Chapter published in:
Operationalizing Iconicity
Edited by Pamela Perniss, Olga Fischer and Christina Ljungberg
[Iconicity in Language and Literature 17] 2020
► pp. 294306


Bernstein, R. J.
1964 “Peirce’s theory of perception”. In Studies in the Philosophy of Charles Sanders Peirce, E. C. Moore and R. S. Robin (eds), 165–189. Amherst, MA: University of Massachusetts Press.Google Scholar
Borges, J. L.
(1960) 2008 “A yellow rose”. In J. L. Borges, Dreamtigers, transl. M. Boyer and H. Morland. Austin, TX: Univ. of Texas Press. – Quoted from http://​thefloatinglibrary​.com​/2008​/09​/13​/a​-yellow​-rose/ accessed 20–09–2009.Google Scholar
Peirce, C. S.
1931–58Collected Papers, vols. 1–6, ed. C. Hartshorne and P. Weiss, vols. 7–8, ed. A. W. Burks. Cambridge, MA: Harvard Univ. Press (quoted as CP).Google Scholar
Ramos, Ricardo
2013Circuito fechado: Contos. Rio de Janeiro: Globo Livros.Google Scholar
Ransdell, J.
1966Charles Peirce. The Idea of Representation. Unpublished PhD thesis. New York, NY: Columbia University.Google Scholar
Santaella, L.
1993Percepção: Uma teoria semiótica. São Paulo: Experimento.Google Scholar
(2000) A teoria geral dos signos. Semiose e autogeração. São Paulo: Ática; 2nd ed. São Paulo: Pioneira.Google Scholar
1996 “From pure icon to metaphor: Six degrees of iconicity”. In Peirce’s Doctrine of Signs: Theory, Applications, and Connections, V. M. Colapietro and T. M. Olshewsky (eds), Berlin: Mouton de Gruyter, 252–262.Google Scholar
Savan, D.
1976An Introduction to C. S. Peirce’s Full System of Semiotic. Toronto: Victoria College of the University (=Monograph series of the Toronto Semiotic Circle 1).Google Scholar