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Part of
Discourses on the Edges of Life
Edited by Vicent Salvador †, Adéla Kotátková and Ignasi Clemente
[IVITRA Research in Linguistics and Literature 26] 2020
► pp. 11–22

Death

From myth to the laboratory

| Universitat de València

Death is a biological event which forms an essential part of culture. All human societies have attributed some meaning to death in myth, religion, philosophy or science. The various forms of art have also represented death as an essential part of the human condition. This article discusses the cultural, social and medical constructions of death, starting with the origin myth and the contradiction between death and eternal life. It explores funeral rites and parish registers, examines death as an important social phenomenon in modern societies and considers the meaning of civil registries as instruments of social identity and legitimacy. Finally, it reflects on medicine’s power over death, death’s biological dimension and attempts to objectify signs of death.

Keywords: death, culture, myth, medicine and technology
Article outline
  • 1.A cultural construction: Origin myths and eternal life
  • 2.Death as a social event: From the parish to the civil registry
  • 3.Death as a biological phenomenon: How to objectify signs of death
  • 4.The medicalization of death
  • 5.The impact of technology
  • Bibliography
Published online: 9 April 2020
DOI logo
https://doi.org/10.1075/ivitra.26.01bar
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