Chapter 3
Keywords that characterise Shakespeare’s (anti)heroes and villains
This chapter undertakes a keyword analysis of seven Shakespearean characters: Titus, Tamora, Aaron, Lear, Edmund, Macbeth and Lady Macbeth. The chapter discusses how, once contextualised, these keywords provide useful insights into their feelings/thoughts towards others, events, motivations to act, etc. In terms of findings, only Aaron denotes his “villainy” directly. Tamora, in contrast, draws upon a keyword that is denotatively positive; in context, though, “sweet” reveals her womanly wiles. “Weep”, for Lear, and “legitimate” and “base”, for Edmund, problematize their status as (one-dimensional) villains. Macbeth and Lady Macbeth draw upon grammatical keywords, “if” and “would” in ways that signal something about their (deteriorating) emotional and social positions as much as their villainous intentions.
Article outline
- 1.Introduction
- 2.Background
- 3.Resource drawn upon
- 4.Keyword approach adopted
- 5.Keyword results for the seven characters
- 6.Discussion of the Titus Andronicus characters
- 6.1Aaron
- 6.2Tamora
- 6.3Titus
- 7.Discussion of the King Lear characters
- 8.Discussion of the Macbeth characters
- 8.1Macbeth
- 8.2Lady Macbeth
- 9.The seven Shakespearean characters: Hero, anti-hero or villain?
-
References
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Cited by (1)
Cited by one other publication
Shi, Xinyu & Libo Huang
2024.
Literary metamorphosis: a corpus-assisted approach to characterisation in The Rouge of the North and “The Golden Cangue”.
Humanities and Social Sciences Communications 11:1
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