While stock photographs have come to saturate media and have been mocked for their clichéd nature, for example where women are pictured laughing alone with salad, a powerful corporation like Getty Images that disseminates commercial imagery globally has sought to challenge these stereotypes by making more politicized images. This article examines one such case, that is, Getty’s Genderblend visual trend, which claims to portray gender identities and relations in ways that are both more inclusive and diverse, harnessing feminist theory as part of its promotion. Taking a multimodal discourse and visual design approach, the article looks at how corporate imagery can be styled as political and, in turn, how a politics of difference itself is shaped in the interests of the ideologies of consumer capitalism.
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Aiello, Giorgia. 2013. “Generiche differenze: La comunicazione visiva della soggettività lesbica nell’archivio fotografico Getty Images.” Studi Culturali anno X n. 3: 523–548.
Aiello, Giorgia. 2012. “The ‘other’ Europeans: The semiotic imperative of style in Euro Visions by Magnum Photos.” Visual Communication 11(1): 49–77.
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Djonov, Emilia, and van Leeuwen, Theo. 2011. “The semiotics of texture: From tactile to visual.” Visual Communication 10(4): 541–564.
Fairclough, Norman. 2003. Analysing Discourse: Textual Analysis for Social Research. London: Routledge.
Frosh, Paul. 2003. The Image Factory: Consumer Culture, Photography and the Visual Content Industry. Oxford: Berg.
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Grossman, Samantha. December 8, 2014. “Women laughing alone with tablets’ is the new ‘women laughing alone with salad.” TIME.com. Retrieved from: [URL]
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Albawardi, Areej & Rodney H Jones
2023. Saudi women driving: images, stereotyping and digital media. Visual Communication 22:1 ► pp. 96 ff.
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2023. Visualising the Generic Techno-Imaginary: Exploring the Visual Rhetoric of the South African Fourth Industrial Revolution Agenda as Articulated through Commercial Stock Images. de arte 58:1 ► pp. 4 ff.
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Curran, Ann
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Ren, Qumo
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Romele, Alberto
2022. Images of Artificial Intelligence: a Blind Spot in AI Ethics. Philosophy & Technology 35:1
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2022. How Male Consumers Respond to “Enlightened Manvertising” Campaigns. Journal of Advertising Research 62:1 ► pp. 87 ff.
Carrera, Fernanda
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Thomas, Martin
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Bogers, Loes, Sabine Niederer, Federica Bardelli & Carlo De Gaetano
2020. Confronting bias in the online representation of pregnancy. Convergence: The International Journal of Research into New Media Technologies 26:5-6 ► pp. 1037 ff.
Mapes, Gwynne
2020. Marketing elite authenticity: Tradition and terroir in artisanal food discourse. Discourse, Context & Media 34 ► pp. 100328 ff.
Runge, Evelyn
2020. THE TRAVELS OF PHOTOGRAPHS WITHIN THE GLOBAL IMAGE MARKET. HOW MONOPOLISATION, INTERCONNECTEDNESS, AND DIFFERENTIATION SHAPE THE ECONOMICS OF PHOTOGRAPHY. photographies 13:3 ► pp. 365 ff.
Yang, Kaiyu, Klint Qinami, Li Fei-Fei, Jia Deng & Olga Russakovsky
2020. Proceedings of the 2020 Conference on Fairness, Accountability, and Transparency, ► pp. 547 ff.
McIntyre, Karen, Kyser Lough & Keyris Manzanares
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2018. Connected Routes: Migration Studies with Digital Devices and Platforms. Social Media + Society 4:1
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This list is based on CrossRef data as of 9 january 2025. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
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