Romantic Prose Fiction
Editors
In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, Romantic Prose Fiction achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not as guiding “truths” by which to define the permanent “meaning” of Romanticism, but as data of cultural history that shed important light on an evolving civilization.
This volume is part of a book set which can be ordered at a special discount: https://www.benjamins.com/series/chlel/chlel.special_offer.romanticism.pdf
[Comparative History of Literatures in European Languages, XXIII] 2008. xxi, 733 pp.
Publishing status: Available
© John Benjamins B.V. / Association Internationale de Littérature Comparée
Table of Contents
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Preface | pp. ix–xi
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IntroductionGerald Gillespie | pp. xiii–xxi
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Part I. Characteristic themes
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The French Revolution and prose fiction: Allegorization of history and its defeat by RomanceGerhart Hoffmeister | pp. 1–21
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Wertherism and the Romantic WeltanschauungBernard Dieterle | pp. 22–40
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Romanticism and the idealisation of the artistGregory Maertz | pp. 41–52
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'Unheard melodies and unseen pictures': The sister arts in Romantic fictionMihály Szegedy-Maszák | pp. 53–68
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Music and Romantic narrationClaudia Albert | pp. 69–89
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Nature and landscape between exoticism and national areas of imaginationWilhelm Graeber | pp. 90–106
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Mountain landscapes and the aesthetics of the sublime in Romantic narrationPaola Giacomoni | pp. 107–121
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The 'wanderer' in Romantic prose fictionAndré Lorant | pp. 122–138
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Night-sides of existence: Madness, dream, etc.Monika Schmitz-Emans | pp. 139–167
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Doubling, doubles, duplicity, bipolarityErnst Grabovszki | pp. 168–182
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Images of childhood in Romantic children's literatureBettina Kümmerling-Meibauer | pp. 183–203
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Artificial life and Romantic bridesMichael Andermatt | pp. 204–225
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Romantic gender and sexualityThomas Klinkert and Weertje Willms | pp. 226–248
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Part II. Paradigms of Romantic fiction
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A. Generic types and representative texts
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The Gothic novel as a Romantic narrative genreHendrik van Gorp | pp. 249–262
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Variants of the Romantic 'Bildungsroman' (with a short note on the 'artist novel')Manfred Engel | pp. 263–295
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Historical novel and historical RomanceMarkus Bernauer | pp. 296–324
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The fairy-tale, the fantastic taleJörn Steigerwald | pp. 325–344
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The detective story and novelGerald Gillespie | pp. 345–363
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Récit, story, tale, novellaSantiago Rodriguez Guerrero-Strachan | pp. 364–382
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The literary idyll in Germany, England, and Scandinavia 1770-1848Sven Halse | pp. 383–411
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B. Modes of discourse and narrative structures
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Address, relation, community: Boundaries and boundarycrossing in Romantic narrationFrederick Garber | pp. 412–434
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Torn halves: Romantic narrative fiction between homophony and polyphonyMonica Spiridon | pp. 435–451
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The fragment as structuring forceRemo Ceserani and Paolo Zanotti | pp. 452–475
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Mirroring, abymization, potentiation (involution)Sabine Rossbach | pp. 476–495
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Romantic novel and verse Romance, 1750-1850: Is there a Romance continuumJohn Clairborn Isbell | pp. 496–516
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Myth in Romantic prose fictionDorothy Figueira | pp. 517–526
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From historical narrative to fiction and back: A dialectical gameVirgil Nemoianu | pp. 527–536
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Romantic prose fiction and the shaping of social discourse in Spanish AmericaAnnette Paatz | pp. 537–558
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Part III. Contributions of Romanticism to 19th and 20th century writing and thought
