Iconic dimensions in Margaret Atwood’s poetry and prose

Ljungberg, Christina

doi:10.1075/ill.2.25lju

Part of

The Motivated Sign
Edited by Olga Fischer and Max Nänny
[Iconicity in Language and Literature 2] 2001
► pp. 351–366

Iconic dimensions in Margaret Atwood’s poetry and prose

Christina Ljungberg | University of Zurich

Published online: 8 March 2001

https://doi.org/10.1075/ill.2.25lju

Cited by

Cited by 3 other publications

Gwóźdź, Maja

2014. Phonaesthetic Phonological Iconicity in Literary Analysis Illustrated by Angela Carter’s “The Bloody Chamber”. Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre 2:2 ► pp. 1 ff.

Kapuscinski, Kiley

2009. Exis-tensions: Surviving theRed ShoesSyndrome in Margaret Atwood'sLady Oracle. University of Toronto Quarterly 78:3 ► pp. 902 ff.

Nwuche, Amaka Grace, Chinyere Loretta Ngonebu & Ogechi Chiamaka Unachukwu

2024. Imagic iconicity as thematic representation in selected Nigerian children’s poetry. Semiotica 2024:257 ► pp. 125 ff.

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