Article published in:
Journal of Language and Sexuality
Vol. 6:1 (2017) ► pp. 129


“How my hair look?”


Agha, Asif
2011Meet mediatization. Language and Communication 31: 163–170. CrossrefGoogle Scholar
Alim, H. Samy & Smitherman, Geneva
2012Articulate While Black: Barack Obama, Language, and Race in the U.S. New York: Oxford University Press.Google Scholar
Alvarez, Rafael
2009The Wire: Truth Be Told. New York: Grove Press.Google Scholar
Ault, Elizabeth
2012“You can help yourself/but don’t take too much”: African American motherhood on The Wire. Television and New Media 14(5): 386–401. CrossrefGoogle Scholar
Baker, Paul
2005Public Discourses of Gay Men. London: Routledge.Google Scholar
Barrett, Rusty
1999Indexing polyphonous identity in the speech of African American drag queens. In Reinventing Identities: The Gendered Self in Discourse, Mary Bucholtz, A. C. Liang & Laurel A. Sutton (eds), 313–331. New York: Oxford University Press.Google Scholar
Bennett, Drake
2010This will be on the midterm. You feel me?: Why so many colleges are teaching The Wire . Slate (March 24). http://​www​.slate​.com​/articles​/arts​/culturebox​/2010​/03​/this​_will​_be​_on​_the​_midterm​_you​_feel​_me​.html (January 2, 2015)
Bolton, Ralph
1995Sex talk: Bodies and behaviors in gay erotica. In Beyond the Lavender Lexicon: Authenticity, Imagination, and Appreciation in Gay Languages, William L. Leap (ed), 173–206. Amsterdam: Gordon and Breach.Google Scholar
Bramall, Rebecca & Pitcher, Ben
2012Policing the crisis, or, why we love The Wire . International Journal of Cultural Studies 16(1): 85–98. CrossrefGoogle Scholar
Bucholtz, Mary
2003Sociolinguistic nostalgia and the authentication of identity. Journal of Sociolinguistics 7(3): 398–416. CrossrefGoogle Scholar
2011aRace and the re-embodied voice in Hollywood film. Language and Communication 31: 255–265. CrossrefGoogle Scholar
2011bWhite Kids: Language, Race, and Styles of Youth Identity. Cambridge: Cambridge University Press.Google Scholar
Bucholtz, Mary & Hall, Kira
2004Theorizing identity in language and sexuality research. Language in Society 33(4): 501–547. CrossrefGoogle Scholar
Bucholtz, Mary & Lopez, Qiuana
2011Performing blackness, forming whiteness: Linguistic minstrelsy in Hollywood film. Journal of Sociolinguistics 15(5): 680–706. CrossrefGoogle Scholar
Butler, Judith
1990Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.Google Scholar
[ p. 25 ]
Choat, Alex & Fox, Ken
2010Queering the system: Baltimore, dissent, abnormality and subversion in The Wire . In Queering Paradigms, Burkhard Scherer (ed), 267–278. Bern: Peter Lang.Google Scholar
Cobb, Jasmine Nichole & Coleman, Robin R. Means
2010Two snaps and a twist: Controlling images of gay Black men on television. Perspectives 11(1): 82–98. http://​www​.rcgd​.isr​.umich​.edu​/prba​/perspectives​/winter2010​/6​.Cobb,%20Coleman%202010​.pdf (January 2, 2015)
Cobb, Russell
(ed) 2014The Paradox of Authenticity in a Globalized World. New York: Palgrave Macmillan. CrossrefGoogle Scholar
Collins, Patricia Hill
2005Black Sexual Politics. New York: Routledge.Google Scholar
Coupland, Nikolas
2003Sociolinguistic authenticities. Journal of Sociolinguistics 7(3): 417–431. CrossrefGoogle Scholar
DeClue, Jennifer
2009Queer mother of color. GLQ: A Journal of Lesbian and Gay Studies 15(4): 615–617. CrossrefGoogle Scholar
2011Lesbian cop, queer killer: Leveraging black queer women’s sexuality on HBO’s The Wire . Spectator 31(2): 53–62.Google Scholar
Delaney, Sam
2008Omar Little is the gay stick-up man who robs drug dealers for a living in The Wire . The Guardian (July 18). http://​www​.theguardian​.com​/culture​/2008​/jul​/19​/television​.wire (January 2, 2015)
Dhaenens, Frederik
