Index
A
-
A Visit from the Goon Squad (Egan)
91–100
- action chains
18–19, 31–32, 38–40, 45–47, 50
- agent
18–19, 37–40, 50, 61, 63–64, 68, 132
- archetypal role
18–19, 38, 53, 61
- attention
13–16, 20–21, 43–44, 58–59, 91–95, 100, 102–105, 114
- Auster, Paul
49, 55–56, 59–60
B
- billiard ball model
18, 40
C
- clausal grounding
16, 33, 38, 41, 118
- cognitive poetics
1, 27–30
- cognitive semantics
100–101
- compositional path
17–18, 113–114
- conceived time
15, 37, 41, 122–123
- conceptualiser
14, 16–17, 20, 37, 46–47, 93–94, 121–122, 133
- construal
13–17, 39, 47, 72, 87–89, 91–92, 110, 125–128, 131–133, 135–136
- construction grammars
12, 19
- constructions
12–13, 17, 25, 38–44, 109–110, 113–117, 133–134
- construction schema
71, 73, 78–80, 88
- contemporary fiction
2–3, 134
- current discourse space (CDS)
22–23, 28, 86, 88, 96
D
- deixis
29–30, 34, 77, 107–108, 123–124
- detective fiction
51–52, 54, 56
- dominion
20, 42–43, 45, 50–51, 82
E
- elaboration
15, 43–44, 62, 74–79, 88
-
Enduring Love (McEwan)
32–47
- experiencer
18–19, 38–41, 53, 61, 63–66
F
- fictive simulation
23, 30, 131
- Foer, Jonathan Safran
113–117
- foregrounding
15, 118, 135
- function-advancer
27, 101
- frames
22–23, 28
see also
-
viewing/ attentional frames
23, 73, 104
G
- Gaiman, Neil
71, 74–75, 80, 82–88
- ground
13, 15–17, 22–23, 37, 73–74
- grounding
16, 33–47, 66,105–106, 108–111, 118
H
- ‘ Here We Aren’t, So Quickly ’
113–129
M
- metaphor
33, 38–45, 76–77, 93, 103–104, 128
see also
- visual metaphor
14, 21, 91
- reading metaphors
56, 114
- mind-modelling
30, 91–111, 120
- modality
35–36, 41–42, 66, 107
N
- narrative interrelation
5, 60, 87
- narrative urgency
30–32, 35–38
- negation
77–78, 104, 116–120, 122, 126–128
O
- objective construal
16–17
see also
- object of conceptualisation
16–17, 47, 93–94, 124
P
- perspective
15–16, 33–43, 91–111
- postmodern fiction
2–5, 51–52
- processing time
15, 122–123
R
- reader response
5–7, 54–60, 79–87, 125–127
- reference point
20–21, 26, 43–45, 49–69, 71–73, 76, 81–82
S
- scalability
25–26, 133–134
- schematicity
15, 29, 43, 74–79
- sequence scanning
21, 77, 113–117
- specificity
15, 43–44, 86–88
- subjective construal
16–17, 42, 47
T
- targets
20–21, 43–45, 50, 52–68, 81–82
- text worlds
27–28, 37, 84–87, 115–128
-
The New York Trilogy (Auster)
49–69
- trajector-landmark relationships
13–14, 31
V
- viewing arrangement
15–16, 33–34, 106–109
see also
- vantage point
17, 85, 122
W
- windowing of attention100
- world-builder
76–79, 104, 113, 119