Telecinematic Discourse

Approaches to the language of films and television series

Editors
| University of Sussex
| University of Sydney
| University of Messina
HardboundAvailable
ISBN 9789027256157 | EUR 95.00 | USD 143.00
 
e-Book
ISBN 9789027285157 | EUR 95.00 | USD 143.00
 
This cutting-edge collection of articles provides the first organised reflection on the language of films and television series across British, American and Italian cultures. The volume suggests new directions for research and applications, and offers a variety of methodologies and perspectives on the complexities of "telecinematic" discourse – a hitherto virtually unexplored area of investigation in linguistics.
The papers share a common vision of the big and small screen: the belief that the discourses of film and television offer a re-presentation of our world. As such, telecinematic texts reorganise and recreate language (together with time and space) in their own way and with respect to specific socio-cultural conventions and media logic. The volume provides a multifaceted, yet coherent insight into the diegetic – as it revolves around narrative – as opposed to mimetic – as referring to other non-narrative and non-fictional genres – discourses of fictional media. The collection will be of interest to researchers, tutors and students in pragmatics, stylistics, discourse analysis, corpus linguistics, communication studies and related fields.
[Pragmatics & Beyond New Series, 211]  2011.  xi, 315 pp.
Publishing status: Available
Table of Contents
Contributors
ix–xi
Chapter 1. Introduction: Analysing telecinematic discourse
Roberta Piazza, Monika Bednarek and Fabio Rossi
1–17
Part I. Cinematic discourse
Chapter 2. Discourse analysis of film dialogues: Italian comedy between linguistic realism and pragmatic non-realism
Fabio Rossi
21–46
Chapter 3. Using film as linguistic specimen: Theoretical and practical issues
Michael Alvarez-Pereyre
47–67
Chapter 4. Multimodal realisations of mind style in Enduring Love
Rocío Montoro
69–83
Chapter 5. Pragmatic deviance in realist horror films: A look at films by Argento and Fincher
Roberta Piazza
85–104
Chapter 6. Emotion and empathy in Martin Scorsese’s Goodfellas: A case study of the “funny guy” scene
Derek Bousfield and Dan McIntyre
105–123
Chapter 7. Quantifying the emotional tone of James Bond films: An application of the Dictionary of Affect in Language
Rose Ann Kozinski
125–139
Chapter 8. Structure and function in the generic staging of film trailers: A multimodal analysis
Carmen Daniela Maier
141–158
Part II. Televisual discourse
Chapter 9. “I don’t know what they’re saying half the time, but I’m hooked on the series”: Incomprehensible dialogue and integrated multimodal characterisation in The Wire
Michael Toolan
161–183
Chapter 10. The stability of the televisual character: A corpus stylistic case study
Monika Bednarek
185–204
Chapter 11. Star Trek: Voyager’s Seven of Nine: A case study of language and character in a televisual text
Susan Mandala
205–223
Chapter 12. Relationship impression formation: How viewers know people on the screen are friends
Claudia Bubel
225–247
Chapter 13. Genre, performance and Sex and the City
Brian Paltridge, Angela Thomas and Jianxin Liu
249–262
Chapter 14. Bumcivilian: Systemic aspects of humorous communication in comedies
Alexander Brock
263–280
References
281–302
List of tables
303
List of figures
305
Index of films and TV series
307–309
Index
“The articles in this collection consist mainly of in-depth case studies of particular movies or television series, which offer valuable insights in the budding study of telecinematic discourse. The contents are based on several different perspectives and methodologies (e.g. pragmatics, discourse analysis, corpus linguistics, and stylistics) and most authors not only base their analysis on purely linguistic aspects but also use a multimodal approach to interpreting their data. Overall, this collection is a first step in the systematic analysis of telecinematic discourse and illustrates the need for further research in this field.”
“This volume presents a well-thought out and balanced selection of interrelated articles showing the endless possibilities for further research in this field. Indeed, one of the strengths of this volume is that its contributions feature many approaches which do not exclusively focus on the verbal channel (i.e. by taking a multimodal stance, examining the types of frames, gestures, sounds) and which stimulate cross-disciplinary analyses. [...] I would recommend this volume to scholars interested in disciplines such as Pragmatics, Corpus Linguistics, Stylistics, Film Studies and Cultural Studies.”
Telecinematic Discourse, on the whole, is groundbreaking for contemporary multimodal discourse analysis, especially in its various methodological approaches and analytical perspectives on languages of films and television series. The collection of articles explores new areas and directions for discourse analysis. [...] One noteworthy aspect is that previously most MDA research has used a systemic functional approach, while studies in this book cover disciplines of linguistics, pedagogy, psychology, semiotics and sociology. In short, this book would be an asset to students and researchers interested in pragmatics, discourse analysis, corpus linguistics, communication and cultural studies.”
“This is a genuinely innovative collection of texts, examining aspects of media discourse from a variety of different linguistics-based approaches. I can imagine that a number of the chapters will be much cited as they lead to promising directions of further investigation. [...] This is a thought-provoking book, appropriate for those who wish to experiment with diverse approaches to media discourse from linguistic perspectives that take account of other modalities. The editors and publishers have done an excellent job of presentation; the texts are enhanced by careful figures and tables, and the composite index is admirable.”
Cited by