2012Reading gays on the small screen: A reception study among Flemish viewers of queer resistance in contemporary television fiction. Javnost – The Public 19(4): 57–72. CrossrefGoogle Scholar
Dhaenens, Frederik & Van Bauwel, Sofie
2012The good, the bad or the queer: Articulations of queer resistance in The Wire . Sexualities 15(5/6): 702–717. CrossrefGoogle Scholar
Dove-Viebahn, Aviva
2007Fashionably femme: Lesbian visibility, style, and politics in The L Word . In Queer Popular Culture: Literature, Media, Film, and Television, Thomas Peele (ed), 71–84. New York: Palgrave Macmillan. CrossrefGoogle Scholar
Dussere, Erik
2014America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture. New York: Oxford University Press.Google Scholar
Eschholz, Sarah, Mallard, Matthew & Flynn, Stacey
2004Images of prime time justice: A content analysis of “NYPD Blue” and “Law & Order.” Journal of Criminal Justice and Popular Culture 10(3): 161–180.Google Scholar
Gaines, Dixon
2009Why are Hollywood’s black gay characters on the downlow? Queerty (February 12, 2009). http://​www​.queerty​.com​/why​-are​-hollywoods​-black​-gay​-characters​-on​-the​-downlow​-20090212 (January 2, 2015)
2014. 2014 Where we are on TV. http://​www​.glaad​.org​/files​/GLAAD​-2014​-WWAT​.pdf (January 2, 2015)
Green, Lisa J.
2002African American English: A Linguistic Introduction. Cambridge: Cambridge University Press. CrossrefGoogle Scholar
Hanson, Christopher
2012“A man must have a code”: The many languages of The Wire . Quarterly Review of Film and Video 29(3): 203–212. CrossrefGoogle Scholar
Hill, Jane H.
2008The Everyday Language of White Racism. Malden, MA: Blackwell. CrossrefGoogle Scholar
hooks, bell
2004We Real Cool: Black Men and Masculinity. New York: Routledge.Google Scholar
Johnson, Michael, Jr.
2013White authorship and the counterfeit politics of verisimilitude on The Wire . In African Americans on Television: Race-ing for Ratings, David J. Leonard & Lisa A. Guerrero (eds), 324–341. Santa Barbara, CA: Praeger.Google Scholar
Jordan, Jon
n.d. Interview with David Simon. Mystery One Bookstore. http://​www​.mysteryone​.com​/oldsite​/DavidSimonInterview​.htm (January 2, 2015)
[ p. 26 ]
Kelly, Lisa W.
2009Casting The Wire: Complicating notions of performance, authenticity, and “otherness.” Darkmatter Journal 4. http://​www​.darkmatter101​.org​/site​/2009​/05​/29​/casting​-the​-wire​-complicating​-notions​-of​-performance​-authenticity​-and​-otherness/ (January 2 2015)
King, Stephen
2006Setting off a “Wire” alarm. Entertainment Weekly (August 25, 2006). http://​www​.ew​.com​/ew​/article​/0,,1333799,00​.html (January 2, 2015)
Kitzinger, Celia
2000Doing feminist conversation analysis. Feminism and Psychology 10(2): 163–193. CrossrefGoogle Scholar
Klein, Jennifer
2013Comment: “Way down in the hole.” Labor: Studies in Working-Class History of the Americas 10(1): 35–45. CrossrefGoogle Scholar
Labov, William
1972Language in the Inner City: Studies in the Black English Vernacular. Philadelphia: University of Pennsylvania Press. http://​salsa​-tx​.org​/proceedings​/2009​/01​_TLS53​_Lanehart​.pdf (January 2, 2015)Google Scholar
Lanehart, Sonja L.
2009Diversity and intersectionality. In Proceedings of the Seventeenth Symposium About Language and Society, Danny Law (ed), 1–8. Austin: University of Texas Department of Linguistics.Google Scholar
Lazar, Michelle M.
2006“Discover the power of femininity!”: Analyzing global “power femininity” in local advertising. Feminist Media Studies 6(4): 505–517. CrossrefGoogle Scholar
LeBesco, Kathleen
2009“Gots to get got”: Social justice and audience response to Omar Little. In The Wire: Urban Decay and American Television, Tiffany Potter & C. W. Marshall (eds), 217–232. New York: Continuum.Google Scholar
Leap, William L.
