Hushed tones
Ceremonial treatment as a perspective shifter
A challenge posed by modern art, especially since the birth of the
readymade, is how it is possible to discern art from non-art;
institutional theories of art suggest that institutional sanctioning
is the primary condition for the identification of an object as art.
Here, we propose an explanation for the way that such institutional
sanctioning might be reflected in the cognitive work of a viewer,
and describe this effect as part of a continuum of behaviours that
generate deeper, more varied and ultimately more effort-intensive
interpretations of both art and other aspects of the human
experience.
Article outline
- 1.Introduction
- 2.Weak communication, ostension and perception
- 3.Relevance in cognition and communication
- 4.Hushed tones
- 5.Evading summary
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References