Article published In:
The Journal of Internationalization and Localization
Vol. 2 (2012) ► pp.3665
References
Arons, B
(1992) A review of the cocktail party effect. Journal of the American Voice I/O Society, 121, 35–50.Google Scholar
Berens, K., & Howard, G
(2001) The Rough Guide to Videogaming 2002. London/New York: Rough Guides.Google Scholar
Brabham, D
(2008) Crowdsourcing as a Model for Problem Solving: An Introduction and Cases. Convergence, 14(1), 75–90. DOI logoGoogle Scholar
Chandler, H
(2005) The Game Localization Handbook. Massachusetts: Charles River Media.  TSBGoogle Scholar
Clynes, M
(1980) The communication of emotion: theory of sentics. In R. Plutchik, & H. Kellerman, Theories of Emotion (Vol. 11, pp. 171–216). New York: Academic Press. DOI logoGoogle Scholar
Collins, K
(2009) An Introduction to Procedural Music in Video Games. Contemporary Music Review, 28(1), 5–15. DOI logoGoogle Scholar
Crosignani, S., Ballista, A., & Minazzi, F
(2008, October/November). Preserving the spell in games localization. MultiLingual, 38–41.Google Scholar
Dietz, F
(2006) Issues in localizing computer games. In K. Dunne, Perspectives in Localization (pp. 121–134). Amsterdam/Philadelphia: John Benjamins Publishing Company. DOI logoGoogle Scholar
Downey, J.E
(1897) A musical experiment. American Journal of Psychology, 91, 63–69. DOI logoGoogle Scholar
Frasca, G
(2001) Rethinking agency and immersion: video games as a means of consciousness-raising. SIGGRAPH 2001. Retrieved from [URL]
Gabrielson, A.J
(1996) Emotional expression in music performance: Between the performers intention and the listeners experience. Psychology of Music, 241, 68–91. DOI logoGoogle Scholar
Gale, H
(1888) Schopenhauer's Metaphysics of Music. New Englander and Yale Review, 48(CCXVIII), 362–368.Google Scholar
Gilman, B.I
(1891) Report on an experimental test of musical expressiveness. American Journal of Psychology, 41, 558–576. DOI logoGoogle Scholar
Good, M., Picot, B., Salem, S., Chin, C., & Picot, S
(2006) Cultural Differences in Music Chosen for Pain Relief. Journal of Holistic Nursing, 18(3), 245–260. DOI logoGoogle Scholar
Gregory, A.H., & Varney, N
(1996) Cross-Cultural comparisons in the affective response to music. Psychology of Music, 241, 47–52. DOI logoGoogle Scholar
Gundlach, R.H
(1935) Factors determining the characterization of musical phrases. American Journal of Psychology, 471, 624–644. DOI logoGoogle Scholar
Howe, J
(2006) The Rise of Crowdsourcing. Wired Magazine. 14(6). Retrieved from [URL]Google Scholar
(2009) Crowdsourcing: A Definition. Retrieved from [URL]Google Scholar
Howland, G
(1998) Game Design: The essence of computer games. Retrieved from [URL]Google Scholar
Izard, C.E
(1991) The psychology of emotions. New York: Plenum. DOI logoGoogle Scholar
Jorgenssen, A.H
(1989) Using the think-aloud method in systems development. In G. Salvendy, & M. Smith, Designing and Using Human-Computer Interfaces and Knowledge-Based Systems. Amsterdam: Elsevier Science.Google Scholar
Land, M.Z., & McConnell, P.N
(1994 )  Patent No. US Patent No. 5,315,057.
Meyer, L.B
(2001) Music and Emotion: Distinctions and Uncertainties. In P.N. Juslin, & J.A. Sloboda, Music and emotion: Theory and research (pp. 341–360). New York: Oxford University Press.Google Scholar
Monk, A., Wright, P., Haber, J., & Davenport, L
(1993) Improving Your Human-Computer Interface, A Practical Technique. Prentice Hall International.Google Scholar
Morrison, S.J., Demorest, S.M., Aylward, E.H., Cramer, S.C., & Maravilla, K.R
(2003) fMRI investigation of cross-cultural music comprehension. NeuroImage, 201, 378–384. DOI logoGoogle Scholar
O'Keeffe, I.R
(2009) Music Localisation: Active Music Content for Web Pages. Localisation Focus - The International Journal of Localisation, 8(1), 67–81.Google Scholar
Pignatiello, M., Camp, C.J., & Rasar, L.A
(1986) Musical mood induction: An alternative to the Velten technique. Journal of Abnormal Psychology, 95(3), 295–297. DOI logoGoogle Scholar
Plutchik, R
(1980) A general psychoevolutionary theory of emotion. In R. Plutchik, & H. Kellerman, Theories of Emotion (pp. 3–33). New York: Academic Press. DOI logoGoogle Scholar
(2001) The Nature of Emotions. American Scientist, 891, 344–350. DOI logoGoogle Scholar
Rigg, M.G
(1937) Musical expression: An investigation of the theories of Erich Sorantin. Journal of Experimental Psychology, 211, 442–55. DOI logoGoogle Scholar
Scherer, K.R
(1995) Expression of Emotion in Voice and Music. Journal of Voice, 9(3), 235–248. DOI logoGoogle Scholar
Shand, A.F
(1914) The Foundations Of Character – Being a study of the Emotions and Sentiments. Macmillan. DOI logoGoogle Scholar
Thompson, W.F., & Robitaille, B
(1992) Can composers express emotions through music? Empirical Studies of the Arts, 101, 79–89. DOI logoGoogle Scholar
Trainor, H
(2003) Games localization: production and testing. Multilingual Computing & Technology, 14(5), 17–20.Google Scholar
Walker, R
(1996) Open peer commentary: Can we understand the music of another culture?. Psychology of Music, 241, 103–130. DOI logoGoogle Scholar