Review published In:
TargetVol. 9:2 (1997) ► pp.374–378
Book review
Kaindl, Klaus. 1995. Die Oper als Textgestalt: Perspektiven einer interdisziplinären Übersetzungswissenschaft
References
Baest, Arjan van
1995 The Semiotics of C.S Peirce Applied to Music: A Matter of Belief. Tilburg: Tilburg University Press, [co-authored by Hans van Driel.]
Dougherty, William
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The Quest for Interpretants: Towards a Peircean Paradigm for Musical Semiotics".
Semiotica 99:1-2. 163-184.
Gorlée, Dinda L
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Symbolic Argument and Beyond: A Peircean View on Structuralist Reasoning".
Poetics Today 13:3. 407-423.
Gorlée, Dinda L
1996 "
Opera Translation: Charles Peirce Translating Richard Wagner".
Eero Tarasti, ed.
Musical Semiotics in Growth. Bloomington: Indiana University Press & Imatra: International Semiotics Institute 1996.407–35. [Acta Semiotica Fennica, 4.]
Jakobson, Roman
1960 "
Concluding Statement: Linguistics and Poetics".
Thomas A. Sebeok, ed.
Style in Language. Cambridge, MA: MIT Press 1960 350–377.
Sebeok, Thomas A.
gen.ed. 1986 Encyclopedic Dictionary of Semiotics. Berlin: Mouton de Gruyter 1. [Approaches to Semiotics, 73.]
Cited by
Cited by 1 other publications
Gorlée, Dinda L.
2002.
Griegs swan songs.
Semiotica 2002:142
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