Table of contents
List of contributors
Acknowledgements
Chapter 1. Introduction: Cognitive Grammar in literature
Chapter 2. War, worlds and Cognitive Grammar
Chapter 3. Construal and comics: The multimodal autobiography of Alison Bechdel’s Fun Home
Chapter 4. Attentional windowing in David Foster Wallace’s ‘The Soul Is Not a Smithy’
Chapter 5. Resonant metaphor in Kazuo Ishiguro’s Never Let Me Go
Chapter 6. Constructing a text world for The Handmaid’s Tale
Chapter 7. Point of view in translation: Lewis Carroll’s Alice in grammatical wonderlands
Chapter 8. Profiling the flight of ‘The Windhover’
Chapter 9. Foregrounding the foregrounded: The literariness of Dylan Thomas’s ‘After the funeral’
Chapter 10. Conceptual proximity and the experience of war in Siegfried Sassoon’s ‘A Working Party’
Chapter 11. Most and now: Tense and aspect in Bálint Balassi’s ‘Áldott szép pünkösdnek’
Chapter 12. Fictive motion in Wordsworthian nature
Chapter 13. The cognitive poetics of if
Chapter 14. Representing the represented: Verbal variations on Vincent’s Bedroom in Arles
Afterword: From Cognitive Grammar to systems rhetoric
References
Index
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