Cowboy Bebop, a popular anime series set in the year 2071 onboard the spaceship Bebop, chronicles the bohemian adventures of a group of bounty hunters. This paper presents how the imaginary characters and their voices are conventionalized to fit hegemonic norms. The social semiotic of desire depicted in Cowboy Bebop caters to a general heterosexual market in which hero and babe characters represent the anime archetypes of heterosexual normativity. Scripted speech used in the anime functions as a role language which indexes common ideological attributes associated with a character’s demeanor. This study focuses on how ideas, including heterosexual normativity and culture-specific practices, are reproduced in media texts in order to negotiate the intertextual distances that link the characters and audience.
2024. Female-to-male (FtM) transgender individuals’ multimodal and interactional practices in Japanese. Journal of Japanese Linguistics 40:1 ► pp. 59 ff.
Rodrigues-Mello, Roseli, Lars Bonell-García, Marcos Castro-Sandúa & Esther Oliver-Pérez
2021. “Three Steps Above Heaven? Really? That’s All Tactic!” New Alternative Masculinities Dismantling Dominant Traditional Masculinity’s Strategies. Frontiers in Psychology 12
Ito, Rika
2020. North Pillow Brings Bad Luck: Construction of Ideologies of English in a Japanese TV Drama, Massan. Japanese Studies 40:2 ► pp. 141 ff.
Ito, Rika
2022. Edutaining with indigeneity: Mediatizing Ainu bilingualism in the Japanese anime, Golden Kamuy. Language & Communication 87 ► pp. 29 ff.
2020. Blond hair, blue eyes, and “bad” Japanese: representing foreigner stereotypes in Japanese anime. Language Awareness 29:3-4 ► pp. 286 ff.
This list is based on CrossRef data as of 28 october 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
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