Telecinematic Discourse
Approaches to the language of films and television series
Editors
| University of Sussex
| University of Sydney
| University of Messina
This cutting-edge collection of articles provides the first organised reflection on the language of films and television series across British, American and Italian cultures. The volume suggests new directions for research and applications, and offers a variety of methodologies and perspectives on the complexities of "telecinematic" discourse – a hitherto virtually unexplored area of investigation in linguistics.
The papers share a common vision of the big and small screen: the belief that the discourses of film and television offer a re-presentation of our world. As such, telecinematic texts reorganise and recreate language (together with time and space) in their own way and with respect to specific socio-cultural conventions and media logic. The volume provides a multifaceted, yet coherent insight into the diegetic – as it revolves around narrative – as opposed to mimetic – as referring to other non-narrative and non-fictional genres – discourses of fictional media. The collection will be of interest to researchers, tutors and students in pragmatics, stylistics, discourse analysis, corpus linguistics, communication studies and related fields.
The papers share a common vision of the big and small screen: the belief that the discourses of film and television offer a re-presentation of our world. As such, telecinematic texts reorganise and recreate language (together with time and space) in their own way and with respect to specific socio-cultural conventions and media logic. The volume provides a multifaceted, yet coherent insight into the diegetic – as it revolves around narrative – as opposed to mimetic – as referring to other non-narrative and non-fictional genres – discourses of fictional media. The collection will be of interest to researchers, tutors and students in pragmatics, stylistics, discourse analysis, corpus linguistics, communication studies and related fields.
[Pragmatics & Beyond New Series, 211] 2011. xi, 315 pp.
Publishing status: Available
© John Benjamins Publishing Company
Table of Contents
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Contributors
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ix–xi
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1–17
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Part I. Cinematic discourse
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21–46
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47–67
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69–83
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85–104
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105–123
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125–139
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141–158
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Part II. Televisual discourse
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161–183
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185–204
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205–223
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225–247
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249–262
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263–280
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References
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281–302
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List of tables
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303
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List of figures
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305
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Index of films and TV series
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307–309
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Index
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“The articles in this collection consist mainly of in-depth case studies of particular movies or television series, which offer valuable insights in the budding study of telecinematic discourse. The contents are based on several different perspectives and methodologies (e.g. pragmatics, discourse analysis, corpus linguistics, and stylistics) and most authors not only base their analysis on purely linguistic aspects but also use a multimodal approach to interpreting their data. Overall, this collection is a first step in the systematic analysis of telecinematic discourse and illustrates the need for further research in this field.”
Sofia Rüdiger, University of Bayreuth, on E-Language, dated 20/07/12
“This volume presents a well-thought out and balanced selection of interrelated articles showing the endless possibilities for further research in this field. Indeed, one of the strengths of this volume is that its contributions feature many approaches which do not exclusively focus on the verbal channel (i.e. by taking a multimodal stance, examining the types of frames, gestures, sounds) and which stimulate cross-disciplinary analyses. [...] I would recommend this volume to scholars interested in disciplines such as Pragmatics, Corpus Linguistics, Stylistics, Film Studies and Cultural Studies.”
Simon Labate, University of Namur & FNRS, in English Text Construction Vol. 5:2 (2012)
“
Telecinematic Discourse, on the whole, is groundbreaking for contemporary multimodal discourse analysis, especially in its various methodological approaches and analytical perspectives on languages of films and television series. The collection of articles explores new areas and directions for discourse analysis. [...] One noteworthy aspect is that previously most MDA research has used a systemic functional approach, while studies in this book cover disciplines of linguistics, pedagogy, psychology, semiotics and sociology. In short, this book would be an asset to students and researchers interested in pragmatics, discourse analysis, corpus linguistics, communication and cultural studies.”
Haipeng Hu, Zhejiang University, in Discourse Studies, Volume 15:4 (2013), pages 491-493.
“This is a genuinely innovative collection of texts, examining aspects of media discourse from a variety of different linguistics-based approaches. I can imagine that a number of the chapters will be much cited as they lead to promising directions of further investigation. [...] This is a thought-provoking book, appropriate for those who wish to experiment with diverse approaches to media discourse from linguistic perspectives that take account of other modalities. The editors and publishers have done an excellent job of presentation; the texts are enhanced by careful figures and tables, and the composite index is admirable.”
Julia Gillen, Lancaster University, on Linguist List 24.2939 (July 2013).
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Bednarek, Monika
2011. Expressivity and televisual characterization.
Language and Literature: International Journal of Stylistics 20:1 ► pp. 3 ff.
Bednarek, Monika
2014. ‘And they all look just the same’? A quantitative survey of television title sequences.
Visual Communication 13:2 ► pp. 125 ff.
Bednarek, Monika
2018.
