Index
A
- appropriateness
22, 28
;
see also genre appropriateness
- associative field
2, 63–66, 109–116, 134
- audience design
16, 28, 30
- authenticity
16, 23, 25,
29, 30, 37,
103, 129
C
- characterological figures
6, 65, 118,
123
- codebook
40, 42, 54–55, 58
;
see also coding
- coding
54–63, 109, 130
;
see also codebook
- community of practice
9–10, 18, 31
- content analysis
3, 42, 44,
54, 130
;
see also qualitative content analysis
- country
16, 23, 29,
90–91, 102, 129
F
- folk-linguistic approach
11, 19, 38,
43
;
see also folk linguistics
- folk linguistics
42
;
see also folk-linguistic approach
G
- genre appropriateness
19, 28–29
;
see also appropriateness
- globalization
7, 17, 135
;
see also sociolinguistics of globalization
- going local
22, 24, 26,
28, 47, 103,
106–107, 114, 116, 129
H
- hip-hop
7, 8, 16,
22–23, 29, 129
I
- indexical field
2–3, 9–10, 12, 18–19, 24, 32, 37–38, 63–67, 134–135
- indexicality
18, 31, 63,
65
- indie
2, 8, 15,
23–24, 29, 36–37, 71, 89, 104, 109,
126, 129
- intentional field
63–64, 134–135
L
- language accommodation
21, 29, 127
;
see also language accommodation theory
- language accommodation theory
28
;
see also language accommodation
- language performance
2, 5–7, 9, 11–12, 15–16, 18, 28–31
- linguistic resource
8, 10, 16–17
M
- mainstream
24, 26–29, 35, 47, 107–108, 112, 114, 119, 125, 128, 134
P
- performance accent
20, 58, 73,
75, 88, 111
- performativity
16–17, 133
- persona
16, 23, 26,
37, 44
- punk
8–11, 16, 19, 22, 27–29, 45, 104, 115
Q
- qualitative content analysis
42, 130
;
see also content analysis
R
- referee design
15, 20–21, 24, 30
S
- sociolinguistics of globalization
7, 16
;
see also globalization
- sociolinguistics of performance
5
- stylization
5–6, 8,
15–16, 19, 31, 99, 101,
133
U
- USA-5 model
20–21, 24, 38, 117, 120,
125, 130, 133