Progress in Colour Studies
Cognition, language and beyond
This volume presents authoritative and up-to-date research in colour studies by specialists across a wide range of academic disciplines, including vision science, psychology, psycholinguistics, linguistics, anthropology, onomastics, philosophy, archaeology and design. The chapters have been developed from papers and posters presented at the Progress in Colour Studies (PICS2016) conference held at University College London in September 2016. The book continues the series from the earlier PICS conferences, which have become renowned for their insights into colour in language and cognition. In the present book all chapters have been rigorously peer-reviewed and revised to ensure the highest standards throughout. The chapters are grouped into three sections: Colour Perception and Cognition; The Language of Colour; and The Diversity of Colour. Each section is preceded by a short introduction drawing together the themes of its chapters. There are over 120 colour illustrations.
[Not in series, 217] 2018. xx, 470 pp.
Publishing status: Available
Published online on 23 October 2018
Published online on 23 October 2018
© John Benjamins
Table of Contents
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Preface
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Contributors
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Abbreviations | pp. xviii–18
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Emeritus Professor Christian J. Kay 1940–2016 | pp. xx–20
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Section 1. Colour perception and cognition
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Chapter 1. The colours and the spectrumJan Koenderink | pp. 5–22
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Chapter 2. Ensemble perception of colourJohn Maule and Anna Franklin | pp. 23–40
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Chapter 3. The role of saturation in colour naming and colour appearanceChristoph Witzel | pp. 41–58
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Chapter 4. Spanish basic colour categories are 11 or 12 depending on the dialectJulio Lillo, Lilia Prado-León, Fernando Gonzalez Perilli, Anna Melnikova, Leticia Álvaro, José Collado and Humberto Moreira | pp. 59–82
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Chapter 5. Diatopic variation in the referential meaning of the “Italian blues”Galina V. Paramei, Mauro D’Orsi and Gloria Menegaz | pp. 83–106
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Chapter 6. A Color Inference FrameworkKaren B. Schloss | pp. 107–122
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Chapter 7. Kandinsky’s colour-form correspondence theory: A cross-cultural re-investigationSebastian Walter | pp. 123–145
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Chapter 8. Cross-modal associations involving colour and touch: Does hue matter?Yasmina Jraissati and Oliver Wright | pp. 147–162
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Section 2. The language of colour
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Chapter 9. Is it all guesswork? Translating colour terms across the centuriesCarole P. Biggam | pp. 167–178
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Chapter 10. ColCat: A color categorization digital archive and research wikiKimberly A. Jameson | pp. 179–208
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Chapter 11. Unifying research on colour and emotion: Time for a cross-cultural survey on emotion associations with colour termsChristine Mohr, Domicele Jonauskaite, Elise S. Dan-Glauser, Mari Uusküla and Nele Dael | pp. 209–222
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Chapter 12. Divergence and shared conceptual organization: A Points-of-View analysis of colour listing data from fourteen European languagesDavid Bimler and Mari Uusküla | pp. 223–239
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Chapter 13. Colour and ideology: The word for red in the Polish press, 1945–1954Danuta Stanulewicz and Adam Pawłowski | pp. 241–268
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Chapter 14. Black and white linguistic category entrenchment in EnglishJodi L. Sandford | pp. 269–283
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Chapter 15. Colour terms in the blue area among Estonian-Russian and Russian-Estonian bilingualsOlga Loitšenko | pp. 285–299
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Chapter 16. The journey of the “apple from China”: A cross-linguistic study on the psychological salience of the colour term for orangeVictoria Bogushevskaya | pp. 301–313
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Section 3. The diversity of colour
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Chapter 17. A theory of visual stress and its application to the use of coloured filters for readingArnold J. Wilkins | pp. 319–339
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Chapter 18. Does deuteranomaly place children at a disadvantage in educational settings? A systematic literature reviewBeejal Mehta, Paul Sowden and Alexandra Grandison | pp. 341–355
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Chapter 19. Common basis for colour and light studiesUlf Klarén | pp. 357–369
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Chapter 20. Identifying colour use and knowledge in textile design practiceJudith Mottram | pp. 371–389
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Chapter 21. An empirical study on fabric image retrieval with multispectral images using colour and pattern featuresJohn Xin, Jack Wu, PengPeng Yao and Sijie Shao | pp. 391–404
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Chapter 22. The effects of correlated colour temperature on wayfinding performance and emotional reactionsOzge Kumoglu Suzer and Nilgun Olgunturk | pp. 405–418
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Chapter 23. Colour in the Pompeiian cityscape: Manifestations of status, religion, traffic and commerceKarin Fridell Anter and Marina Weilguni | pp. 419–439
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Chapter 24. Mapping the Antarctic: Photography, colour and the scientific expedition in public exhibitionLiz Watkins | pp. 441–461
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Index
Cited by (5)
Cited by five other publications
Станулевич, Данута & Конрад Радомийські
2024. COLOUR TERMS IN ASTROPHYSICAL TEXTS: A CORPUS STUDY. Scientific Journal of National Pedagogical Dragomanov University. Series 9. Current Trends in Language Development :27 ► pp. 72 ff. 
Simoncelli, Camilla, Philippe Gréa & Maria Kihlstedt
2024. From color naming to color perception: Cross‐linguistic differences of the chromatic information processing in monolingual and bilingual speakers. Color Research & Application
Uberman, Agnieszka
2023. COLOUR NAMING: SEMANTICS OF THE COLOUR WHITE IN ENGLISH AND POLISH LEXICON. Lege artis. Language yesterday, today, tomorrow ► pp. 147 ff.
Hu, Ruizhen, Ziqi Ye, Bin Chen, Oliver van Kaick & Hui Huang
2022. Self-Supervised Color-Concept Association via Image Colorization. IEEE Transactions on Visualization and Computer Graphics ► pp. 1 ff.
Bimler, David & Mari Uusküla
2018. Chapter 12. Divergence and shared conceptual organization. In Progress in Colour Studies, ► pp. 223 ff.
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Subjects
Art & Art History
Psychology
Main BIC Subject
CF: Linguistics
Main BISAC Subject
LAN009000: LANGUAGE ARTS & DISCIPLINES / Linguistics / General