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Journal mutations
Part of
Style and Reader Response: Minds, media, methods
Edited by Alice Bell, Sam Browse, Alison Gibbons and David Peplow
[
Linguistic Approaches to Literature
36] 2021
► pp.
231
–
236
◄
previous
Index
A
absorption
226-227
aca fan (academic fan)
186
active audiences
180
affect
146, 152, 153, 156, 159, 200-205, 207, 213
affect and stylistics
200-203;
affect and literacy studies
203-204
affective assemblage
198
affective intensities
197-98, 200, 204-207, 211-213
affect theory
203
alignment
30, 38
Allington, Daniel
8, 10, 45
anonymity
184-186
apo-deixis
110, 113
appraisal
143-44, 146-48, 151-52, 158-59, 221
appraisal analysis
151, 153, 158
appraisal framework
144, 151, 158
appraisal theory
9, 146
attitudinal appraisal
158
cognitive appraisal
200-201
negative quality evaluations
152, 153-158
news value appraisal
9, 147-148, 154-155, 157-158
consonance
155, 157, 158
impact
152, 154, 157, 158
personalisation
148-149 157-158
appraisal system
146
attitude
145-147
engagement
146, 158
graduation
146
appreciation
9, 146, 147, 152-153, 159;
reaction
153
quality
147-148, 152-153, 155, 158
Armitage, Simon
5, 23, 25
Upon Opening the Chest Freezer
5, 23, 25, 27
Arts and Humanities Research Council (AHRC)
57, 123, 188, 190
Reading Digital Fiction project
123
Reading on Screen project
190-191
Researching Readers Online
188-189
Digital Reading Network
188
art exhibition
8, 208
see also
exhibition
Artificial Intelligence
3, 84
assemblage
197-198, 200, 203, 206-208, 210-212
assemblage of bodies, texts, places, and things
200, 206, 207
see also
affective assemblage
attention
102, 106-107, 109, 111, 115-116, 133
attention facilitators
107
attentional engagement
113-114
attentional resonance
8, 106-107
attention-value model
106-107
attitude
102, 114, 145-47
attitudinal appraisal
146-47, 158
attitudinal evaluation
146
Atwood, Margaret
43
Handmaid’s Tale, The
47
audiences
2, 8, 63, 64, 143, 148, 180, 182, 188, 190
Austen, Jane
183
authorship
109-110, 114
autobiography
101-102, 221
auto/biographical genre
114
narrative
115
avatar
184, 199, 208
B
Bacigalupi, Paolo
44-45, 49-51, 53-54;
Pop Squad
6, 44-49, 52-53, 56-57
Pump Six and Other Stories
44-45
Bakhtin, Mikhail
28
Bal, Mieke
110
base type (Basistypus) of character
89
Bastani, Aaron
61-63
British Broadcasting Corporation (BBC)
150
behaviourism
166
Bell, Alice
7, 8, 124, 181, 197-200, 204, 207-208, 213
Blending Theory
4
book club/group
24, 144, 167,188, 191, 222
see also
reading groups
book history
181, 187
born digital
181
see also
digital fiction
Bortolussi,Marisa
219-220, 225
British National Corpus
174
Browse, Sam
201-202
Byrne, Alex
169-170
C
Canning, Patricia
2, 8, 101, 144, 217-218, 225
Caracciolo, Marco
84
Carruthers, Peter
169
Carter, Ronald
10, 144
Cambridge Analytica
188
character
6, 26, 38,45,47-48, 51-57, 81-95, 113, 128, 132-135, 211, 222, 224
construction
57, 81-94
fictional character
86, 91, 101, 103, 105, 113, 228
cultural model of character
86, 89, 90-92
characterreception
85, 87, 224
Character reception model
81, 85, 87, 89, 92, 94
character-advancing propositions
54,56. 57
characterisation, explicit/implicit
88
child-centred learning
198, 205-210
Ciccoricco, David
124
citizen critics
186
co-construction
6, 25, 31, 36, 52, 124, 197
cognitive estrangement
43-44
Cognitive Grammar (CG)
5, 6, 47, 62, 66, 73-74, 77, 171
cognitive literary studies (CLS)
81-82, 84
first generation (computational)
81, 82, 84
second generation (enactivist)
81, 84-85
cognitive model of critical reception
77, 224
cognitive poetics
94, 106, 167, 168, 171, 173, 176
see also
cognitive stylistics
cognitive reader-response research
197
cognitive reception theory
81
cognitive stylistics
2-5, 7, 23, 102, 104, 106, 200
see also
cognitive poetics
cognitivism
166
collaboration
46, 188, 209, 224-28
composition (appreciation)
147
computational (first generation CLS)