(ed) 1995Beyond the Lavender Lexicon. Amsterdam: Gordon and Breach.Google Scholar
2011Language, gay pornography, and audience reception. Journal of Homosexuality 58(6–7): 932–952. CrossrefGoogle Scholar
Lerner, David
2012Way down in the hole: Baltimore as location and representation in The Wire . Quarterly Review of Film and Video 29(3): 213–224. CrossrefGoogle Scholar
Lippi-Green, Rosina
2012English with an Accent: Language, Ideology, and Discrimination in the United States. 2nd ed. New York: Routledge.Google Scholar
Lipsitz, George
2011How Racism Takes Place. Philadelphia: Temple University Press.Google Scholar
Livia, Anna
1995“I ought to throw a Buick at you”: Fictional representations of butch/femme speech. In Gender Articulated: Language and the Socially Constructed Self, Kira Hall & Mary Bucholtz (eds), 245–278. New York: Routledge.Google Scholar
Livia, Anna & Hall, Kira
(eds) 1997Queerly Phrased: Language, Gender, and Sexuality. New York: Oxford University Press.Google Scholar
LoLordo, Ann
2009Felicia “Snoop” Pearson. In The Wire: Truth Be Told, Rafael Alvarez (ed), 357–362. New York: Grove Press.Google Scholar
Lopez, Qiuana
2009Imitation or influence: White actors and Black language in film. In Proceedings of the Seventeenth Symposium About Language and Society, Danny Law (ed), 110–120. Austin: University of Texas, Department of Linguistics. http://​salsa​-tx​.org​/proceedings​/2009​/12​_TLS53​_Lopez​.pdf (January 2, 2015)Google Scholar
2014Aggressively feminine: The linguistic appropriation of sexualized blackness by white female characters in film. Gender and Language 8(3): 283–310. CrossrefGoogle Scholar
Lopez, Qiuana & Hinrichs, Lars
forthcoming. “C’mon, get happy”: The commodification of linguistic stereotypes in a Super Bowl commercial. Journal of English Linguistics. Crossref
[ p. 27 ]
Marshall, Courtney D.
2009Barksdale women: Crime, empire, and the production of gender. In The Wire: Urban Decay and American Television, Tiffany Potter & C. W. Marshall (eds), 149–161. New York: Continuum.Google Scholar
Martin, Brett
2013 Difficult Men: Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad. New York: Penguin.Google Scholar
Metcalf, Greg
2012The DVD Novel: How the Way We Watch Television Changed the Television We Watch. Santa Barbara, CA: Praeger.Google Scholar
Minow, Verena
2013“Nigga, you ain’t supposed to be droppin’ names an’ shit”: The use of vocatives in The Wire . Paper presented at the International Conference on the Linguistics of Contemporary English. University of Texas, Austin.
Morgan, Marcyliena
1994The African-American speech community: Reality and sociolinguistics. In Language and the Social Construction of Identity in Creole Situations, Marcyliena Morgan (ed), 121–148. Los Angeles: Center for Afro-American Studies, UCLA.Google Scholar
1999No woman no cry: Claiming African American women’s place. In Reinventing Identities: The Gendered Self in Discourse, Mary Bucholtz, A. C. Liang & Laurel A. Sutton (eds), 27–45. New York: Oxford University Press.Google Scholar
Morrish, Elizabeth & Sauntson, Helen
2007Sexual identity and gender: Discursive constructions of “butch” and “femme” in film. In New Perspectives on Language and Sexual Identity, 137–165. Basingstoke: Palgrave Macmillan. CrossrefGoogle Scholar
Nannicelli, Ted
2009It's all connected: Televisual narrative complexity. In The Wire: Urban Decay and American Television, Tiffany Potter & C. W. Marshall (eds), 190–202. New York: Continuum.Google Scholar
Payne, Connor
2014Racism and LGBT representation on TV. InQueery (October 29, 2014). http://​pacificcenter​.org​/tag​/queer​-and​-black (January 2, 2015)
Pearson, Felicia “Snoop” & Ritz, David
2007Grace after Midnight: A Memoir. New York: Hachette.Google Scholar
Penfold-Mounce, Ruth, Beer, David & Burrows, Roger
2011 The Wire as social science-fiction? Sociology 45(1): 152–167. CrossrefGoogle Scholar
Peterson, James Braxton
2009Corner-boy masculinity: Intersections of inner-city manhood. In The Wire: Urban Decay and American Television, Tiffany Potter & C. W. Marshall (eds), 107–121. New York: Continuum.Google Scholar
Queen, Robin M.
