Based on an analysis accounting for the whole body as a possible articulator in the depiction of actions, this chapter argues for an expansion of the notion of ‘character viewpoint gestures’ to a notion of ‘multimodal action depiction from a character viewpoint’. Our study shows that speakers may deploy only single articulators, providing a semantically reduced depiction of the action, or they may deploy more bodily articulators and give a semantically rich picture of the event narrated. Our findings suggest a continuum of semiotic complexity, capturing the range of bodily involvement from less pantomimic (single articulators involved) to pantomimic depictions (more articulators involved) of actions. The paper closes by discussing our observations with respect to the notion of ‘constructed action’ and ‘role shift’ in sign languages and by giving some general remarks on the multimodal analysis of narrations.
Article outline
1.Introduction
2.Analyzing multimodal narratives
3.Exemplification of the method
Step 1Description of articulators involved in the character viewpoint depiction
Step 2Meaning analysis of body movements
Step 2.1Analysis of meaning conveyed by each articulator involved in the character-viewpoint depictions
Step 2.2Analysis of the meaning in the verbal and interactive context
Step 3Determination of degree of semiotic complexity
4.Ways of expression action in multimodal narrations
4.1Character viewpoint depiction involving a single articulator
4.2Character viewpoint depiction involving two articulators
4.3Character viewpoint depiction involving several articulators
5.Continuum of semiotic complexity
6.Concluding thoughts: Iconicity of action depiction and constructed action in gesture and sign language
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