computational corpus stylistics
167
computational linguistics
226, 227
conceptual integration network
4
Conceptual metaphorTheory (CMT)
4, 5, 25, 27-28, 30-31, 33-38, 46, 67, 73-74, 226
consciousness
45, 56-57, 169
self-consciousness
11, 167-171, 176
Conservative Party
6, 61-62, 67-71, 75
consonance (news value)
155, 157-158
construal
5, 6, 38, 48, 54, 66, 73-76, 171,
context
10, 82-83, 93, 128, 130-131, 146, 185, 199, 201, 202, 203, 221, 222
cultural context
3, 46
interactional context
24
social context
35, 46, 204
online context
183
context collapse
185, 190
Corbyn, Jeremy
61, 66, 67
corpus linguistics
11, 171, 176
creative participatory methods
190-192
creative writing workshop
198, 208
Critical Discourse Analysis (CDA)
62-63, 76, 143, 147
critical reception
61-62, 64-66, 72, 76-77
Critical Stylistics
62-63, 76, 224
cultural model of character (CMC)
89-92
cultural models
6, 81, 82-95, 224
Culpeper, Jonathan
85-86
curator
110, 113, 115
D
decoding
63
defamiliarisation
57, 210
deixis
4, 5, 26, 65, 171, 173, 199
see also
doubledeixis
dialogic syntax
28-30
dialogism
28
Dialogic interpretation
28, 30
dialogical theory
23, 28
digital ethnography
179
see also
netnography
digital fiction
8-9, 123, 130, 181, 198-99, 213, 225
digital humanities
181, 190, 227
digital journalism
143, 145,
digital media
198, 207, 208
digital revolution
179, 181-182
digital storytelling
190-191
discourse analysis
62, 146, 222
distant reading
165
Dixon,Peter
219-220, 225
double deixis
199
doubly dialogic
29
see alsounder
reading group
doubly embodied/situated
199, 208
Du Bois, John W
29
dystopia
43-49, 56-57
dystopian consciousness
48
dystopian literature/fiction
222, 6, 47
dystopian mind
45, 47-48, 57
E
Eakin, Paul John
101
embodied cognition
84, 169
Emmott, Catherine
87
emotional response
51, 105-106, 114-116
empirical reader-response research
1-2, 5, 9, 12, 82, 85, 94, 95, 101-102, 105-106, 117, 123, 125, 144, 218, 220-228
in stylistics
1-2, 5, 7-8 61-64, 66, 217, 228
empirical research methods
1-2, 5, 7-12, 61-2, 95 123, 127, 144-145, 165, 180-181, 192, 217, 219, 219-222, 225-227
creative participatory methods
190
experimental
10, 11, 45-46, 94, 144, 167, 219, 221, 223, 226-227
Likert scale
66
mixed methods
187-188
naturalistic
10, 11, 23, 46, 144, 167, 219, 221-223
qualitative
7, 8, 10, 70, 112-113, 117, 131, 144-145, 150, 188, 218-219, 221-222, 225, 228
quantitative
7, 145, 218, 222, 228
questionnaire
10, 64, 102, 112, 116-117
think aloud protocols
6, 10, 11, 62, 64, 66, 94, 166
enactivist
81, 84-85
enchantment
198, 204, 211, 213
encoding/decoding
63
engagement
5, 8, 10, 29-30, 188
see also
attentional engagement, appraisal system
emotional engagement
112, 116-117, 166, 183, 226
immersive engagement
166 207, 211
readerly engagement
46-47, 92, 95, 158, 198, 206, 208, 213
see also
immersion
ethics
11, 45, 51, 53, 56-57,179, 184, 187, 192-193, 223
ethics of internet research
179-193
ethnography
11, 179, 183
ethnographic methods
184
ethnographic research
180, 210
digital ethnography
179
evaluation
144, 146-148, 150-157
evaluative language analysis
145-146
evaluative lexis
26, 146
event questions
150
exhibition
8, 101-118, 191, 208, 221
exhibited works
199-200
expressed response
144
extra-textuality
197-213, 223
eye-tracking
94, 166
F
Facebook
132, 190
Fairclough, Norman
62
fan
7, 182, 186, 187, 206
fan communities
182
fan studies
179, 186
fanfiction
182-185, 224-225
feedback oscillation
44
fiction/reality distinction
101, 103-106, 115-116
fictional minds
47-48, 85
fictionality
8, 101-118, 170, 221
rhetoricalapproaches to
102-103
empirical approaches to
102, 105-106, 117
figure/ground
170
Finney, Brian
92
Fish, Stanley
1, 183, 188
fMRI scan
219-220
see also
MRI scan
focus groups
94, 167, 187-188
frames
4, 57, 65, 69, 72, 75, 77, 83
free indirect discourse (FID)
26
Fuller, Danielle
190-192
G
game space(gamespace)
198, 199, 207
Gauntlett, David
190