1997“I don’t speak Spritch”: Locating lesbian language. In Queerly Phrased: Language, Gender, and Sexuality, Anna Livia & Kira Hall (eds), 233–256. New York: Oxford University Press.Google Scholar
Rahman, Jacquelyn
2012The N word: Its history and use in the African American community. Journal of English Linguistics 40(2): 137–171. CrossrefGoogle Scholar
Raley, Amber B. & Lucas, Jennifer L.
2006Stereotype or success? Prime-time television’s portrayals of gay male, lesbian, and bisexual characters. Journal of Homosexuality 51(2): 19–38. CrossrefGoogle Scholar
Reed, Ishmael
2008Mixing It Up: Taking on the Media Bullies and Other Reflections. Philadelphia, PA: Da Capo Press.Google Scholar
Robbie, Hillary
2009The subversion of heteronormative assumptions in HBO’s The Wire . Darkmatter Journal 4. http://​www​.darkmatter101​.org​/site​/2009​/05​/29​/the​-subversion​-of​-heteronormative​-assumptions​-in​-hbos​-the​-wire/ (January 2, 2015)
Ross, Dalton
2013Former cast members react to “The Wire” being named the greatest TV show ever by EW. Entertainment Weekly (July 1, 2013). http://​insidetv​.ew​.com​/2013​/07​/01​/the​-wire​-lawrence​-gilliard​-chad​-coleman/ (January 2, 2015)
[ p. 28 ]
Scott, Karla D.
2000Crossing cultural borders: “Girl” and “look” as markers of identity in Black women’s language use. Discourse and Society 11(2): 237–248. CrossrefGoogle Scholar
Sharma, Ash
2009Editorial: “All the pieces matter” – Introductory notes on The Wire . Darkmatter Journal 4. http://​www​.darkmatter101​.org​/site​/2011​/04​/29​/editorial​-all​-the​-pieces​-matter​-introductory​-notes​-on​-the​-wire/ (January 2, 2015)
Simmons, Bill
2012B.S. Report transcript: Barack Obama. Grantland (March 1, 2012). http://​grantland​.com​/the​-triangle​/b​-s​-report​-transcript​-barack​-obama/ (January 2, 2015)
Smith, Nat & Stanley, Eric
(eds) 2011Captive Genders: Trans Embodiment and the Prison Industrial Complex. Oakland, CA: AK Press.Google Scholar
Smitherman, Geneva
2000Black Talk: Words and Phrases from the Hood to the Amen Corner. Boston: Houghton Mifflin.Google Scholar
Spears, Arthur K.
1998African-American language use: Ideology and so-called obscenity. In African-American English: Structure, History, and Use, Salikoko S. Mufwene, John R. Rickford, Guy Bailey & John Baugh (eds), 226–250. London: Routledge.Google Scholar
Stamou, Anastasia G.
2014A literature review on the mediation of sociolinguistic style in television and cinematic fiction: Sustaining the ideology of authenticity. Language and Literature 23(2): 118–140. CrossrefGoogle Scholar
Steans, Jill
2011Gendered bodies, gendered spaces, gendered places: A critical reading of HBO’s The Wire . International Feminist Journal of Politics 13(1): 101–108.Google Scholar
Stephenson, Rob
2012Invisible men: Why it matters that there are no black male couples on TV. Huffington Post (September 11). http://​www​.huffingtonpost​.com​/rob​-stephenson​/invisible​-men​-why​-it​-matt​_b​_1874981​.html (January 2, 2015)
Talbot, Margaret
2007Stealing life: The crusader behind “The Wire.” New Yorker (October 22): 150–163. http://​www​.newyorker​.com​/magazine​/2007​/10​/22​/stealing​-life (January 2, 2015)
Talbot, Mary
1995A synthetic sisterhood: False friends in a teenage magazine. In Gender Articulated: Language and the Socially Constructed Self, Kira Hall & Mary Bucholtz (eds), 143–165. New York: Routledge.Google Scholar
The Telegraph
Thompson, Kecia Driver
2012“Deserve got nothing to do with it”: Black urban experience and the naturalist tradition in The Wire . Studies in American Naturalism 7(1): 80–120. CrossrefGoogle Scholar
Toolan, Michael
2011“I don’t know what they’re saying half the time, but I’m hooked on the series”: Incomprehensible dialogue and integrated multimodal characterisation in The Wire . In Telecinematic Discourse: Approaches to the Language of Film and Television, Robera Piazza, Monika Bednarek & Fabio Rossi (eds), 161–183. Amsterdam: John Benjamins. CrossrefGoogle Scholar
Topola, Kelsey
2013The Wire and the Mythology of the Western . Master’s thesis, University of Saskatchewan, Saskatoon.Google Scholar
Trotta, Joe & Blyahher, Oleg
2011 Game done changed: A look at selected AAVE features in the TV series The Wire . Moderna Språk 105(1): 15–42.Google Scholar
Vest, Jason P.
