Cover not available
Review published In:
Target
Vol. 9:2 (1997) ► pp.374–378
Book review

Kaindl, Klaus. 1995. Die Oper als Textgestalt: Perspektiven einer interdisziplinären Übersetzungswissenschaft

Reviewed by
| Den Haag & Innsbruck
| Tilburg
Published online: 1 January 1997
DOI logo
https://doi.org/10.1075/target.9.2.14gor
References (7)
Baest, Arjan van
1995 The Semiotics of C.S Peirce Applied to Music: A Matter of Belief. Tilburg: Tilburg University Press, [co-authored by Hans van Driel.]Google Scholar
Dougherty, William
1994 "The Quest for Interpretants: Towards a Peircean Paradigm for Musical Semiotics". Semiotica 99:1-2. 163-184.Google Scholar
Gorlée, Dinda L
1992 "Symbolic Argument and Beyond: A Peircean View on Structuralist Reasoning". Poetics Today 13:3. 407-423.   DOI logoGoogle Scholar
1996 "Opera Translation: Charles Peirce Translating Richard Wagner". Eero Tarasti, ed. Musical Semiotics in Growth. Bloomington: Indiana University Press & Imatra: International Semiotics Institute 1996.407–35. [Acta Semiotica Fennica, 4.]Google Scholar
Gorlée, Dinda L.
1997 "Intercode Translation: Words and Music in Opera". Target 9:2. 235–270.   DOI logoGoogle Scholar
Jakobson, Roman
1960 "Concluding Statement: Linguistics and Poetics". Thomas A. Sebeok, ed. Style in Language. Cambridge, MA: MIT Press 1960 350–377.Google Scholar
Sebeok, Thomas A.
gen.ed. 1986 Encyclopedic Dictionary of Semiotics. Berlin: Mouton de Gruyter 1. [Approaches to Semiotics, 73.]Google Scholar
Cited by (1)

Cited by 1 other publications

Gorlée, Dinda L.
2002. Griegs swan songs. Semiotica 2002:142 DOI logo

This list is based on CrossRef data as of 10 july 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.