Article published in:
Pragmatic Markers in Irish English
Edited by Carolina P. Amador-Moreno, Kevin McCafferty and Elaine Vaughan
[Pragmatics & Beyond New Series 258] 2015
► pp. 370–389

“There’s, like, total silence again, roysh, and no one says anything”

Fictional representations of �new� pragmatic markers and quotatives in Irish English

The way the complexities of fictional dialogue are creatively exploited in a play, a film or a novel can reveal much about the management of ordinary conversation. Although it is evident that fictional dialogue and naturally occurring conversation are different types of communication, it is no less true that fictional representations of dialogue and narratives creatively exploit linguistic features which may be characteristic of spoken language. This chapter discusses how discourse markers such as like and roysh, and quotative patterns such as be + like, go, and be + there are employed in the work of Irish author Paul Howard in order to recreate contemporary Dublin English.
Published online: 15 July 2015
https://doi.org/10.1075/pbns.258.16ama
Cited by

Cited by 4 other publications

AMADOR-MORENO, CAROLINA P. & ANA MARÍA TERRAZAS-CALERO
2017. Encapsulating Irish English in literature. World Englishes 36:2 ► pp. 254 ff. Crossref logo
Ní Mhurchú, Aoife
2018. What’s Left to Say About Irish English Progressives? “I’m Not Going Having Any Conversation with You”. Corpus Pragmatics 2:3 ► pp. 289 ff. Crossref logo
Schweinberger, Martin
2020. Speech-unit final like in Irish English. English World-Wide. A Journal of Varieties of English 41:1 ► pp. 89 ff. Crossref logo
WALSHE, SHANE
2017. The language of Irish films. World Englishes 36:2 ► pp. 283 ff. Crossref logo

This list is based on CrossRef data as of 01 march 2021. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.

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