2011The Wire, Deadwood, Homicide, and NYPD Blue: Violence Is Power . Santa Barbara, CA: Praeger.Google Scholar
[ p. 29 ]
Waldron, Linda & Chambers, Cheryl
2012Macho cops, corner boys and soldiers: The construction of race and masculinity on HBO’s The Wire . In The Harms of Crime Media: Essays on the Perpetuation of Racism, Sexism and Class Stereotypes, Denise L. Bissler & Joan L. Conners (eds), 171–189. Jefferson, NC: McFarland & Company.Google Scholar
Weisberg, Jacob
2006 The Wire on fire: Analyzing the best show on television. Slate (September 13). http://​www​.slate​.com​/articles​/news​_and​_politics​/the​_big​_idea​/2006​/09​/the​_wire​_on​_fire​.html (January 2, 2015)
Wilde, John
2007The Wire is unmissable television. The Guardian (July 20). http://​www​.theguardian​.com​/culture​/tvandradioblog​/2007​/jul​/21​/thewireisunmissabletelevis (January 2, 2015)
Wilson, Franklin T. & Blackburn, Ashley G.
2014The depiction of female municipal police officers in the first four decades of the core copy film genre: “It’s a man’s world.” Women and Criminal Justice 24(2): 83–105. CrossrefGoogle Scholar
Wisniewski, Chris
2009The Wire: High visibility. Reverse Shot 24. http://​www​.reverseshot​.com​/article​/wire (January 2, 2015)
Cited by

Cited by 11 other publications

Bednarek, Monika
2018.  In Language and Television Series, Crossref logo
Bednarek, Monika
2020. Keyword analysis and the indexing of Aboriginal and Torres Strait Islander identity. International Journal of Corpus Linguistics 25:4  pp. 369 ff. Crossref logo
Heaton, Hayley
2020. A Little of Everything: A Comprehensive Overview for the Linguistic Study of Television Dialogue. American Speech 95:4  pp. 529 ff. Crossref logo
Hiramoto, Mie & Phoebe Pua
2019. Racializing heterosexuality: Non-normativity and East Asian characters in James Bond films. Language in Society 48:4  pp. 541 ff. Crossref logo
Jones, Lucy
2021. Queer linguistics and identity. Journal of Language and Sexuality 10:1  pp. 13 ff. Crossref logo
Melgarejo, Victoria & Mary Bucholtz
2020. “Oh, I don’t even know how to say this in Spanish”. Spanish in Context 17:3  pp. 488 ff. Crossref logo
Parsemain, Ava Laure
2019.  In The Pedagogy of Queer TV,  pp. 65 ff. Crossref logo
Parsemain, Ava Laure
2019.  In The Pedagogy of Queer TV,  pp. 169 ff. Crossref logo
Saito, Junko
2021.  In Linguistic Tactics and Strategies of Marginalization in Japanese,  pp. 143 ff. Crossref logo
Werner, Valentin
2021. A diachronic perspective on telecinematic language. International Journal of Corpus Linguistics 26:1  pp. 38 ff. Crossref logo
Wong, Andrew D., Hsi-Yao Su & Mie Hiramoto
2021. Complicating raciolinguistics: Language, Chineseness, and the Sinophone. Language & Communication 76  pp. 131 ff. Crossref logo

This list is based on CrossRef data as of 18 august 2021. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.