Gavins, Joanna
7, 48, 56, 201
Gaza conflict, the
150-151, 153-154, 156, 157
Gerrig, Richard
89, 104
Giaxoglou, Korina
183-184, 185
Gibbons, Alison
7, 8, 197, 199, 201
Goldsworthy, Andy
31-32
Goodreads.com
94, 224, 226
Grimm & Co
209, 212
Guardian, The
71, 150
H
Hall, Radclyffe
181
Well of Loneliness, The
181
Hall, Stuart
63-64
Hardy, Thomas
11, 171- 175
Wessex Poems
171-172
Harry Potter Alliance, The
182
hyperlink
8, 123-128, 130-134, 135-139, 225
hyperlink types
128, 131, 139
Affective Exploration (AE)
129-132, 135, 137-139
Affective Navigation (AN)
128-131, 138
Narrative Exploration (NE)
128-132, 136-138
Narrative Navigation (NN):
128-132, 134-135, 139
hypertext
3, 8, 123-126
hypertext fiction
3, 123-131, 139
I
immersion
107, 115, 116, 183, 198-199, 203, 207-208, 211, 213
implied reader
44, 180, 218
inferential relationship
220
inner-sense theory
169
interactional sociolinguistics
24
International Society for the Empirical Study of Literature (IGEL)
180, 217-221
Internet
43, 143, 151, 179, 187,
interpretive community
83, 188
interpretive patterns
86-88, 94
interpretive sensory-access (ISA)
169
intersubjectivity
23, 33, 146, 171,
interviews
130-131, 150-151, 166, 219, 222
structured interviews
10, 11, 131,
semi-structured interviews
11, 95, 145, 166
introspection
11, 165-166, 168-171, 173, 176, 219
introspective analysis
45, 48
intuition
185
InuYasha
206
invisible fictions
180, 183
Iser, Wolfgang
82-83
Ishiguro, Kazuo
47, 202
Unconsoled, The
202
J
Jannidis, Fotis
89
Jenkins, Henry
182
Johnson, Mark
4
see also
conceptual metaphor theory
K
Kukkonen, Karin
84
Kuiken, Don
219
L
Labour Party
6, 62, 66-67, 71
Labour voters
61, 71
lacuna
110-111
Micro-lacuna
173
Lakoff, George
4
see also
conceptual metaphor theory
Lambrou, Marina
189
lexia
123-126, 128, 130-132, 134-139
Life of Pi
6, 89
Linell, Per
28-29, 39
literacy
197-214
literacy studies
12, 197-198, 203-205, 208
literacy research
200, 205
Literacy-activity
198, 200, 205, 207-209, 213
Literacy practices
205, 207, 210, 212-213, 223
literary ambience
202
literary criticism
172, 190
literary linguistics
165, 166, 167, 176, 217, 219
see also
stylistics
live blog
9, 143-145,148-149, 151-153, 155-158, 221
Long, Elizabeth
10
ludic elements
199
M
manga
206
Martel, Yann
6, 90
May, Theresa
6, 61-63, 66-72, 74-76
media
1, 2, 6-8, 12, 104, 130, 149, 156, 169, 179, 180, 181, 191, 198, 206, 224
print media
7, 61
news media
9, 71, 143-145, 148, 152
social media
8, 11, 66, 130, 132, 144-145, 149, 151, 158, 179, 182, 186-189, 208
media studies
7, 63, 190, 112, 227
digital media
198, 207-208
mental models
53, 84-86, 88-89, 93
mental spaces
4
metaphor
see
conceptual metaphor theory
mind style
4, 45, 47-49, 51, 56-57
mind-modelling
6, 45-48, 52, 55-57, 69-71, 77, 88, 110, 170, 175
mind-reading
88, 169-170
>see also
mind-modelling
modality
4, 51, 106, 114, 135, 146, 156
epistemic modality
51, 114, 156
model persons
91
modes
6-8, 199, 205
extra-textual modes
199
monologism
28
MRI scans
166
see also
fMRI scans
multimodal reading experience
199
multimodality
6,7, 8, 87-88, 102, 106, 107, 181, 183, 191, 197, 199, 204
Multimodal analysis
8
Multimodal fiction/novel
8, 101
museum exhibit
see
art exhibition, exhibition
museum studies
102, 106, 109, 221
N
narrative comprehension
123, 125
narrative elements
202
unrealistic/inconsistent
114
narrative experience
115, 123
narrative perspective
87
narratology
102
Naruto
206
negation
4, 106, 110, 173
netnography
179
New London Group
204-205
news events
143-144, 148-150, 152-155, 157-158, 222
news
7-9,61, 63,71, 104, 143-158, 221-222
news reporting
143-146
television news
8, 63,
online news
8, 9, 143-144, 149, 152-153, 155, 157-158, 221
newspaper
61, 63, 71
Nielsen, Henrik Skov
102
non-representational
205
Norledge, Jessica
47
Novara Media
61
NVivo
112, 131,
O
Oatley, Keith
7
objective measures
218-219
Observer, The
61-62, 67, 70-72
Olsen, Alana (fictional character)
