Article published In:
TargetVol. 2:1 (1990) ► pp.23–42
The Normative Model of Twentieth Century Belles Infidèles
Detective Novels in French Translation [1] 1
This paper draws on an analysis of Anglo-American detectives, thrillers and spy stories translated into the French Série Noire between the late fifties and the early seventies. Almost all of these translations are of the non-adequate type: the original novels are transformed according to an elaborate narrative model. It appears that these translation strategies correspond to the systemic position of the Série Noire in the French detective genre. However, they also fit into the old French tradition of translations as belles infideles, which was said to have "disappeared" in the 19th century.
Article outline
- I.The Série Noire and the Evolution of a Non-canonized Subsystem
- II.The Translation Policy of the Série Noire
- 1.Story
- 1.1Intrigue
- 1.2Characters
- 1.3Setting
- 1.4Ideology
- 2.Narration
- 2.1Time
- 2.2Mode and Voice
- III.Translation Policy and Systemic Position
- Note
-
References
References
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Cited by
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Brems, Elke
2010. A case of “cultural castration”?. Target. International Journal of Translation Studies 22:2 ► pp. 212 ff.
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Fawcett, Peter
2001. Biggles’s friend André. Target. International Journal of Translation Studies 13:1 ► pp. 103 ff.
Ford, Russell
2005. Deleuze’s Dick. Philosophy & Rhetoric 38:1 ► pp. 41 ff.
Ford, Russell
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Godbout, Patricia
2019. Jean-Marc Gouanvic. Hard-boiled fiction et Série noire : les métamorphoses du roman policier anglo-américain en français (1945-1960). Paris, Classiques Garnier, 2018, 281 p.. TTR : traduction, terminologie, rédaction 32:2 ► pp. 255 ff.
Gürçağlar, Şehnaz Tahir
2001. Adding towards a nationalist text. Target. International Journal of Translation Studies 13:1 ► pp. 125 ff.
Hongisto, Tuuli & Kristiina Taivalkoski-Shilov
2023. Sameness of plot in indirect translation. What events remain in complex translation chains?. Perspectives 31:5 ► pp. 787 ff.
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2020. Foreign settings in the Fascist-eragiallo: Italian writers’ creative explorations of criminality and cultural difference. Modern Italy 25:2 ► pp. 163 ff.
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