Part of
Experiencing Fictional Worlds
Edited by Benedict Neurohr and Lizzie Stewart-Shaw
[Linguistic Approaches to Literature 32] 2019
► pp. 1532
Agarwal, R. and Karahanna, E.
2000Time flies when you’re having fun: cognitive absorption and beliefs about information technology usage. MIS Quarterly 24(4): 665–694. DOI logoGoogle Scholar
Agarwal, R., Sambamurthy, V. and Stair, R.
1997Cognitive absorption and the adoption of new information technologies. In Academy of Management Best Paper Proceedings, L. Dosier and J. Keys (eds), 293–297. Statesboro: Office of Publication and Faculty Research Services in the College of Business Administration at Georgia Southern University.Google Scholar
Arizpe, E. and Smith, V.
(eds) 2015Children as Readers in Children’s Literature: The Power of Texts and the Importance of Reading. London: Routledge.Google Scholar
Artaud, A.
1971Collected Works of Antonin Artaud (trans. V. Corti). London: Calder and Boyars.Google Scholar
Bacon, H.
2009Aesthetics and the experience of re-experience. In Narration and Spectatorship in Moving Images, J. D. Anderson and B. Fisher (eds), 260–276. Newcastle: Cambridge Scholars.Google Scholar
Bell, A. and Ensslin, A.
2011 “I know what it was. You know what it was”: second-person narration in hypertext fiction. Narrative 19(3): 311–329. DOI logoGoogle Scholar
Bouko, C.
2014Interactivity and immersion in a media-based performance. Participations: Journal of Audience and Reception Studies 11(1): 254–269.Google Scholar
Burwick, F. and Pape, W.
(eds) 1990Aesthetic Illusion: Theoretical and Historical Approaches. Berlin: de Gruyter. DOI logoGoogle Scholar
Chen, J.
2007Flow in games (and everything else). Communications of the ACM 50(4): 31–34. DOI logoGoogle Scholar
Coleridge, S. T.
1817Biographia Literaria. Rest Fenner: London.Google Scholar
Cook, G.
1994Discourse and Literature: The Interplay of Form and Mind. Oxford: Oxford University Press.Google Scholar
Cowley, B., Charles, D., Black, M. and Hickey, R.
2008Toward an understanding of flow in video games. Computers in Entertainment 6(2) (July). DOI logoGoogle Scholar
Csikszentmihalyi, M.
1990Flow: The Psychology of Optimal Experience. New York: Harper and Row.Google Scholar
1996Creativity: Flow and the Psychology of Discovery and Invention. New York: Harper Perennial.Google Scholar
2014Flow and the Foundations of Positive Psychology: The Collected Works of Mihaly Csikszentmihalyi (Volume 2). Dordrecht: Springer. DOI logoGoogle Scholar
de Beaugrande, R.
1987Schemas for literary communication. In Discourse: Aspects of Cognitive and Social Psychological Approaches, L. Hàlàsz (ed.), 49–99. Literary Berlin: de Gruyter. DOI logoGoogle Scholar
Dove, T.
1994Theater without actors – immersion and response in installation. Leonardo 27(4): 281–287. DOI logoGoogle Scholar
Dyson, F.
2009Sounding New Media. Immersion and Embodiment in the Arts and Culture. Berkeley, CA: University of California Press.Google Scholar
Gavins, J.
2007Text World Theory. Edinburgh: Edinburgh University Press.Google Scholar
Genette, G.
1983Narrative Discourse. New York: Cornell University Press.Google Scholar
Gerrig, R. J.
1993Experiencing Narrative Worlds: On the Psychological Activities of Reading. New Haven: Yale University Press.Google Scholar
Gerrig, R. J. and Rapp, D.
2004Psychological processes underlying literary impact. Poetics Today 25(2): 265–281. DOI logoGoogle Scholar
Gibbons, A.
2014Fictionality and ontology. In The Cambridge Handbook of Stylistics, P. Stockwell and S. Whiteley (eds), 408–423. Cambridge: Cambridge University Press. DOI logoGoogle Scholar
Gibbs, R.
2006Embodiment and Cognitive Science. New York: Cambridge University Press.Google Scholar
Gombrich, E. H.
1960Art and Illusion: A Study in the Psychology of Pictorial Representation. Oxford: Phaidon.Google Scholar
Gopnik, M.
1989The development of text competence. In Text and Discourse Connectedness, M. -E. Conte, J. S. Petofi and E. Sözer (eds), 225–244. Amsterdam: John Benjamins. DOI logoGoogle Scholar
Grau, O.
2003Virtual Art: From Illusion to Immersion. Cambridge, MA: MIT Press.Google Scholar
Green, M. C. and Brock, T. C.
2000The role of transportation in the persuasiveness of public narratives. Journal of Personality and Social Psychology 79(5): 701–721. DOI logoGoogle Scholar
Hakemulder, F.
2013Travel experiences: a typology of transportation and other absorption states in relation to types of aesthetic responses. In Wie gebannt: Aesthetische Verfahren der affektiven Bildung von Aufmerksamkeit, J. Luedke (ed.), 163–182. Berlin: Freie Universitat.Google Scholar
Hakemulder, F. and Kuijpers, M.
(eds) 2017Narrative Absorption. Amsterdam: John Benjamins. DOI logoGoogle Scholar
Jamieson, L.