In Language and Television Series,
Bednarek, Monika
2020. Keyword analysis and the indexing of Aboriginal and Torres Strait Islander identity.
International Journal of Corpus Linguistics 25:4 ► pp. 369 ff.
Bednarek, Monika
2020. The Sydney Corpus of Television Dialogue: designing and building a corpus of dialogue from US TV series.
Corpora 15:1 ► pp. 107 ff.
Bednarek, Monika, Marcia Veirano Pinto & Valentin Werner
2020. Corpus approaches to telecinematic language.
International Journal of Corpus Linguistics 26:1 ► pp. 1 ff.
Bell, Alice, Sam Browse, Alison Gibbons & David Peplow
2021.
In Style and Reader Response [Linguistic Approaches to Literature, 36],
► pp. 1 ff.
Berber Sardinha, Tony & Marcia Veirano Pinto
2020. A linguistic typology of American television.
International Journal of Corpus Linguistics 26:1 ► pp. 127 ff.
Brock, Alexander
2015.
In Participation in Public and Social Media Interactions [Pragmatics & Beyond New Series, 256],
► pp. 27 ff.
Chovanec, Jan & Marta Dynel
2015.
In Participation in Public and Social Media Interactions [Pragmatics & Beyond New Series, 256],
► pp. 1 ff.
Davies, Mark
2020. The TV and Movies corpora.
International Journal of Corpus Linguistics 26:1 ► pp. 10 ff.
Formentelli, Maicol
2014. Vocatives galore in audiovisual dialogue.
English Text Construction 7:1 ► pp. 53 ff.
Harrison, Chloe
2020. ‘The truth is we’re watching each other’: Voiceover narration as ‘split self’ presentation in The Handmaid’s Tale TV series.
Language and Literature: International Journal of Stylistics 29:1 ► pp. 22 ff.
Jaspers, Jürgen & Sarah Van Hoof
2015. Ceci n'est pas une Tussentaal: Evoking Standard and Vernacular Language Through Mixed Dutch in Flemish Telecinematic Discourse.
Journal of Germanic Linguistics 27:1 ► pp. 1 ff.
Lee, Kelvin K. H.
2018. “Watashi-tachi wa ningen da!”: A Corpus-Assisted Analysis of a Non-Human Character in the Anime Series ‘From the New World’.
New Voices in Japanese Studies 10 ► pp. 52 ff.
McIntyre, Dan
2012. The year’s work in stylistics 2011.
Language and Literature: International Journal of Stylistics 21:4 ► pp. 402 ff.
Pavesi, Maria
2014. This and That in the Language of Film Dubbing: A Corpus-Based Analysis.
Meta 58:1 ► pp. 103 ff.
Prodanović Stankić, Diana
2017.
In Advances in Cultural Linguistics [Cultural Linguistics, ],
► pp. 29 ff.
Reichelt, Susan
2020. Innovation on screen.
International Journal of Corpus Linguistics 26:1 ► pp. 95 ff.
Richardson, Kay P.
2017.
In Dialogue across Media [Dialogue Studies, 28],
► pp. 37 ff.
Statham, Simon
2015. ‘A guy in my position is a government target … You got to be extra, extra careful’: Participation and strategies in crime talk in The Sopranos.
Language and Literature: International Journal of Stylistics 24:4 ► pp. 322 ff.
Statham, Simon & Rocío Montoro
2019. The year’s work in stylistics 2018.
Language and Literature: International Journal of Stylistics 28:4 ► pp. 354 ff.
Stratton, James
2018. The Use of the Adjective Intensifier well in British English: A Case Study of The Inbetweeners.
English Studies 99:8 ► pp. 793 ff.
Thomas, Bronwen
2017.
In Dialogue across Media [Dialogue Studies, 28],
► pp. 77 ff.
Tsakona, Villy, Rania Karachaliou & Argiris Archakis
2020. Liquid racism in the Greek anti-racist campaign #StopMindBorders
.
Journal of Language Aggression and Conflict 8:2 ► pp. 232 ff.
Veirano Pinto, Marcia
2014.
In Multi-Dimensional Analysis, 25 years on [Studies in Corpus Linguistics, 60],
► pp. 109 ff.
Wieczorek, Magdalena
2018. Relevance in Sitcom Discourse: The Viewer’s Perspective.
Anglica. An International Journal of English Studies :27/2 ► pp. 127 ff.
Zago, Raffaele
2015.
In Participation in Public and Social Media Interactions [Pragmatics & Beyond New Series, 256],
► pp. 183 ff.
This list is based on CrossRef data as of 07 february 2021. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.
Subjects
BIC Subject: CFG – Semantics, Pragmatics, Discourse Analysis
BISAC Subject: LAN009000 – LANGUAGE ARTS & DISCIPLINES / Linguistics / General