The role of humorous elements in Cádiz chirigotas in creating/reinforcing a local
identity
A relevance-theoretic approach
This paper adopts a relevance-theoretic perspective to analyse how chirigotas – one of the types
of bands in Cádiz carnival – exploit a series of verbal and visual comic elements in order to create or reinforce local identity:
(i) the names of the bands, (ii) their attire, (iii) gestures and (iv) the lyrics of their comical songs, which satirise, mock,
criticise, ridicule, praise, flatter or censure events or states of affairs. These elements will be argued to make manifest
assumptions, activate (private) mental frames or express attitudes about those events or states of affairs, which the audience
discover are already manifest to, and shared by, its members. Checking that other people entertain similar assumptions about
and/or have similar attitudes towards those events or states of affairs – i.e. the ‘joy of manifestness’ – will be shown to be
essential for generating a feeling of in-group membership on which that of a local identity greatly depends.
Article outline
- 1.Introduction
- 2.Cádiz carnival and its groups
- 3.Relevance theory and humour
- 3.1Relevance and comprehension
- 3.2The relevance-theoretic approach to humour
- 4.Creating/reinforcing a local identity through humorous elements
- 4.1Chirigotas’ names
- 4.2The disguise
- 4.3The lyrics
- 4.4Paralanguage
- 5.Conclusion
- Notes
-
References