Interpreter Mediated TV Events
The major claims made here pertain to: (1) The dominant role of the Participants paremeter, where distinction is made between the "on-screen" and the "off-screen" casts, with the Interpreter acting as Mediator in two communicative channels; (2) The specificity of the TV product as a Polysemiotic Text, consisting of a variety of Language and Non-Language components, and the way it affects the Interpreter's performance; (3) The communicative goals of the two casts of Primary Participants and the strategies employed to attain them in a situation highly marked from a kinesthetic and proxemic point of view, which often leads to shifts in the Interpreter's output, and (4) The factors determining the choice of the optimum mode of Interpreting.
Published online: 24 March 2000
[ p. 354 ]References
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Cited by other publications
Cheung, Andrew Kay-fan
This list is based on CrossRef data as of 13 november 2020. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.