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Narrative maneuvres in the 'periphery' the Spanish and Latin American novel during RomanticismJuri Talvet | pp. 559–579
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Romantic thought and style in 19th century Realism and NaturalismJeanne Smoot | pp. 580–595
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Romantic legacies in fin-de-siècle and early 20th century fictionJoel Black | pp. 596–609
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Framing C.J.L. Almqvist: The narrative frame of Törnrosens bok and Romantic ironySteven P. Sondrup | pp. 610–621
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Romanticism, occultism and the fantastic genre in Spain and Latin AmericaJosé Ricardo Chaves | pp. 622–642
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Romantic prose fiction in modern Japan: Finding an expression against the grainTakayuki Yokota-Murakami | pp. 643–654
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Ludic prose from Laurence Sterne to Carlos FuentesA. Owen Aldridge | pp. 655–663
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Rewrites and remakes: Screen adaptations of Romantic worksElaine Martin | pp. 664–693
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ConclusionGerald Gillespie, Manfred Engel and Bernard Dieterle | pp. 695–701
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Appendix (Table of Contents, vols. 1-4) | pp. 703–708
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Index of Names in vol. 5 | pp. 709–733
“[...] there are still relatively few truly comparative and collaborative studies of the kind represented by the volume at hand (and its counterparts in the ICLA'S CHLEL series). The continuing - indeed possibly even increasing - insularity of so much work in literary studies, despite all the cross-cultural name-dropping and second-hand allusion, is not worthy of an age, or a learned profession, that claims to have recognized the need for a heightened level of global awareness. That, if nothing else, is a compelling rationale for projects like Romantic Prose Fiction and the other volumes in the ICLA CHLEL series, and for their widest possible distribution and circulation.”
John Boening, University of Toledo, in The Comparatist 33 (2009)
“This impressive volume offers a wealth of insights into the interrelationships of Romantic fictional prose throughout most of Europe and parts of the Americas, with additional glances toward Asia. Like its four predecessor volumes in the “Romanticism subseries" of the Comparative History of Literatures in European Languages (devoted, respectively, to Romatic irony, drama, poetry, and non-fictional prose), it is the result of a massive team effort by international scholars whose essays constantly interweave, reflecting on many of the same authors and works yet linking them to ever new texts and contexts. [...] Romantic Prose Fiction is a remarkable achievement, not only for the rich scope of materials and insights it offers, but for its valuable sub-text of self-reflection on the way a comparative study of Romanticism helps at times to clarify - and at times to problematize - our modern critical consciousness.”
Angela Esterhammer, University of Zurich, in Recherche Littéraire/Literary Research, Vol. 25 (2009).
“[...] das Buch bietet erstens eine gute Einführung in romantische Denk- und Darstellingsformen, und es bekommt zweitens durch das grosse Spektrum an komparatistischen Perspektiven den Charakter eines lehrreichen Handbuchs zur Romantik als internationaler Entwicklung, dessen Lektüre gerade auch jedem Germanisten empfohlen sei.”
Prof. Dr. habil. Dirl Oschmann, Friedrich-Schiller-Universität Jena, on IASLonline, May 2009.
“The editors of this volume are to be complimented on the comprehensive nature and quality of the studies they include. The impressive range of contributors is testimony in itself to the standard of scholarship on show, with some of the leading names in the field featuring prominently. There is also a notably international array of contributors, something crucial to but often absent from such volumes which claim comprehensive coverage and a comparative approach. In choosing such an array, the editors have managed to negotiate the potential pitfalls surrounding such comparative works, which perversely often fail to represent a truly broad range of approaches and cultural diversities. The volume ends with a full listing of the content of all five volumes in the subseries. The range of material covered is impressive and, even at a glance, it is clear what a mammoth undertaking this has been. The current volume is valuable in itself but, seen in the context of the entire subseries, it becomes clear that the editors have created an invaluable critical resource which would greatly enhance any scholarly library.”
Carol Tully, Bangor University, in Modern Language review 104.3 (2009)
Cited by (4)
Cited by four other publications
ORAL, Erdi & Arzu ÖZYÖN
Gillespie, Gerald E. P.
[no author supplied]
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Subjects
Literature & Literary Studies
Main BIC Subject
DSB: Literary studies: general
Main BISAC Subject
LIT004130: LITERARY CRITICISM / European / General