Fun home. A family tragicomic. Homer, Joyce and Bechdel
Classical Reception and Comic Hybridisation. The Heroine Explores her Sexual Identity
This essay aims at analyzing the main classical sources of the graphic novel Fun Home, by Alison Bechdel, published in 2006, and their function in the construction of gender identity.
Article outline
- 1.
Fun home: A Family Tragicomic: Some preliminary notes
- 2.Plot
- 3.Comics and their classical reception
- 4.Classical world in Fun Home
- 4.1The myth of Daedalus and Icarus.
- 4.2The Odyssey.
- 4.3
Ulysses.
- 5.Conclusions
-
Notes
-
References
References (14)
References
Bechdel, Alison. 2006. Fun home: A Family Tragicomic, Houghton Mifflin, New York.![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Carlà-Uhink, Filippo. 2017. “Between the human and the divine: Cross-dressing and transgender dynamics in the Graeco-Roman world.” In TransAntiquity. Cross-dressing an Transgender Dynamics in the Ancient World, ed. by Domitilla Campanile, Filippo Carlà-Uhink, and Margherita Facella, 3–37. London and New York: Routledge.![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Cherbuliez, Juliette. 2007. “Here’s No Place Like (Fun) Home
.” In Transatlantica (on line), 1, <[URL]> [30/11/2019].![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Hardwick, Lorna, and Christopher Stray (eds). 2008. A Companion to Classical Receptions. Malden, MA: Blackwell.![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Lagerfeld, Karl. 2011. Pirelli Calendar, “Mythology”.
López Gregoris, Rosario. 2013. “
Lisístrata: De Aristófanes a König.” In Καλὸς καὶ ἀγαθὸς ἀνήρ· διδασκάλου παράδειγμα. Homenaje al Profesor Juan Antonio López Férez, ed. by Luis M. Pino Campos, and Germán Santana Henríquez, 479–486. Madrid: Ediciones Clásicas.![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Martindale, Charles & Richard F. Thomas (eds.). 2006. Classics and the Uses of Reception. Oxford: Blackwell.
.![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Muller, Agnès. 2007. “Images as Paratext in Alison Bechdel’s Fun Home
.” In GRAAT 1: 15–25, on-line journal: <[URL]> [17/09/2019].![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Tison, Hélène. 2007. “Drag as metaphor and the quest for meaning in Alison Bechdel’s Fun Home: A Family Tragicomic.” In GRAAT 1: 26–39, on-line journal: <[URL]>.![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Tolmie, Jane. 2009. “Modernism, Memory and Desire: Queer Cultural Production in Alison Bechdel’s Fun Home
.” In Topia: Canadian Journal of Cultural Studies 22: 77–96.![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Valdés, Santi. 1998. Los cómics gay. Barcelona: Glénat, Col. Dr. Vértigo.![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Unceta, Luis. 2012. “El mito griego visita los bajos fondos: Greek Street
.” In Minerva vol. 25: 187–207.![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Unceta, Luis. 2013. “La musa vejada: clasicismo posmoderno y nuevas vías de investigación .” In Καλὸς καὶ ἀγαθὸς ἀνήρ· διδασκάλου παράδειγμα. Homenaje al Profesor Juan Antonio López Férez, ed. by Luis M. Pino Campos, and Germán Santana Henríquez, 821–828. Madrid: Ediciones Clásicas.![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Watson, Julia. 2008. “Autographic Disclosures and Genealogies of Desire in Alison Bechdel’s Fun Home
.” In Biography vol. 31, chap. 1: 27–58.![Google Scholar](https://benjamins.com/logos/google-scholar.svg)
Cited by (2)
Cited by two other publications
Unceta Gómez, Luis
2022.
Texto e imagen en La cólera de Javier Olivares y Santiago García, o por qué la Ilíada sigue teniendo algo que decirnos.
1616: Anuario de Literatura Comparada 12
► pp. 275 ff.
![DOI logo](//benjamins.com/logos/doi-logo.svg)
Palermo, Sara
2020.
La recepción lésbica de la amazona: el caso Wonder Woman.
Journal of Feminist, Gender and Women Studies :9
► pp. 11 ff.
![DOI logo](//benjamins.com/logos/doi-logo.svg)
This list is based on CrossRef data as of 28 june 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
Any errors therein should be reported to them.