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Article published In:
Pragmatics
Vol. 16:4 (2006) ► pp.535–549

From Hóyéé to Hajinei

On some implications of feelingful iconicity and orthography in Navajo poetry

This paper examines the use of co-switching in Navajo written poetry. I look specifically at the use of code-switching from English dominant poems to Navajo. I outline three general semantic domains that are most commonly code-switched from English to Navajo: 1) emotions; 2) mythic characters; and 3) traditional place-names. I suggest that this has to do with a general linguistic ideology that understands these domains as incommensurate with English. I argue that such code-switches are “emblematic identity displays.” I conclude by discussing the relationship between “folk” orthographies and “standard” orthographies. I argue that an over-reliance on “the standard” and a diminishing of “folk” orthographies limits the potential for creativity and subtly undermines notions of incommensurability when Navajo poets are limited to “the standard”, a standard that many Navajos do not know.
Keywords: Orthography, Poetry, Navajo, Place names, Code-switching
Available under the Creative Commons Attribution-NonCommercial (CC BY-NC) 4.0 license.
Published online: 1 December 2006
DOI logo
https://doi.org/10.1075/prag.16.4.06web
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