Article published In:
Narrative InquiryVol. 30:1 (2020) ► pp.41–58
Imaginal dialogue as a method of narrative inquiry
This paper joins the discussions on imaginal dialogue with references to the relational turn in psychoanalysis. It explores imaginal dialogue as a creative, relational endeavour in evoking the unconscious materials. By describing my own imaginal dialogue with Virginia Woolf, it exemplifies the potentiality of reading as an embodied, co-constructed interplay between the reader and the text. The deepening of relational and dialogical engagement with the text not only stirs the affective depth in the reader, but also brings the reader to conjure the presence of the author as an object for relatedness in the process of narrative inquiry. Imaginal dialogue transgresses beyond the poststructuralist allowance of interpretive pluralism to relational processes of working with the encounters with the presence of the author as their imaginary co-inquirer. Imaginal dialogue, I argue, not only provides an alternative kind of narrative framing, but the imaginal relationship becomes the very locus of knowledge creation.
Article outline
- What is imaginal dialogue?
- Multiplicity of self re-considered from a Fairbairnian perspective
- In the wake of symbolic collapse
- How should one read Woolf?
- Relational engagement with the voice(s)
- Imaginal dialogue with my (imaginary) Woolf
- Imaginal dialogue as a method of narrative inquiry
- Notes
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References
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