Article published in:The Pragmatics of Personal Pronouns
Edited by Laure Gardelle and Sandrine Sorlin
[Studies in Language Companion Series 171] 2015
► pp. 259–274
Chapter 13. The infinite present
The pronoun on and the present tense in L’excès – l’usine by Leslie Kaplan
This chapter analyses the interaction of the French indefinite personal pronoun on and the present tense in L’excès – l’usine by Leslie Kaplan, a collection of poetry about the experience of factory work. ‘On’ has a complex semantic content, and its interpretative values range from the personal (corresponding to the English ‘we’) to the indefinite (‘one’), depending on contextual factors, including text and genre. The chapter argues that L’excès – l’usine instantiates the influence of textual genre; the interaction of two semantically underdetermined elements is conditioned by the textual universe to create a particular representation of subjectivity and temporality, as well as of the factory universe.
Published online: 10 November 2015
Ashby, William J
2008 Impersonal pronouns and coreference: The case of French on. Ms., Université Lumiere (Lyon 2).
Fløttum, Kjersti, Kerstin Jonasson & Coco Norén
Gjesdal, Anje Müller
(2008a) Étude sémantique du pronom ON dans une perspective textuelle et contextuelle. PhD thesis, University of Bergen, Norway.
2014 Excess – The Factory. Translated by Julie Carr and Jennifer Pap. Oakland: Commune Editions. (Available at http://communeeditions.files.wordpress.com/2014/06/excessfactoryweb.pdf)
Landragin, Frédéric & Noalig Tanguy
Riegel, Martin, Jean-Christophe Pellat & René Rioul
Cited by 1 other publications
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