love and beloved metaphors in Jordanian Arabic and English songs
A cognitive linguistic study
This study examines
love and
beloved metaphors from the cross-cultural perspective of Jordanian Arabic (JA) and English. The conceptual models suggested by Lakoff and Johnson (
1980,
1999) and
Kövecses (2014) and force dynamics proposed by
Talmy (1988) are adopted as the theoretical frameworks for this study. The data was collected from contemporary songs by Jordanian and English-speaking artists. Unlike previous comparative studies on
love and
beloved metaphors, this study demonstrates that source domains found in JA songs such as
pain/suffering, sadness, weakness, wound, stupid endeavour, cruelty and
deadly force also exist in English songs to conceptualise
love. It is argued that while the use of these source domains in JA is expected as they form part of the prototypical cognitive model of
love or the
love matrix in JA, they could be viewed as nonprototypical in English. The analysis also revealed certain JA culture-specific source domains used to conceptualise
the object of love [beloved], i.e.
arabian oryx and
basil. We argued that despite the existence of similar conceptual metaphors in the two languages, geographical, historical and ideological factors may have an effect on the prevailing conceptual frames in a certain speech community creating some differences in the metaphorical conceptualisations of
love and
beloved.
Article outline
- 1.Introduction
- 2.Metaphors of emotion
- 2.1Previous studies on love metaphor
- 3.Methodology
- 4.Data analysis and discussion
- 4.1Similarities between English and JA
- 4.2Differences between English and JA
- 5.Conclusion
- Data availability statement
-
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