101, 106, 107, 109-117
Olsen, Andi
101, 107-109, 116
there’s no place like time
8, 101-102, 106-111, 113, 116-117
Olsen, Lance
101, 107-109, 116
Theories of Forgetting
101, 110-112
there’s no place like time
8, 101-102, 106-111, 113, 116-117
online book forum
10, 146
online data
180, 188
online communities
11, 179, 184, 189, 223
online reader reviews
11, 64,92, 144, 224, 226, 228
online reading groups/communities
11, 189
online research
179, 183, 187, 188
online users
179, 185
online readers
167, 188-190, 226
ontology
ontological hoax
4, 109, 111, 113
ontological layers/levels
44, 47, 55, 171
ontological status
86, 101, 106, 107, 114-115
oppositional position
63
oppositional reading
64
Oregon college shooting
150, 154
othering
185
P
Page, Ruth
179, 187
parallelism
5, 29-30, 33-34, 38-39
paratext
104, 107, 114
Parker, Jeff
125-128
Parker, Richard (fictional character)
89-90
participatory culture
182
participatory learning
209
patterned practices
84
Peplow, David
10, 24-25, 52, 144, 204
mimetic, thematic and synthetic responses
52, 55
personalisation (news value)
147-149, 157-158
perspective questions
150
Phelan, James
52, 102
poetry
6, 7, 23, 25-28, 30-36,38-39, 124, 171-176
poetic persona
172, 174, 175
Poetics and Linguistics Association (PALA)
218, 220, 221
Pope, James
125
pragmatics
82, 124
preferred reading theory
180
Prentice, Deborah A
104
Prime Minister, British
6, 61, 67-70,72,75
See also
May, Theresa
psychology
165, 218, 220, 222
cognitive psychology
4, 69, 103, 117
social psychology
69, 89, 90,
punctuation
12, 209-212
Q
qualitative approaches
7, 8, 10, 70, 112-113, 117, 131, 144-145, 150, 188, 218-219, 221-222, 225, 228
quality (appreciation)
147-148, 152-153, 155, 158
quantitative approaches
7, 145, 218, 222, 228
questionnaire
10, 64, 102, 112, 116-117
Quinn, Naomi
83-84
rational design
205-206
R
reaction (appreciation)
147, 152-153, 155
readers
1-6, 8-12, 23-24, 27, 29, 38-39, 43-49, 52, 61-66, 69-72, 76-77, 81-82, 85-95, 103-106, 110-111, 123-131,134, 136-139, 143-145, 147, 149, 152-153, 156-159, 166-168, 175-176, 179-185, 187-192, 197, 199-203, 207-208, 213, 217-219, 221, 223-226
flesh-and-blood readers
81, 217
ideal/postulated reader
70
implied reader
44, 180, 218
online readers
167, 188-190, 226
reader-player
198-199, 208
real/actual reader
2, 45, 91-92, 143, 145, 147, 180, 183, 193, 213
statistical readers
95, 217
super-reader
10, 167
visitor-reader
110-111
wreader
181
young readers
12, 198, 209-210
reader positioning
147
reader response criticism
1, 7, 83, 180, 217
reader response methodology
11, 139
reader response research
1-2, 6, 8, 12, 62, 101, 145,148, 153, 197-198, 201, 217-218, 223-224
see also
cognitive reader-response research, empirical research methods, reception research
reader response studies
123, 143-144, 198, 201
reader response theory
81, 83, 85
cognitive reader response theory
81, 85, 197
cultural reader response theory
81, 85
reader’s paradox
167, 171, 176
reading experience
56, 131, 139, 166-167, 169, 181, 199-200, 220, 226, 227
Reading Experience Database, the
181
reading for the plot
9, 123, 139
reading group
5, 23-25, 28, 38, 45-46, 48, 51-52, 55-57, 64, 219, 222
see also
book club/group, online reading groups/communities
discussion/discourse
5-6, 23-24, 28-30, 38, 45, 48
reading group methodology
6
reading group talk
5, 23-25, 29, 38-39
reading group transcripts
64
reception research
6-8, 102, 221
referentiality
101-103, 117
see also
fictionality
reflexivity
186
RehbergSedo, Danielle
190, 192
Relevance Theory
83, 124
researcher vignettes
180
resistance
65, 69, 72-73, 75-77
bottom up resistance
75-76
resonance
5, 29-30, 34, 38-39, 106-107, 201, 213
attentional resonance
8, 106-107
emotional resonance
5
retrospection
167-169, 171
retrospective disbelief
114
Rettberg, Scott
126
reviews
see
online reader reviews
Russian Formalism
43
Ryan, Marie-Laure
126-128
Ryle, Gilbert
168
S
Sakita,Tomoko, I.
