Index
0-9
-
11.22.63
182–4
; see also King, Stephen
A
- analogical reasoning45,
52–3
; ,
175–6
; see also disanalogy
-
Animal Farm
90–2
,
124–31
-
Antony and Cleopatra
117–18
, 121
- attentionSee figure-ground
B
- back-formation, of dummy narratives159
C
- category entitlement
57–8
, 60,
121–4
- characterisation95,
97–8
,
111–12
, 119, 153,
157–64
- cognitive poetics
12–17
,
22–3
, 25, 70, 73
- common knowledge58,
136–7
- conspiracy theories
168–9
- Cox Models of English
141–2
, 144
- cultural capital
139–40
; see also cultural literacy
- cultural literacy
144–7
; see also cultural capital
D
- degree of visibilitySee visibility, cline of
- disanalogy
53–5
; ,
94–5
; ,
112–13
; ,
130–1
; ,
175–6
; ,
179–81
; see also analogical reasoning
- dislocated references
132–3
- dummy narrative(s)
56–7
,
157–66
E
- education
121–31
,
138–9
,
141–7
,
186–7
-
Eleanor Oliphant Is Completely Fine
99–102
, 119, 160
- Eliot, GeorgeSee
Middlemarch
- Eliot, T.S.See Wasteland, The
- expertise
121–31
; , 133, 186see also category entitlement
- extratextual reference 291
F
-
Fantastic Beasts and Where to Find Them
158–9
-
Fault in Our Stars, The
159–63
- favourites
135–8
,
159–65
- fictionality31,
56–8
,
168–9
-
Fifty Shades of Grey
33–59
, 89,
106–11
- figure-ground
72–5
,
94–5
,
112–13
,
163–5
G
- Genette, G.
8–9
, 20, 34,
99–100
- granularitySee narrative granularity
H
- Hardy, ThomasSee
Tess of the d’Urbervilles
-
Harry Potter
111,
158–9
, 169, 184
- Hartman, D.
18–19
, 20, 167
- highly recognisable features
83–4
; , 118, 167, 172, 175,
180–3
; see also recognisability
- holiday reads
45–6
,
149–51
-
How I Met Your Mother
136–8
,
163–4
- hypertextuality9, 34,
42–4
,
124–31
- hypotextSee hypertextuality
I
- implied reader(s)
95–8
; ,
102–6
; ,
116–19
; see also Iser, W.
-
It
171–8
; , 180,
182–4
; see also King, Stephen
K
- King, Stephen
101–2
, 156,
171–84
- Kristeva, J.2,
4–6
,
20–1
L
- literacy139, 143see also education
- literariness51,
108–11
,
118–19
,
139–51
-
Lord of the Rings, The
177–8
M
- markedness
78–86
,
116
,
172–6
- mental archive72,
80–2
, 90, 101,
117–18
- metalanguage3, 9, 11, 41, 170
- metonym80, 179see also synecdoche
- mind-modelling
96–8
,
116–20
, 123,
130–3
, 139,
147–51
,
163–4
N
-
Narnia Chronicles, The
164–5
- narrative braids
170–1
,
176–8
- narrative granularity
31–2
,
77–8
, 86,
168–84
- narrative schemas
69–71
,
116–21
,
129–30
,
155–6
- narrative strandsSee narrative braids
- negationSee disanalogylacunae
O
- Orwell, George
90–2
,
124–32
P
- point(s) of narrative contact
75–7
,
87–8
, 106,
112–13
,
119–21
, 169
- principle of recognisabilitySee recognisability
- pure matches53, 55,
130–1
, 172, 179
R
- reader-driven references
43–4
,
84–5
- recognisabilitysee also highly recognisable features
- principle of
83–4
,
116–18
,167,
174–5
,
182–5
- retrospective recognition
161–2
,
172–5
- Riffaterre, M.
6–8
, 20,
84–5
, 115, 128
- Rosenblatt, L.7, 16, 96, 133
S
- schema theory
64–75
; ,
89–90
; see also narrative schemas
- scope refinement
86–7
, 112, 119
- self-conception
104–6
,
111–12
,
122–3
, 129, 133,
150–1
- self-image(s)
104–6
,
122–3
,
150–1
- Shakespeare, W.39, 83,
117–18
,
132–3
- shared preferences myth
136–8
,
159–61
,
163–4
, 186
- spoilers100,
159–60
; , 166see also dummy narrative(s)
- spreading activation77, 94, 133
-
Stand, The
101–2
; , 156,
178–81
; see also King, Stephen
- stylistics
10–12
,
22–3
,
61–3
, 68, 70
- synecdoche
50–1
; see also metonym
T
- taste59,
111–12
,
133–5
, 143,
147–50
-
Tess of the d’Urbervilles
38, 42,
49–50
, 89,
106–11
, 165
- text-driven references
42–4
,
84–5
,
106–11
- Theory of Mind97, 115see also mind-modelling
- titles74,
78–80
,
99–101
,
158–9
,
172–3
-
Twilight Saga, The
34,
38–42
, 89,
92–5
,
97–8
, 165
U
- uniqueness121see also highly recognisable features
V
- visibility, cline of48,
75–7
, 185
W
- Wasteland, The
117–18
, 121
- world building49, 157, 159, 162
-
Wuthering Heights
92–5
,
97–8