Cited by other publications

No author info given
2014.  In A Corpus Linguistic Approach to Literary Language and Characterization [Linguistic Approaches to Literature, 18], Crossref logo
No author info given
2014.  In A Corpus Linguistic Approach to Literary Language and Characterization [Linguistic Approaches to Literature, 18], Crossref logo
Bednarek, Monika
2011. Expressivity and televisual characterization. Language and Literature: International Journal of Stylistics 20:1  pp. 3 ff. Crossref logo
Bednarek, Monika
2014. ‘And they all look just the same’? A quantitative survey of television title sequences. Visual Communication 13:2  pp. 125 ff. Crossref logo
Bednarek, Monika
2018.  In Language and Television Series, Crossref logo
Brock, Alexander
2015.  In Participation in Public and Social Media Interactions [Pragmatics & Beyond New Series, 256],  pp. 27 ff. Crossref logo
Chovanec, Jan & Marta Dynel
2015.  In Participation in Public and Social Media Interactions [Pragmatics & Beyond New Series, 256],  pp. 1 ff. Crossref logo
Formentelli, Maicol
2014. Vocatives galore in audiovisual dialogue: Evidence from a corpus of American and British films. English Text Construction 7:1  pp. 53 ff. Crossref logo
Harrison, Chloe
2020. ‘The truth is we’re watching each other’: Voiceover narration as ‘split self’ presentation in The Handmaid’s Tale TV series. Language and Literature: International Journal of Stylistics  pp. 096394702090575 ff. Crossref logo
Jaspers, Jürgen & Sarah Van Hoof
2015. Ceci n'est pas une Tussentaal: Evoking Standard and Vernacular Language Through Mixed Dutch in Flemish Telecinematic Discourse. Journal of Germanic Linguistics 27:1  pp. 1 ff. Crossref logo
Lee, Kelvin K. H.
2018. “Watashi-tachi wa ningen da!”: A Corpus-Assisted Analysis of a Non-Human Character in the Anime Series ‘From the New World’. New Voices in Japanese Studies 10  pp. 52 ff. Crossref logo
McIntyre, Dan
2012. The year’s work in stylistics 2011. Language and Literature: International Journal of Stylistics 21:4  pp. 402 ff. Crossref logo
Pavesi, Maria
2014. This and That in the Language of Film Dubbing: A Corpus-Based Analysis. Meta 58:1  pp. 103 ff. Crossref logo
Prodanović Stankić, Diana
2017.  In Advances in Cultural Linguistics [Cultural Linguistics, ],  pp. 29 ff. Crossref logo
Richardson, Kay P.
2017.  In Dialogue across Media [Dialogue Studies, 28],  pp. 37 ff. Crossref logo
Statham, Simon
2015. ‘A guy in my position is a government target … You got to be extra, extra careful’: Participation and strategies in crime talk in The Sopranos. Language and Literature: International Journal of Stylistics 24:4  pp. 322 ff. Crossref logo
Statham, Simon & Rocío Montoro
2019. The year’s work in stylistics 2018. Language and Literature: International Journal of Stylistics 28:4  pp. 354 ff. Crossref logo
Stratton, James
2018. The Use of the Adjective Intensifier well in British English: A Case Study of The Inbetweeners. English Studies 99:8  pp. 793 ff. Crossref logo
Thomas, Bronwen
2017.  In Dialogue across Media [Dialogue Studies, 28],  pp. 77 ff. Crossref logo
Veirano Pinto, Marcia
2014.  In Multi-Dimensional Analysis, 25 years on [Studies in Corpus Linguistics, 60],  pp. 109 ff. Crossref logo
Wieczorek, Magdalena
2018. Relevance in Sitcom Discourse: The Viewer’s Perspective. Anglica. An International Journal of English Studies :27/2  pp. 127 ff. Crossref logo
Zago, Raffaele
2015.  In Participation in Public and Social Media Interactions [Pragmatics & Beyond New Series, 256],  pp. 183 ff. Crossref logo

This list is based on CrossRef data as of 29 february 2020. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.

Subjects
BIC Subject: CFG – Semantics, Pragmatics, Discourse Analysis
BISAC Subject: LAN009000 – LANGUAGE ARTS & DISCIPLINES / Linguistics / General
U.S. Library of Congress Control Number:  2011015156