30
Sartre,Jean-Paul
168
schema theory
3, 84, 124,
schema
3, 30, 34, 83-84, 87, 124, 129, 138-139
schema disruption
129-130, 135
schematic input
175
Schmid, Hans-Jörg
82
Schneider, Ralf
85–87
science fiction
3, 43-44
self-consciousness
11, 167-171, 176
second-person narration
130
narrative ‘you’
130
Short, Mick
6
short story
4, 6, 44, 49, 130, 144
Simpson, Paul
9, 54, 64
simulation theory
88, 105
embodied simulation
227
fictional simulation
115
See also under
theory of mind
simulators
84, 87, 88,
Skains, Lyle
8, 123, 130
Futographer, The
9, 123, 130, 131, 139
Skype
189
Snite Museum of Art
107
Snowden, Edward
188
social psychology
69, 89, 90
social reading
23, 223
sociolinguistics
23-24, 170, 166
socio-materialrelations
198, 200, 202-204, 212
source domain
4, 27, 28
Sperber, Dan
83-84
Spilioti, Tereza
183, 186,
spooky
199, 204, 208
stance
103, 145-147
Story Circle method
190
Stockwell, Peter
7, 48, 69, 90, 104, 202
Strasen, Sven
82-84
Strauss, Claudia
83-84
stylistics
1-2, 5-9, 11-12, 62, 64, 76, 101-102, 143-144, 165, 167, 175, 176, 197, 200, 213, 218, 225
cognitive stylistics
2-5, 7, 23, 102, 104, 106, 200
see also
cognitive poetics
corpus stylistics
167-168 171, 173
critical stylistics
62-63, 76, 224
empirical stylistics
61, 217, 228
literary stylistics
8, 62,
reader-response stylistics
197-198
subjective reading
167
subjectivity
146, 170-171, 176
Suvin, Darko
43-44
Swann, Joan
10, 45
T
target domain
4, 26-28
target identity
65-66, 68-69, 71, 77
Text World Theory (TWT)
4-6, 8, 45-48, 62, 64-66, 72, 77 106, 171, 201, 222, 225, 228
discourse-world
47, 55-57, 64-65, 106-107, 110, 115-117, 202
experiential models
64
narrating-I
110
text-world
4-5, 46-49, 51, 53-57, 65, 72, 75-77, 86, 106, 110-111, 114-115, 117, 173, 225
TWT framework
72
world-building
47, 49-50, 56-57, 65, 111
world-switches
5, 47, 106, 173
Theory of Mind (ToM)
47, 69, 103-104, 106, 115-116, 169
Simulation
106, 116
think aloud data
6, 10, 11, 62, 64, 66, 94, 166
Tosca, Susana Pajares
124
Toolan, Michael
86, 89, 91
transportation
226
Twine
130
Twitter
61, 148, 155-156, 158
U
utopia
43, 49
V
Vaeßen, Julia
84-85, 87
valuation
147, 152,
van der Bom, Isabelle
56
van Dijk, Teun A.
81, 143
vignettes
180
visitor-readers
110-111
W
Walsh, Richard
102
WALLPAPER
198-199, 208
Web 2.0
182
Whiteley, Sara
2, 8, 47, 101, 144, 201, 218, 225
Whitman, Walt
174
One Wicked Impulse
174
Wilson, Deirdre
84
Winterson, Jeanette
6, 92
Written on the Body
6, 92-94
workshops
11, 12, 183, 190-192, 198, 204, 209-210
Y
YouTube
7, 190
Z
Zarb-Cousin, Matt
61-63
Zwaan, Rolf A
84, 104