From Sign to Signing

| Friedrich-Schiller-Universität Jena
| University of Amsterdam
HardboundAvailable
ISBN 9789027225931 (Eur) | EUR 145.00
ISBN 9781588112880 (USA) | USD 218.00
 
e-Book
ISBN 9789027296313 | EUR 145.00 | USD 218.00
 
This volume, a sequel to Form Miming Meaning (1999) and The Motivated Sign (2001), offers a selection of papers given at the Third International Symposium on Iconicity in Language and Literature (Jena 2001). The studies collected here present a number of new departures. Special consideration is given to the way non-linguistic visual and auditory signs (such as gestures and bird sounds) are represented in language, and more specifically in ‘signed’ language, and how such signs influence semantic conceptualization. Other studies examine more closely how visual signs and representations of time and space are incorporated or reflected in literary language, in fiction as well as (experimental) poetry. A further new approach concerns intermedial iconicity, which emerges in art when its medium is changed or another medium is imitated. A more abstract, diagrammatic type of iconicity is again investigated, with reference to both language and literature: some essays focus on the device of reduplication, isomorphic tendencies in word formation and on creative iconic patterns in syntax, while others explore numerical design in Dante and geometrical patterning in Dylan Thomas. A number of theoretically-oriented papers pursue post-Peircean approaches, such as the application of reader-response theory and of systems theory to iconicity.

[Iconicity in Language and Literature, 3]  2003.  xiv, 441 pp.
Publishing status: Available
Table of Contents
Preface and acknowledgments
ix–x
List of contributors
xi–xiii
Introduction: From Signing back to Signs
Olga Fischer and Wolfgang G. Müller
1–20
Part I: Auditory and visual signs and signing
21
The influence of sign language iconicity on semantic conceptualization
Klaudia Grote and Erika Linz
23–40
What You See Is What You Get: Iconicity and metaphor in the visual language of written and signed poetry: A cognitive poetic approach
William J. Herlofsky
41–61
Spatial iconicity in two English verb classes
Axel Hübler
63–76
What imitates birdcalls?: Two experiments on birdcalls and their linguistic representations
Keiko Masuda
77–102
Part II: Visual iconicity and iconic mapping
103
Perspective in experimental shaped poetry: A semiotic approach
John J. White
105–127
Where reading peters out: Iconic images in the entropic text
Julian Moyle
129–151
Iconic representation of space and time in Vladimir Sorokin’s novel The Queue (Ochered’)
Andreas Ohme
153–165
“Vision and Prayer”: Dylan Thomas and the Power of X
Matthias Bauer
167–181
Diagrams in narrative: Visual strategies in contemporary fiction
Christina Ljungberg
183–199
Part III: Structural iconicity
201
The iconicity of Afrikaans reduplication
C. Jac Conradie
203–223
Diagrammatic iconicity in the lexicon: Base and derivation in the history of German verbal word-formation
Volker Harm
225–241
Creative syntax: Iconic principles within the symbolic
Beate Hampe and Doris Schönefeld
243–261
Aspects of grammatical iconicity in English
Günter Rohdenburg
263–285
Beatrice: or The geometry of love
Wilhelm Pötters
287–315
How metaphor and iconicity are entwined in poetry: A case in haiku
Masako K. Hiraga
317–335
Part IV: Intermedial iconicity
337
Intermedial iconicity in fiction: Tema con variazioni
Werner Wolf
339–360
Iconicity and literary translation
Elżbieta Tabakowska
361–376
Part V: New applications of sign theory
377
Iconizing literature
Jorgen Dines Johansen
379–410
From signal to symbol: Towards a systems typology of linguistic signs
Piotr Sadowski
411–424
Author index
425–432
Subject index
433–441
Cited by

Cited by other publications

No author info given
2017.  In Nicht-ikonische Chronologie,  pp. 286 ff. Crossref logo
Caridakis, George, Stylianos Asteriadis & Kostas Karpouzis
2014. Non-manual cues in automatic sign language recognition. Personal and Ubiquitous Computing 18:1  pp. 37 ff. Crossref logo
Gonzálvez-García, Francisco
2018. Taming iconicity in the Spanish and Italian translations of Shakespeare’s Sonnets. English Text Construction 11:1  pp. 105 ff. Crossref logo
Hiraga, Masako K., William J. Herlofsky, Kazuko Shinohara & Kimi Akita
2015.  In Iconicity [Iconicity in Language and Literature, 14],  pp. 1 ff. Crossref logo
Stockwell, Peter
2010. Humanity and the art of literary linguistics. Acta Linguistica Hafniensia 42:sup1  pp. 103 ff. Crossref logo
Stockwell, Peter
2019.  In Style, Rhetoric and Creativity in Language [Linguistic Approaches to Literature, 34],  pp. 37 ff. Crossref logo
Tabakowska, Elżbieta
2003.  In Handbook of Pragmatics,  pp. 1 ff. Crossref logo

This list is based on CrossRef data as of 01 may 2020. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.

Subjects
BIC Subject: CF – Linguistics
BISAC Subject: LAN009000 – LANGUAGE ARTS & DISCIPLINES / Linguistics / General
U.S. Library of Congress Control Number:  2002028004