
constellations are more susceptible to the influence exerted by
vowel harmony. This language-internal finding suggests a tight
correlation between relative iconicity and systematicity, and allows
further investigation into its generalizability from a broad
typological perspective.
Article outline
- 1.Introduction
- 2.Relative iconicity and systematicity in Korean ideophones
- 3.A summary of Kwon’s
(2018) corpus-based study of Korean ideophones
- 4.The present study
- 4.1Iconicity levels involved in paradigmatic consonantal
symbolism
- 4.2Distribution of consonantal symbolism in Korean
ideophones
- 4.3Main analysis
- 5.Conclusion
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Notes
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References