A ‘partial’ Orientalist
Lin Yutang’s Famous Chinese Short Stories
and the soft power of Chinese tradition
Lin Yutang 林语堂 (1895–1976) was a Chinese
American writer based in the USA who produced thirty English works interpreting Chinese philosophy to a western audience between
1936 and 1966. Lin’s critics often accuse him of succumbing to colonial power dynamics between China and the west. Famous
Chinese Short Stories: Retold by Lin Yutang (FCSS), published by the John Day Company in 1952, is a
particularly revealing case in point. FCSS contains twenty tales selected from ancient Chinese culture, edited,
and rewritten in English using western storytelling techniques. In response to critiques of Lin’s works including
FCSS as being Orientalist, I re-examine the intricate process of Lin’s rewriting to reveal a more complex
stance vis-à-vis Orientalism, characterizing his cultural position as that of a ‘partial’ Orientalist. This term implies that Lin
recognizes the potential of Chinese tradition to provide an alternative modernity.
Article outline
- Introduction
- Lin Yutang’s reinterpretation of xingling
- Xingling in FCSS as an agent of modernity
- The soft power of Chinese tradition in the pursuit of modernity
- Conclusion
- Notes
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References