Part of
Sonic Signatures: Studies dedicated to John HarrisEdited by Geoff Lindsey and Andrew Nevins
[Language Faculty and Beyond 14] 2017
► pp. vii–x
Edited by Geoff Lindsey and Andrew Nevins
[Language Faculty and Beyond 14] 2017
► pp. vii–x
Prelude, theme and riffs
Article outline
- 1.Sonic signatures: Brilliant corners
- 2.Lenition: Element solos
- 3.Giant steps
-
References
References
Backley, Phillip
2011 An Introduction to Element Theory. Edinburgh: Edinburgh University Press.
Gallon, Nichola, John Harris & Heather van der Lely
2007 Non-word repetition: An investigation of phonological complexity in children with Grammatical SLI. Clinical Linguistics and Phonetics 21: 435–455. 
Harris, John
1984 Syntactic variation and dialect divergence. Journal of Linguistics 20: 303–327.
1985 Phonological Variation and Change: Studies in Hiberno-English. Cambridge: Cambridge University Press.
Harris, John & Jonathan Kaye
1990 A tale of two cities: London glottaling and New York City tapping. The Linguistic Review 7(3): 251–274.
Harris, John
1994 English Sound Structure. Oxford: Blackwell.
Harris, John & Geoff Lindsey
1995 The elements of phonological representation. In Jacques Durand & Francis Katamba (eds.), Frontiers of Phonology: Atoms, Structures, Derivations, 34–79. Harlow, Essex: Longman.
Harris, John
2003 Release the captive coda: The foot as a domain of phonetic interpretation. In John K. Local, Richard Ogden & Rosalind A. M. Temple (eds.), Phonetic Interpretation, 103–129. Cambridge: Cambridge University Press.
2005 Vowel reduction as information loss. In Philip Carr, Jacques Durand & Colin J. Ewen (eds.), Headhood, Elements, Specification and Contrastivity, 119–132. Amsterdam: John Benjamins.
Jakobson, Roman, Gunnar Fant & Morris Halle
1952 Preliminaries to Speech Analysis: The Distinctive Features and Their Correlates (Technical Report 13). Massachusetts: Acoustics Laboratory, MIT.