2007Antonin Artaud: From Theory to Practice. London: Greenwich Exchange: London.Google Scholar
Kuijpers, M., Hakemulder, F., Tan, E. and Doicaru, M.
Kuiken, D., Miall, D. S. and Sikora S.
2004Forms of self-implication in literary reading. Poetics Today 25:(2): 171–203. DOI logoGoogle Scholar
Lewis, C. S.
1950The Lion, the Witch and the Wardrobe. London: Geoffrey Bles.Google Scholar
1955The Magician’s Nephew. London: Bodley Head.Google Scholar
Liptay, F. and Dogramaci, B.
(eds) 2015Immersion in the Visual Arts and Media: Studies in Intermediality. Leiden: Brill. DOI logoGoogle Scholar
Machon, J.
2013Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke: Palgrave MacMillan. DOI logoGoogle Scholar
Miall, D. S. and Kuiken, D.
2002A feeling for fiction: becoming what we behold. Poetics 30: 221–241. DOI logoGoogle Scholar
2016How to Read a Mind. FutureLearn / University of Nottingham [URL] [online course, no longer publicly accessible].Google Scholar
(established 2000) Mumsnet – The UK’s Most Popular Parenting Website [URL] (January 2017).Google Scholar
Murray, J.
1998Hamlet on the Holodeck. Cambridge, MA: MIT Press.Google Scholar
Nell, V.
1988Lost in a Book: The Psychology of Reading for Pleasure. New Haven, CT: Yale University Press. DOI logoGoogle Scholar
Nesbit, E.
1906The Railway Children. London: Wells, Gardner, Darton.Google Scholar
Nikolaeva, M.
2000From Mythic to Linear: Time in Children’s Literature. Lanham: Scarecrow Press.Google Scholar
Nikolaeva, M. and Scott, C.
2006How Picturebooks Work. London: Routledge.Google Scholar
Proust, M.
1927A la Recherche du Temps Perdu (7 vols, 1919–1927). Paris: Gallimard.Google Scholar
Ryan, M. -L.
1999Immersion vs. interactivity: virtual reality and literary theory. Substance 28(2): 110–137. DOI logoGoogle Scholar
2001Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Music. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Schank, R. C. and Abelson, R.
1977Scripts, Plans, Goals and Understanding, Hillsdale, NJ: Lawrence Erlbaum Associates.Google Scholar
Skolnick, D. and Bloom, P.
2006What does Batman think about SpongeBob? Children’s understanding of the fantasy/fantasy distinction. Cognition 101(1): B9–18. DOI logoGoogle Scholar
Stockwell, P.
2009Texture: A Cognitive Aesthetics of Reading. Edinburgh: Edinburgh University Press.Google Scholar
Stockwell, P. and Mahlberg, M.
2015Mind-modelling with corpus stylistics in David Copperfield . Language and Literature 24(2): 129–147. DOI logoGoogle Scholar
Sweetser, P. and Wyeth, P.
2005GameFlow: a model for evaluating player enjoyment in games. Computers in Entertainment 3(3) (July). DOI logoGoogle Scholar
van der Heiden, H.
2004User acceptance of hedonic information systems. MIS Quarterly 28(4): 695–704. DOI logoGoogle Scholar
van Eck, R.
(ed.) 2010Gaming and Cognition: Theories and Practice from the Learning Sciences. Hershey: Information Science Reference. DOI logoGoogle Scholar
Werth, P.
1999Text Worlds: Representing Conceptual Space in Discourse. Harlow: Pearson.Google Scholar
Wolf, W.
1998Aesthetic illusion in lyric poetry? Poetica 30: 251–289.Google Scholar
2004Aesthetic illusion as an effect of fiction. Style 38: 325–351.Google Scholar
2017Illusion (aesthetic). In The Living Handbook of Narratology, P. Hühn, J. Pier, W. Schmid and J. Schönert (eds). Hamburg: Hamburg University Press. [URL] (January 2017).Google Scholar
Wolf, W., Bernhart, W. and Mahler, A.
(eds) 2013Immersion and Distance: Aesthetic Illusion in Literature and Other Media. Amsterdam: Rodopi. DOI logoGoogle Scholar
Woolley, J. D. and Cox, V.
2007Development of beliefs about storybook reality. Developmental Science 10: 681–693. DOI logoGoogle Scholar
Yamamoto, S. and Kitazawa, S.
2001Sensation at the tips of invisible tools. Nature Neuroscience 4: 979–980. DOI logoGoogle Scholar
Zunshine, L.
2003Theory of mind and experimental representations of fictional consciousness. Narrative 11: 270–291. DOI logoGoogle Scholar
2006Why We Read Fiction: Theory of Mind and the Novel. Columbus, OH: Ohio State University Press.Google Scholar
Cited by

Cited by 4 other publications

Norledge, Jessica
2022. Building Dystopian Worlds. In The Language of Dystopia [Palgrave Studies in Language, Literature and Style, ],  pp. 61 ff. DOI logo
Pianzola, Federico
2021. Presence, flow, and narrative absorption questionnaires: a scoping review. Open Research Europe 1  pp. 11 ff. DOI logo
Pianzola, Federico
2021. Presence, flow, and narrative absorption questionnaires: a scoping review. Open Research Europe 1  pp. 11 ff. DOI logo
Statham, Simon
2020. The year’s work in stylistics 2019. Language and Literature: International Journal of Stylistics 29:4  pp. 454 ff. DOI logo

This list is based on CrossRef data as of 22 april 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.