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Pragmatic Markers in Irish English
Edited by Carolina P. Amador-Moreno, Kevin McCafferty and Elaine Vaughan
[Pragmatics & Beyond New Series 258] 2015
► pp. 370–389

“There’s, like, total silence again, roysh, and no one says anything”

Fictional representations of �new� pragmatic markers and quotatives in Irish English

The way the complexities of fictional dialogue are creatively exploited in a play, a film or a novel can reveal much about the management of ordinary conversation. Although it is evident that fictional dialogue and naturally occurring conversation are different types of communication, it is no less true that fictional representations of dialogue and narratives creatively exploit linguistic features which may be characteristic of spoken language. This chapter discusses how discourse markers such as like and roysh, and quotative patterns such as be + like, go, and be + there are employed in the work of Irish author Paul Howard in order to recreate contemporary Dublin English.
Published online: 15 July 2015
DOI logo
https://doi.org/10.1075/pbns.258.16ama
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O’Keeffe, Anne
2023. Irish English Corpus Linguistics. In The Oxford Handbook of Irish English, ► pp. 243 ff. DOI logo
P. Amador-Moreno, Carolina
2023. Discourse-Pragmatic Markers in Irish English. In The Oxford Handbook of Irish English, ► pp. 426 ff. DOI logo
Schulte, Marion
2023. Dublin English and Third-Wave Sociolinguistics. In The Oxford Handbook of Irish English, ► pp. 339 ff. DOI logo
Schweinberger, Martin
2020. Speech-unit final like in Irish English. English World-Wide. A Journal of Varieties of English 41:1 ► pp. 89 ff. DOI logo
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[no author supplied]
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