Edited by Elena Bandín Fuertes, Francesca Rayner and Laura Campillo Arnaiz
[Shakespeare in European Culture 3] 2022
► pp. 113–132
This chapter explores different ways of reading, staging and playing Othello on the modern Greek stage. It deals mostly, but not solely, with four productions of Othello by the Greek National Theatre from the 1930s to the 1980s. Largely based on material from the archives of the National Theatre, this essay focuses on the way the directors chose to present Othello’s racial identity. The figure of the Moor in Greek popular culture is also discussed, along with the presence of African communities in Greece, in an attempt to trace the images of black people available to modern Greek audiences. Moreover, the need for blackface is questioned, prompted by a recent Greek production of the play, featuring a white Othello. Last, but not least, the latest Greek production of Othello is discussed with regard to blackface and political correctness.